New songs for June 29th, 2022

 here they are:


"Big Time" by Angel Olsen: You would have never expected the singer of a Morissette-esque song like "Shut Up Kiss Me" to have turned to country for her next song, would you?! Well, that's exactly what happens here with Angel Olsen and her song, "Big Time." The song brings to mind some of the more countrified songs of groups like The Grateful Dead, The Band, and Crosby Stills Nash & Young. The song plays out like a typical country lament of a "lost love" as Angel pines for a relationship she has lost. 

"Hospital" by Madison Cunningham: On the other hand, you could also start out more quaint and folks-y and then have a more angst-ridden song afterwards! Such is the case with Madison Cunningham, whose jazz-folk-y "Pin it Down" seems rather quiet and subdued compared to her latest song, "Hospital," which seems like it could easily fit on an alt or soft rock station of the mid-'90s with a sound similar to songs of the era like "One of Us" or "Everyday is a Winding Road." Like our last entry, "Hospital" is also about a breakup, but approaches the subject more from a world-weary, disappointed point of view than a bittersweet one.

"My Babe" by Spoon: One of the more sensitive, folk-influenced songs in Spoon's catalog, "My Babe" is, to date, the most bittersweet song that Britt Daniels and co have attempted so far! Spoon are no strangers to folk-rock, as songs like "The Underdog," "I Summon You," and "Do You?" all illustrate, but "My Babe" is their first indie-folk song that's more tender than quirky. Electric guitars do come midway through the song, but they don't change the sedate mood of this track. The lyrics are also very sweet for Spoon, who typically opt more for songs where no one can quite figure out what they're about. "My Babe," clearly, is a love song, as can be inferred from the title alone!

New songs for June 22nd, 2022

 here they are:


"Anything But Me" by Muna: All-female indie-pop trio Muna combines the Fleetwood Mac-ish harmonies that dominated the 1970's with the shiny, plastic synth-pop sound of the 1980's. Their latest song, "Anything But Me," utilizes both of these factors to great effect as lead singer Katie Gavin weaves a tale about a relationship gone wrong. More specifically, "Anything But Me" is about a relationship Katie opted out of simply because it didn't feel right for her. 

"Free" by Florence and The Machine: After the atmospheric, moody pop of Flo's latest song, "My Love," her summer 2022 hit, "Free," seems poised to be one that is more suited to the upbeat vibes people typically associate with summer. The song is one of Flo's more spirited numbers. Just as "Shake it Out" shook off her inner demons in 2011, "Free" seems to be doing the same thing in 2022. The main difference, of course, is that Flo was not suffering through a pandemic in 2011. "Shake It Out" was more about trying to relieve stress after a hangover (which her 2015 song, "Ship to Wreck," seemed to be about as well). There's no tipsiness that I can tell in "Free." Instead, this is a song where Flo releases her tension the way that pretty much anyone else has these past two years, whether sober or drunk. Everyone has been feeling anxiety lately, and Flo puts those frazzled feelings to the forefront on "Free"! 

"McKenzie" by Houndmouth: With Houndmouth's tendency to sing about life on the road, I thought "McKenzie" might have been the name of a person OR place. As it turns out, it's the name of a person (I personally prefer the spelling "Mackenzie," but I digress). The song, whose sound is a welcome return to the folks-y roots-rock Houndmouth started out with, is ostensibly a love song, but not one that declares Matt Myers' love for another person, but rather one that vents frustration about how he wants to love the titular McKenzie but can't. Matt reminisces about how they first met over the course of the song's two verses, but it's more of a bittersweet reminiscing than it is nostalgic.

"Run Away" by Jocelyn and Chris: Brother-and-sister blues-rock duo, Jocelyn and Chris, sing of hope gone lost on their latest song, the fiery, Melissa Etheridge-esque song, "Run Away." The song seems to attempt more of a mainstream rock sound that is vaguely "alt" inspired than the blues-y flavor most of their songs have, and the song's rather urgent theme is probably one reason why it sounds like it does. The title, "Run Away," seems to hint at just escaping from having to hold out hope during seemingly hopeless times. Indeed, stress has been hitting many of us quite hard lately, including those with more neurologically stable mindsets. This flame-fueled folk-rock-ish tune might be just what some of us need. 

"Want Want" by Maggie Rogers: Maggie Rogers has been around for a few years now, but "Want Want" marks the first time in her career that both alt and adult alt radio stations have paid attention to her. Perhaps it's the song's propulsive, driving bass line, or maybe it's equally throbbing, synthetic percussion. The song's dynamic performance at the most recent Coachella concert might be yet another reason that "regular" alt stations are finally starting to pay attention to her music. Whatever the reason, though, there's no denying that "Want Want" might just be the catchiest song she's put out yet! Her material is typically more low-key than "Want Want" is. This might earn Maggie a whole new audience, but I'm sure she has no regrets about that!

