here they are:
"It Might Get Dark" by White Denim: Take some of the best known one hit wonder songs in 1970's rock - say, "Stuck In the Middle With You", "Spirit In the Sky", and "Signs" - and combine them all into one. What you would get is this song. Considering White Denim have always sounded like a rock group from the early '70s, in spite of actually being from the mid 2010's, this is no surprise. In spite of what the title of this song might have you believe, "It Might Get Dark" is the lightest and happiest song White Denim have put out so far. The song will have you tapping your toes and bobbing your head throughout. No getting dark for this group, that's for sure!
"Straight Shot" by DeVotchKa: Denver, Colorado's indie-folk quartet, DeVotchKa, are probably best known for the opening song from the indie comedy smash, "Little Miss Sunshine". The group's mystical indie ethos seems to continue to run in their latest song, "Straight Shot", which contains lyrical phrases like "moonlit swim" and "sea of ghosts". Though DeVotchKa are an American band named for a Russian word that means "girl", there seems to be a lot of Spanish guitar influence on this particular song, which gives it a unique kind of swing.
"You're Somebody Else" by Flora Cash: Swedish indie-folk duo, Flora Cash, have a very bittersweet and touching sound in their debut song, "You're Somebody Else". The song has started making waves on both alt and adult alt radio, and it's not hard to see why. Not only does the song have the perfect combo of pop rhythm and folk guitar, but it also touches on a rather universal theme. It seems to be about deception, as can be deduced from the song's central line, "You looked like yourself, but you're somebody else and you're making me nervous." You think you know someone, and then they turn on you. Haven't we all been there?!
Showing posts with label White Denim. Show all posts
Showing posts with label White Denim. Show all posts
Wednesday, July 25, 2018
Wednesday, March 9, 2016
New songs for March 9th, 2016
here they are:
"Brace For Impact (Live A Little)" by Sturgill Simpson: Every once in a while, a band (or musician, in this case) will come around and really put the "rock" into "country-rock". Bands like Drive-by Truckers are good examples of this, and bands like Lynyrd Skynyrd were the ones who originally made it "cool" for country music to have a place within hard rock territory. Sturgill Simpson's "Brace For Impact (Live A Little)" fits the description as well, coming off as sort of a "Skynyrd lite" type of musician in this song. Like both Skynyrd and The Truckers, Sturgill is capable of pulling off rather long songs as well, with "Brace For Impact" clocking in at almost 6 minutes! Pretty impressive length for a breakthrough song! The song also has a bit of a jam band type sound that wouldn't be out of place in a song by the Southern states' other fave rockers, The Allman Brothers Band.
"Fire" by Barns Courtney: The steamy, fervid sound of "Fire" makes the song live up to its title! The handclaps that make up the first verse of the song sizzle and slither before climaxing into an even more fiery folk-rock chorus. "Barns Courtney" may sound like the name of a band, but it's actually just the name of one person. He hails from Britain, like his fellow tour mate, Ed Sheeran. However, "Fire" has a crackling, exciting intensity that Sheeran's songs tend to lack. So, "Gimme that fire!" as Barns sings during the chorus!
"Ha Ha Ha Ha (Yeah)" by White Denim: It's not every day you get a song title that consists entirely of interjections (or the same one repeated four times). Did White Denim simply run out of song titles when they came up with the name of this one?! No! "Ha ha ha ha yeah" are actually the main words of the chorus to this early '70s R & B influenced throwback song, and what a song it is! Its raucous party beat, thumping bass, and blasting horns will probably make you think you've just discovered a previously unreleased Sly and The Family Stone song! Let's get down and boogie!
"Soundcheck" by Catfish and The Bottlemen: Catfish and The Bottlemen's "Kathleen" was probably one of the most enjoyably rockin' songs of 2015, with its garage rock influenced sound. The garage rock influence continues on Catfish and The Bottlemen's latest song, "Soundcheck", which seems to boast an even harder rock sound than its predecessor! You'd swear you were hearing a British Foo Fighters here. "Soundcheck" rocks throughout, but it has that sort of "bubbling from under the surface" buildup during the verses that climaxes into a rather explosive, dynamic chorus. The fact that this song has been having a slow but steady climb up both the adult alt charts and the alt charts should be proof that rock 'n' roll hasn't been dead. It's just been sleeping. I guess it takes a band like Catfish and The Bottlemen to wake rock 'n' roll from its recent slumber!
