here they are:
"Can I Sit Next to You?" by Spoon: The song's title suggests a simple plea for love, yet the instrumentation of the song tells a slightly different story. Its funky sound suggests that Britt Daniels has already "sat next" to the person in question that the song was directed to. This is definitely a song that makes you want to do anything BUT sit. Instead, it makes you wanna dance! Spoon usually have a way of balancing out soul and rock influenced material with more tender folk-rock-ish ballads on their albums. For their latest album, though, it's been two funky songs in a row so far. Can't go wrong with that!
"It Ain't Right" by Current Swell: I only know one other song by Current Swell so far besides this one, and that song is a buoyant yet quirky folk-rock song called "Too Cold". "It Ain't Right" has a bit less of the quirk element and less of the folk element than "Too Cold". Understandably, a few of Current Swell's original fans are a little disappointed by this one. While "It Ain't Right" definitely has a more commercial sound, I wouldn't call it a "sellout" song. It still has an "indie" enough sound to appeal to people like me, but now it's more indie-pop than indie-folk.
"Pleasure" by Feist: Feist is best known for pleasantly peppy folk-rock numbers like "1234", but her most loyal fans know that the true scope of her musical repertoire is more eclectic than that. The title of her latest song might be "Pleasure", but its sound doesn't exactly indicate that she is pleased. In fact, it sounds like she's a bit unsettled and shaken in this one. Its quiet verses/loud chorus dynamics are even reminiscent of grunge music. Feist uses the same sort of trick PJ Harvey did in her spooky '94 hit, "Down By the Water", in which she uses a disquieting, trembling sound that you would expect to build up eventually into a full blown, raging, manic rock song, yet it never does. Feist goes one step further than PJ here by providing no drums. Pleasure?! Only for the truly daring does that word describe this song!
"Sarah Surrender" by Gov't Mule: When jam band Gov't Mule last released a song together that was a hit on adult alt radio stations, it was "Funny Little Tragedy", which Elvis Costello was a part of, and which was probably the closest Gov't Mule got to a punk rock song! "Sarah Surrender" is definitely a calmer and less acerbic song in comparison. Fitting with its alliteration involving the letter "S", "Sarah Surrender" is a smooth yet spicy serenade that is sizzling, soothing, sultry, and steamy! Warren Haynes and the boys still rock it in this song, like usual, and there are some fine, slick guitar licks peppered throughout it. However, there aren't any prominent guitar solo parts like there usually are in Warren Haynes and Gov't Mule songs.
"Want You Back" by Haim: Haim, an indie pop trio consisting entirely of sisters with the last name "Haim", made a big splash in fall 2013 with their summery rocker, "The Wire". It's only a month away from summer now, yet Haim's latest song, "Want You Back", sounds more autumnal than summery. Like Fleetwood Mac, whom Haim covered early on in their career, Haim have the ability to rock out, be straight up pop, and be sentimental folk-rockers. OK, to call "Want You Back" a "folk-rock" song might be a bit of a stretch if you consider how funky the bass riffs are and how mechanical its percussion is, but hidden beneath the bass and drums is a more subtle but more organic sounding acoustic guitar and a lovely piano sound as well. Haim, you don't have to want me back. You've got me back already, along with thousands of other loyal listeners who will probably be playing this song ad nauseam this summer!
