New songs for October 13th 2021

 here they are:


"The Last Dance" by St. Paul and The Broken Bones: Neo-soul group, St. Paul and The Broken Bones, seem to keep moving further and further forward in time with each album they make! Their debut boasted Al Green-ish vintage soul with an early 1970's sound, they progressed into a more mid-1970's sound with their next two albums, and with a fourth album on the way, St. Paul and The Broken Bones seem to be heading into an early 1980's soul sound, evoking vibes of acts like Prince and Hall & Oates. There is a reason, by the way, that this song is called "The LAST Dance." It is yet another song reflective of a world facing imminent danger, hence it could be the last time that they (or anyone) is able to perform music, or do anything, really. Might as well go out with a bang, right?! That is exactly what St. Paul and The Broken Bones do here!

"The Tipping Point" by Tears for Fears: A fave band of people nostalgic for the 1980's, Tears for Fears are back for the first time in 17 years! Although the song uses familiar elements, like the beat of "Everybody Wants to Rule the World," TFF's latest song, "The Tipping Point," mostly sounds like something that would be indistinguishable from current indie-pop-tronica. TFF have never been a band to shy away from dark subject matter either, and they continue to delve into bleak territory with "The Tipping Point," as the title alone might indicate to some. It refers specifically here to singer Roland Orzabal's former wife, Caroline, who passed away a few years ago, and how Orzabal remained uncertain as to when she had officially crossed the "threshold" (or "tipping point") from life to that which lies beyond.

"Working for the Knife" by Mitski: Mitski is not like everyone else, even in a world where it's the thing to not be like "everyone else." Over a bleak synthesizer functioning as the lead instrument and a throbbing guitar riff in the center, Mitski's latest song is one that seems to show her disdain for the music industry, and possibly for industries in general. The "knife" in the song's title serves as a metaphor for anyone and anything, including ourselves, that expects more of us than we intend to give. What can I say? Life is exhausting sometimes! And Mitski makes that clear in both the music and the lyrics of her latest song.

"You've Got a Habit of Leaving" by David Bowie: Did you ever wonder what David Bowie would have sounded like as "David Jones"? Well, now's your chance to find out! "You've Got a Habit of Leaving" was first written and recorded about four years before David Bowie became "David Bowie." Although the instruments themselves sound relatively modern on this track, the structure of the chords, the harmonies, and the "ooh-ah-ooh"s that dominate the chorus sound decidedly more "retro" than what you might otherwise expect of David Bowie. If The Beatles had survived into the new millennium, they'd probably sound a lot like what David Bowie sounds like here! Bowie may be gone, but his music lives on!

New songs for February 13th 2019

here they are:


"Bad Liar" by Imagine Dragons: What a song for the day before Valentine's Day! This is a song that reflects on those moments where you want to confess your love for someone (or lack thereof) but your instincts tell you to do the opposite. Sound-wise, this is one of the most pop sounding Imagine Dragons songs yet, but lyrically it goes pretty deep. The depth of the lyrics is especially relevant when Dan Reynolds claims in the first verse that he has "three fears: integrity, faith, and crocodile tears". In other words, he's afraid of the good things (integrity and faith) as much as he is of bad things (crocodile tears - a slang term for false sadness). A bit like the part in David Bowie's "Ashes to Ashes" where Bowie says, "I've never done good things. I've never done bad things." I guess there's really no comparison to an immortal like Bowie when discussing relative newbies like Imagine Dragons, but hey, at least they're trying!


"Feels Alright" by The Nude Party: There's probably a good reason these guys decided to call themselves "The Nude Party". After all, this is pretty much party music that might make you wanna run around naked due to all the wild, uninhibited freedom it gives off! Their debut song, "Feels Alright", is pretty much glam rock for the 21st century! With a sound that combines T. Rex's "Bang A Gong (Get It On)" and Mott the Hoople's "All the Way From Memphis", "Feels Alright" does just that. It feels alright. Well, no, MORE than alright! THIS is a song that will unleash your inner frat boy or sorority girl! Wham, bam, thank ya, mam!