New songs for June 15th, 2022

 here they are:

"Blood Runs Red" by Matt Maeson: A fast and somewhat dark folk-rock waltz that turns quickly to an Imagine Dragons-esque indie-alt/pop anthem ("Radioactive" and "Believer" are two songs that come to mind here), "Blood Runs Red" might just be Matt Maeson's answer to "Radioactive." Both songs seem to take place in a post-apocalyptic world. However, where Imagine Dragons seemed to accept their fate begrudgingly in "Radioactive," Matt Maeson seems to struggle with the negative changes of the world around him in "Blood Runs Red," even asking a higher power for guidance in the song's pre-chorus. To cope with the destruction of the world, Matt turns to alcohol and drugs to get him through it all. 


"Hear My Dear" by The Tedeschi-Trucks Band: If Susan Tedeschi and Derek Trucks did folk-rock music, it'd probably sound like their latest tune, "Hear My Dear." It's sort of a blues-y variant of Mazzy Star's "Fade Into You," almost identical to that song in terms of rhythm, and somewhat so in chord structure. The song is a love song, as is obvious from its title, but it seems more specifically to be a love song for the 2020's. That is to say, it's a song that seems to be saying "Let's keep our love lasting for as long as it can while we still can." Both a sweet and timely sentiment for us all.

"Spitting Off the Edge of the World" by Yeah Yeah Yeahs: Almost 20 years into their career, Yeah Yeah Yeahs have lived up to their name by making their audience say "Yeah yeah yeah!" to their ever-changing musical output. They started as a rough garage rock influenced group, but added to their sound quickly afterwards, starting with their breakthrough hit, "Maps," which was more of a sensitive alt-rock ballad than it was a brash garage rock song. Since then, they've touched upon folk-rock ("Turn Into"), and now they appear to be going in more of an icy techno-pop direction with their latest song, "Spitting Off the Edge of the World." The song is the first from the YYYs in nearly a decade, and the best part about it is that it has a strong, commanding presence, in true YYY's fashion. Lead singer Karen O has pursued solo efforts on occasion, perhaps most notably "Strange Love" for the soundtrack of the Tim Burton film, "Frankenweenie." While "Strange Love" was enjoyable for its cuteness, "Spitting Off the Edge of the World" is enjoyable because it has a frigid yet still domineering presence!

"Tek It" by Cafune: Both the band name and song title are unexplainable here! Nowhere is the phrase "Tek It" (take it?) used in the song, and nor do I have even an inkling of a clue who or what a "Cafune" even is! Mystery elements aside, "Tek It" is still a good song. A catchy techno-pop tune with alt/indie elements, "Tek It" is one of those songs that has become popular thanks to social media app, TikTok. The lines "I watch the moon/Let it run my mood/Can't stop thinking of you" comprised the tidbit most TikTok users seem to be familiar with. 

"These Are the Ways" by Red Hot Chili Peppers: After their smash alt and adult alt radio hit, "Black Summer" (which, ironically, took radio by storm in spring, not summer), RHCP rock the airwaves once again with their latest song, "These Are the Ways." The song shows a bit more chunky hard rock grit than their last song did, both in terms of Frusciante's guitar and Chad Smith's drums! Where "Black Summer" was a lament on the state of the world, "These Are the Ways" is a lament as well, but more of an angry one than a sad one. It takes on the subject of politics, and how corrupt America has become. At the same time, though, it also seems to have a begrudging stance of acceptance on that exact subject. 

New songs for June 8th, 2022

 here they are:


"Alpha Zulu" by Phoenix: Phoenix sure have interesting titles for their songs! The title for this one is literally the letters "A" and "Z" in military code! The significance of this phrase in this catchy and surprisingly dark electro-pop/rock song is fitting with its apocalyptic theme, and it's also the first Phoenix song I've heard written in minor key instead of major. According to Phoenix's lead singer, Thomas Mars, the phrase "Alpha Zulu" in the context of the song is basically another way of saying, "Mayday! We're going down!" The song seems to be about how difficult modern times are for many people, and how we are desperate to cling to visions of a more idealistic realm in order to feel safe. It's the end of the world as we know it, but unlike R.E.M., Phoenix do not appear to "feel fine." This song is urgent, and for a good reason!

"Dance Around It" by Lucius (featuring Brandi Carlile Sheryl Crow): Lucius may be duetting with two roots-y folk-rockers on their latest song, but "Dance Around It," in case you hadn't already guessed from the title, is not a folk or roots-rock song! Apt to its title, "Dance Around It" has a very vibrant, dance-pop sound to it! It is a relentlessly happy song whose intention is to bring about happiness (and dancing) to its listeners. Lucius' main members, Holly Laessig and Jess Wolfe, say that the point of "Dance Around It" is to "dance through the darkness." In other words, to take the bad times many of us have gone through recently, and to counteract those with fun, feel-good music. Sounds good to me!