"Wasted Love" by City and Colour: So I guess City and Colour haven't completely returned to being folk-rock balladeers. Their last hit from fall 2015, the adult alt radio smash, "Lover Come Back", was a sensitive ballad with a largely acoustic based sound. "Wasted Love" isn't exactly like that. It has that neo-psychedelic fuzz-guitar sound that C & C have used on songs like "Fragile Bird" and "Thirst". What's interesting about "Wasted Love" is that it is probably the most rhythmically influenced song that C & C have had so far. While the lead guitarist shows off the shaky, fuzzy tone of his guitar, the backing guitarist plays chords in a similarly rhythmic fashion to R & B and reggae songs, which is not exactly a common feature of City and Colour's music. "Wasted Love" is clearly not a waste of time to listen to!
"Brace For Impact (Live A Little)" by Sturgill Simpson: Every once in a while, a band (or musician, in this case) will come around and really put the "rock" into "country-rock". Bands like Drive-by Truckers are good examples of this, and bands like Lynyrd Skynyrd were the ones who originally made it "cool" for country music to have a place within hard rock territory. Sturgill Simpson's "Brace For Impact (Live A Little)" fits the description as well, coming off as sort of a "Skynyrd lite" type of musician in this song. Like both Skynyrd and The Truckers, Sturgill is capable of pulling off rather long songs as well, with "Brace For Impact" clocking in at almost 6 minutes! Pretty impressive length for a breakthrough song! The song also has a bit of a jam band type sound that wouldn't be out of place in a song by the Southern states' other fave rockers, The Allman Brothers Band.
"Fire" by Barns Courtney: The steamy, fervid sound of "Fire" makes the song live up to its title! The handclaps that make up the first verse of the song sizzle and slither before climaxing into an even more fiery folk-rock chorus. "Barns Courtney" may sound like the name of a band, but it's actually just the name of one person. He hails from Britain, like his fellow tour mate, Ed Sheeran. However, "Fire" has a crackling, exciting intensity that Sheeran's songs tend to lack. So, "Gimme that fire!" as Barns sings during the chorus!
"Ha Ha Ha Ha (Yeah)" by White Denim: It's not every day you get a song title that consists entirely of interjections (or the same one repeated four times). Did White Denim simply run out of song titles when they came up with the name of this one?! No! "Ha ha ha ha yeah" are actually the main words of the chorus to this early '70s R & B influenced throwback song, and what a song it is! Its raucous party beat, thumping bass, and blasting horns will probably make you think you've just discovered a previously unreleased Sly and The Family Stone song! Let's get down and boogie!
"Soundcheck" by Catfish and The Bottlemen: Catfish and The Bottlemen's "Kathleen" was probably one of the most enjoyably rockin' songs of 2015, with its garage rock influenced sound. The garage rock influence continues on Catfish and The Bottlemen's latest song, "Soundcheck", which seems to boast an even harder rock sound than its predecessor! You'd swear you were hearing a British Foo Fighters here. "Soundcheck" rocks throughout, but it has that sort of "bubbling from under the surface" buildup during the verses that climaxes into a rather explosive, dynamic chorus. The fact that this song has been having a slow but steady climb up both the adult alt charts and the alt charts should be proof that rock 'n' roll hasn't been dead. It's just been sleeping. I guess it takes a band like Catfish and The Bottlemen to wake rock 'n' roll from its recent slumber!
"Wasted Love" by City and Colour: So I guess City and Colour haven't completely returned to being folk-rock balladeers. Their last hit from fall 2015, the adult alt radio smash, "Lover Come Back", was a sensitive ballad with a largely acoustic based sound. "Wasted Love" isn't exactly like that. It has that neo-psychedelic fuzz-guitar sound that C & C have used on songs like "Fragile Bird" and "Thirst". What's interesting about "Wasted Love" is that it is probably the most rhythmically influenced song that C & C have had so far. While the lead guitarist shows off the shaky, fuzzy tone of his guitar, the backing guitarist plays chords in a similarly rhythmic fashion to R & B and reggae songs, which is not exactly a common feature of City and Colour's music. "Wasted Love" is clearly not a waste of time to listen to!