"GotItBad" by St. Paul and The Broken Bones: Much like St. Paul and The Broken Bones' adult alt summer smash, "Apollo", "GotItBad" is yet another song that moves Paul "St. Paul" Janeway and the gang from '60s soul to '70s funk. There's even a bit of a disco element to "GotItBad" with its backing orchestra adding a sublime flavor to its funky bass and chunky keyboards. Lyrically, this song puts the "St." in "St. Paul". You probably wouldn't expect lyrics about preachers, God, and Jesus beneath the smokin' hot sound of "GotItBad", but that is what lurks beneath this fine tune. "GotItBad" is basically a Catholic confession turned into a funk soul session!


"I Get No Joy" by Jade Bird: I stand by the comparison I made during the time I reviewed Jade Bird's "Uh Huh", during which I said that she is pretty much the 21st century Alanis Morissette. Like Alanis, Jade takes folk-rock, filters it through an "alternative" lens, and adds angst-y lyrics to it, with an equally angst ridden delivery. Jade gets especially feisty and wordy during the chorus of the song, shouting the song's title with jaded (no pun intended) frustration, and speaking the rest of the words of the chorus faster than the speed of light! The song can also be viewed as a calmer parallel to Courtney Barnett's "Pedestrian At Best", as both songs make use of clever wordplay with near-rhyming words in succession during some of the verses to describe an alienating situation. Jade, your lack of joy gives us an excess of it!


"Sisyphus" by Andrew Bird: After attempting to get "edgy" on songs like "Eyeoneye" and "Capsized", Andrew Bird (no relation to Jade Bird) returns to his roots combining folk-rock with orchestral arrangements on "Sisyphus". The song takes its name from a character in Greek mythology who tried to outwit the Greek gods and cheat death. Of course, this didn't work in Sisyphus' favor, and this is exactly what Andrew Bird is trying to illustrate in this song. It is about becoming addicted to one's own pain, and the consequences it can lead to. Perhaps this is yet another song from 2019 that serves as a metaphor for the downfall of contemporary Western society.


"Song For Winners" by Nick Waterhouse: Nick's trademark merging of surf and rockabilly is still intact on his latest song, "Song For Winners". However, there is something noticeably different about it in comparison to his other material. It is not only done in a minor key, but its lyrics are somewhat melancholy as well. "Your strange innocence has ended", he says of his former lover, preceded by, "I hear no fearlessness, only fear". What kind of "winners" was this song intended for anyhow?! The song seems more like it's about losers than it is about winners!

New songs for the 4th of July 2018!!

It's a Wednesday AND the 4th?! Let the celebration begin!!


"Apollo" by St. Paul and The Broken Bones: There seems to be a trend this year for contemporary musicians who emulated '60s R & B previously to go one decade forward for their next release. Leon Bridges has already done it this year, and now it's St. Paul and The Broken Bones' turn. It's a bit disappointing to hear the Alabama sextet go from an Otis Redding styled sound to a more disco influenced one, but "Apollo" is not a bad song. For one thing, it still contains the horns that SPATBB's other songs are known for having. However, the resulting song still sounds like what it'd be like if Wilson Pickett tried covering "Rock With You" by Michael Jackson. Something here just doesn't add up. At least it has a groovy rhythm, though.


"Humility" by Gorillaz: The Gorillaz and The Monkees have a few things in common. Aside from the obvious fact that both groups are named after primates (and how they're also perpussly myspelld rokgrüps), they're also both bands who...well...aren't really bands! The Monkees were originally marketed as a "TV band", and Gorillaz are a cartoon band. Yes, a cartoon band, similar in concept to The Archies and The Chipmunks, but far more edgy and modern than either one. Among their best known songs is the aptly named "Feel Good Inc.", the feel-good techno-pop summer jam of 2005. "Humility" is another feel-good summer jam for the band (or faux-band, rather), although it has a slower, more chilled out sound than "Feel Good Inc." The lyrics of "Humility", centering largely around isolation, are also darker in tone than "Feel Good Inc." They both SOUND like feel-good songs, though!


"Miracle Man" by M. Ward: M. Ward's musical style has always felt a little out of step with current trends, but that's part of his charm. His latest song, "Miracle Man", sounds a bit like Roy Orbison's "(Oh) Pretty Woman", especially in the beginning. Another thing "Miracle Man" shares in common with Ward's other material is its short length, barely measuring up to a mere 3 minutes. The song itself isn't exactly a miracle, but the way it was released kinda was. It arrived quietly, without any real hype surrounding it. How perfect, then, that we're hearing this one for the first time on the 4th of July, so it can start off life with a bang!