"Expectations" by Lo Moon: Known for their soothing, atmospheric indie-pop sound, "Expectations" is a song that will defy your (pun intended) expectations of Lo Moon! The song is much more upbeat than the typically slow songs Lo Moon usually come up with. Setting the time machine to about 35 years ago for both its "Take on Me"-esque sound and its bittersweet lyrics reflecting on teen years (as many John Hughes films were known for doing back then), "Expectations" is a song that will probably appeal to fans of Stranger Things and other '80s-centric memorabilia that are actually present-day phenomena. "It's getting kinda hard not to blame myself," lead singer Matt Lowell mournfully sings towards the end of the song, perhaps to acknowledge how the song is not nostalgic in a sweet way, but more in a cynical manner. 

"Make a Picture" by Andrew Bird: Do you like indie-folk/pop musicians who use orchestral string instruments prominently in their songs? Great! Do you like kitties?! Even better! Perhaps it's the "running on the streets like feral cats" in the first verse that caused Andrew to make the decision for his latest video for his song, "Make a Picture," or perhaps it's just the quirkiness of Andrew Bird. Whatever the reason, though, this is the cutest music video I've seen in a long time! Fitting to the song's title, "Make a Picture"'s video also deals with taking photographs...but seriously. How can I not love a music video with KITTIES in it?! Here is the video: https://www.youtube.com/watch?v=4XdqCjtveTw

"Talk" by beabadoobee: None of beabadoobee's songs really sound like they belong in the midst of the 21st century as much as they would towards the end of the 20th. Her latest song, "Talk," is no exception to the rule, evoking heavy influence from such '90s alt-rock heavyweights as Garbage and Smashing Pumpkins. The subject matter of the song would not be out of place in a '90s alt song either. It is about Beatrice "beabadoobee" Laus being in a relationship with someone whom she knows is bad for her, but she wants to be in it anyway, and the overall tone of the song seems to be somewhere between apathetic and angst-ridden.

"Turn Up the Sunshine" by Diana Ross (featuring Tame Impala): The soul singer who reigned "Supreme" in the 1960's with two other women backing her up has returned for the first time in many, many years with indie-pop/rock sensations, Tame Impala, for a song from the Minions: The Rise of Gru soundtrack. Tame Impala provide the electro-pop backbeat of the song, but it's clear that this song is mainly Diana's from both her strong vocal presence and equally strong '70s funk inspired choice of music! The soundtrack of the latest movie featuring the quirky, gibberish-speaking...things...that look like Homer Simpson's head with one eye seems to take place in the 1970's, judging from the classic soul and classic rock hits being covered on the soundtrack, all by indie-pop artists from the 2010's. Seems like they're attempting to do for 1970's pop music what Schoolhouse Rock! Rocks did for its own music: taking music from the past and giving it a "modern rock" twist (the Schoolhouse Rock tribute album featured mainly '90s alt-rock artists since it was released in the middle of the decade). For "Turn Up the Sunshine," the people behind the Minions and Despicable Me movies took the extra liberty of bringing in an actual musician who was popular in the 1970's, and not just someone covering music from that era. "Turn Up the Sunshine" is also an entirely original tune, making it that much fresher. With Diana being only two years shy of 80, it's amazing that she's still able to sound as funky fresh as she was in her younger years!

New songs for June 1st, 2022

 here they are:


"Rock Bottom" by Kevin Morby: Want some three-chord rock and roll to satisfy your soul?! Then Kevin Morby's "Rock Bottom" might just be the song you've been looking for! The song literally has only three chords, dominated mostly by B major with quick use of A and E during the chorus. Despite its upbeat sound, "Rock Bottom" is actually a lament for indie-punk performer James Lee Lindsey Jr. (whose stage name would now be considered anti-disability but wasn't thought to be so at the time). Lindsey died when he was only 30 years old. Oddly, JLL Jr.'s stage moniker was not meant as an insult, but rather as a way to get back at those who had wronged him when he was younger. The intro line to "Rock Bottom," "They're all gonna laugh at you," is both a reference to horror film, Carrie, and to how that movie revolved around someone who had once been teased but had since gotten revenge against her wrongdoers. The title, "Rock Bottom," is probably a reference to how quickly JLL Jr. rose to stardom and flickered out as quickly as he shot to fame.

"Roman Holiday" by Fontaines D.C.: The breezy, post-psychedelic sound of Fontaines D.C.'s breakthrough song, "Roman Holiday," is probably intentional, given how the lyrics revolve around getting stoned. In a larger sense, though, the lyrics to the song are actually about how Fontaines D.C., who are Irish, felt about being able to tour in Britain, and how the two places really weren't that different to the lead singer. Some Irish rock groups tend to sound more British when they sing, and I suppose this is the case for Fontaines D.C.!

"Supermodel" by Maneskin: Italian alt-pop sensations, Maneskin, first hit the scene last fall with "Beggin'," which was actually a cover of a Four Seasons song. This time around, Maneskin provide us with one of our first sizzlin' summer hits, and one that happens to be an original, too! Like "Beggin'," "Supermodel" is a funky, super catchy pop/rock song! Lyrically, the song is a "good girl gone bad" tale of a woman who used to be religious but turned to a life of drugs and hard partying after discovering how thrilling it was to live that sort of life. The song also touches upon how vain supermodels tend to be. Almost seems satirical in a way!