"1950" by King Princess: Both the title of the song and the name of the performer here are somewhat enigmatic. I mean, what's a "king princess"?! Is it a king or is it a princess...and does that mean there's a Queen Prince as well?! The title of the song also seems somewhat arbitrary. 1950 wasn't really known for being a particularly memorable year, after all. Turns out, there's an explanation for both, and they're both discussed in the song! The moniker "King Princess" comes from how the performer is a lesbian, and therefore a "princess" by gender, yet a "king" in terms of what people expect her behavior to be like. As for the year that gives the song its title?! Well, it actually represents the decade of the 1950's, when LGBTQ people were far more oppressed than they are today. The song is a protest against people who are not open minded about those whose sexual orientations aren't "traditional". So has society now gone back to "playing 1950", as King Princess says in her song?! Yes and no, to be honest. However, the point of the song is to challenge societal norms more than it is about asking whether we have truly made progress in our points of view about sexuality.

New songs for June 22nd 2016

here they are:


"All I Ever Wonder" by St. Paul and The Broken Bones: Retro-soul revivalists St. Paul and The Broken Bones are on the run once again! In addition to the Al Green-ish R & B they've already become known for, St. Paul and The Broken Bones have a bit of an added gospel influence in their latest song, "All I Ever Wonder", that wasn't exactly apparent on their previous songs. So what is it that they "ever wonder", you may ask? Well, the song is basically about trying to make it through difficult situations. Perhaps the high-spirited gospel influenced sound of the song serves as a way to find light through the darkness of life.


"Better Love" by Hozier: The hits just keep on comin' from Irish soul/alt-pop hybrid, Hozier. Nearly half of his debut album has become well loved among indie and alt fans. With news of a new Hozier song that was NOT on his debut album, I thought maybe he had already released a sophomore effort! Sadly, this is not the case. His newest song, "Better Love", is actually a song featured exclusively on the soundtrack of the new movie, "The Legend of Tarzan". Most of Hozier's songs deal with the battle between the sacred and the profane, but it seems like it is mainly the former that is being focused on in this case. This is especially evident on the chorus when Hozier proudly proclaims that "there's no better love that beckons above me". What does sacred, pure love have to do with Tarzan?! As someone who has not seen the movie yet, I have yet to find out, but I'm guessing it has something to do with some heroic triumph that the title character has towards the end of the film.


"Good Grief" by Bastille: Since when has Charlie Brown joined an indie-pop group?! Come to think of it, that'd probably be pretty fitting for everyone's favorite "blockhead", considering how heavy the weight of his problems are, but I digress. Actually, "Good Grief" is pretty energetic for British indie-pop stars, Bastille, in spite of its pessimistic sounding title. The song plays out like Queen and David Bowie's "Under Pressure" filtered through a bright, flashy indie-pop lens. It seems to be more of a song about missing a girl than it is about general frustration (which I thought it would have been due to its title.)

New songs for September 3rd, 2014

here they are:



"Fools' Gold" by Fitz and The Tantrums: No foolin'! This song somehow sounds old and new at the same time! Those "Be My Baby"-style hand claps at the beginning and its initial vintage R & B style keyboard sound make it sound like a song from the '60s, yet as the hand claps fade away and the synthesizer changes from authentic soul to more artificial new wave, it doesn't sound that different from your typical Top 40 hit. I honestly have mixed feelings about this song (and their sophomore record overall, really). Fitz and The Tantrums' shift in sound from Motown revival for their debut to more straight up alt-pop for their follow-up isn't entirely a bad thing, as it has resulted in the infectiously catchy whistling of "The Walker", the equally infectiously catchy beats of "Out of My League", and even the soul-meets-new-wave sound of "6am". Four singles from one album is an impressive feat to brag about in this day and age, but FATT were fools to make "Fools' Gold" sound as spruced up for Top 40 radio as they did. This song will probably grow on me later on, though, as many of their songs have.


"Half the City" by St. Paul and The Broken Bones: And here is yet another band who started off being a "soul revival" band. Thankfully, St. Paul and the Broken Bones have only had one album so far, so I'm hoping they continue to stick with their sound, because I like what I've heard from them so far! For their latest song, "Half the City", they mix Al Green influenced vocals and rhythm with crunchy, blues-y guitars that wouldn't sound too out of place in one of the more soulful songs in The Rolling Stones' catalog. In contrast with Fitz and The Tantrums' image as a "neo-soul" band fading away, St. Paul and The Broken Bones seem like the type of group that will probably slather on even more old school soul influences if they come out with another album. Tell me you don't detect hints of Al Green, Sam & Dave, and Otis Redding (among others) in this song!!


"Strong" by London Grammar: It's tempting to dismiss this song as a "Florence and The Machine ripoff", except this song has a sound all its own!! It is equally as haunting and emotional, if not more so, than Florence's material. This song does what Goo Goo Dolls' "Naked" did almost two decades ago, lyrically, by exposing the most raw, vulnerable part of the emotional psyche in the lyrics, albeit using a soft, angelic sound, instead of a more raw, grungy one like The Goos did. The title of this song only indicates what the lead singer appears to be on the outside. There is a much deeper story to be told upon actually listening to the song!!

New songs for February 19th, 2014

here they are:


"Another Story" by The Head and The Heart: What a perfect song title for a group like The Head and and The Heart, who are quite skilled at being lyrical raconteurs (not THE Raconteurs, though, that's another band completely!!) Every song The Head and The Heart have had so far is like a story, with the unique, touching narratives and perspectives used in so many of their songs. "Another Story" marks a return for the more acoustic side of The Head and The Heart that their fans originally knew them for. The lyrics of the song are as poignant, lovelorn, and world-weary as the sound of the song itself. "Another Story" equates homesickness for love with homesickness for life out on the road. Quite a winsome song, if I do say so myself!


"Call Me" by St. Paul and The Broken Bones: Can you say "retro-soul"?! This song sounds like Al Green fronting a blues band from New Orleans!! Come to think of it, there are traces of Sam & Dave, Otis Redding, James Brown, and many other classic soul musicians in this song too! The twist?! St. Paul and The Broken Bones might SOUND like handsome black men, but they're actually a bunch of nerdy white guys! It's like a real live "Nutty Professor" if the "Buddy Love" persona stayed in the main character of the story forever! "Broken Bones" just isn't a fitting moniker for a band with such relentless energy like these guys have!! Perhaps the "Rolling Bones" was already taken?!


"Destination" by Nickel Creek: It is rather unfortunate that this band, a bluegrass-pop/rock trio who have now been around for a little over 10 years, has the word "Nickel" in its name, which has probably led so many people to refer to them as "Nickelback" by mistake!! Nickel Creek did what The Lumineers and The Civil Wars did about a decade before those bands came out! In the mid 2000's Nickel Creek won a fair amount of people over with their joyful bluegrass instrumental, "Smoothie Song", and their sad, soul searching song, "When In Rome", but their style wasn't exactly popular. Now it is!! And it seems like Nickel Creek are actually aware of how popular the bluegrass/rock fusion has become in recent years, since their latest song, "Destination", has a choppy but exhilarating rhythm in the style of groups like Mumford and Sons. Nickel Creek's lone female member, Sara Watkins, takes the lead on this song, with the other two members of the band singing backup in perfect harmony. I KNEW Nickel Creek would make a comeback in the 2010's!! I just didn't know when.


"Waves" by Sleeper Agent: A rather summery song blending psychedelic reverb with folk-rock guitar picking, "Waves" seems like its sound is awfully similar to the blend of indie-pop and surf music that groups like Best Coast have, albeit without as much "hipster" attitude. It even mentions California a couple times, much like a typical Best Coast song might. Sleeper Agent's Alex Kandel (in this case, a female Alex, not a male one) has somewhat deeper vocals than Best Coast's Bethany Cosentino, though, which is one way to tell the bands apart. With all the Bethany/Best Coast comparisons I've made to this song (and band) so far, it might seem interesting that Sleeper Agent's closest friends in the indie universe are not from Best Coast, but from Cage the Elephant! Sleeper Agent even claims CTE to be an influence on their music, along with similar sounding bands like Foxy Shazam. Sleeper Agent seem too mellow in comparison to Cage the Elephant, if you ask me, but perhaps that's because "Waves" is the only song I've heard so far of theirs.