Wednesday, November 20, 2013
New songs for November 20th, 2013
here they are:
"Down to the Well" by Hard Working Americans: For once, the name of a band actually describes who it is! This eclectic folk-rock/country-rock supergroup, featuring Americana musician Todd Snider, Ryan Adams' backing guitarist Neil Casals, and Widespread Panic bassist Dave Schools, is all American, and clearly all hard working since they managed to come up with a group this eclectic! So how do they sound all together?! Well, like a country-rock group, which isn't really that surprising, considering that both Todd Snider and Ryan Adams started out with a country influenced sound. While Widespread Panic tends to focus more on blues-rock than the other two, some of their songs ("Dirty Side Down", for instance) still have a country-rock sound to them. "Down to the Well" itself was originally a song by roots-y country musician Lucinda Williams. Don't let the "country music" description of this song prevent you from listening to it, though. There is absolutely nothing about this song that aims to appeal to a "pop-country" audience. Instead, it's honest and heartfelt, while still somewhat raw, the way a GOOD country (or country-rock) song should be!
"Pretty Green" by White Denim: If Daft Punk were re-envisioned as a neo-psychedelic rock and roll band instead of an electronica duo, they would probably end up being White Denim. It is clear from the video of White Denim's debut song, "Pretty Green", that at least half of the band members prefer hiding behind masks to showing their actual faces, much like Daft Punk did (though this could also be influenced by the "eyeball masks" of '70s avant-garde group, The Residents). The video only gets weirder as the song goes on, as the members of White Denim take a vivid voyage through a land of...ummm...lips with no body or face attached. The second half of this bizarre journey involves entering into a realm of splattering paint (didn't "Sesame Street" already do this years ago with their new wave styled song about "Wet Paint"?!) Perhaps I should have expected the song to involve kaleidoscopic, colorful imagery. After all, the band's name is WHITE Denim, and the song is called "Pretty GREEN"!! If you are willing to let your mind blow out of your butt (or is that the other way around?!), then check out the music video for this song, which can be viewed here (www.youtube.com/watch?v=vMCoiehkH8U)
"Thirsty Man" by Blitzen Trapper: Between this song and "Shine On" (the one they put out in early fall of this year), I could swear that if time machines were real, that Blitzen Trapper took one to the 1970's somewhere in the Southern United States. "Thirsty Man" is more of a return to the folk-rock-y roots that Blitzen Trapper were originally known for, yet it sounds more like an acoustic Allman Brothers song ("Midnight Rider", "Melissa", etc.) than it does like Fleet Foxes, Bon Iver, and the like. When lead singer, Eric Earley, sings about being a "thirsty man" walking through the desert, his vocal delivery tends to give off a "been through it all" attitude that can often be found in the music of bands like The Allman Brothers Band and Lynyrd Skynyrd. The Doors-y organs and fuzzed-out "psychedelic" guitar solo are about the only things keeping "Thirsty Man" from completely sounding like a Southern rock song.
"This Must Be the Place (Naive Melody)" by The Lumineers (originally by Talking Heads): So the first song we hear covered from The Lumineers ISN'T by Simon and Garfunkel, or Crosby Stills & Nash?! That's a shocker! What's even MORE of a shocker is that they chose to cover a song by quirky new wave legends, Talking Heads, whose sound seems a bit too jittery and electronic in comparison to the laid-back, acoustic sound of The Lumineers. If a band like, say, MGMT covered it, that wouldn't be too surprising (and they have done so, too). But The Lumi's?! I love them, but I would NEVER have expected them to choose a song from David Byrne and co. According to their cellist (and only girl member) Neyla Pekarek, the reason they chose to release a cover version of "This Must Be the Place" is because The Lumineers usually ended their live shows with the song, since its lyrics center around going home ("Home is where I want to be, but I guess I'm already there...") So how does their version measure up to the unstoppable, oddball energy of the original?! It's a decent cover, but it pales in comparison to their originals, like "Ho Hey" and "Stubborn Love". As a folk-rock song, "This Must Be the Place" just doesn't feel like it should! I'll give it an A for effort, though.
"Down to the Well" by Hard Working Americans: For once, the name of a band actually describes who it is! This eclectic folk-rock/country-rock supergroup, featuring Americana musician Todd Snider, Ryan Adams' backing guitarist Neil Casals, and Widespread Panic bassist Dave Schools, is all American, and clearly all hard working since they managed to come up with a group this eclectic! So how do they sound all together?! Well, like a country-rock group, which isn't really that surprising, considering that both Todd Snider and Ryan Adams started out with a country influenced sound. While Widespread Panic tends to focus more on blues-rock than the other two, some of their songs ("Dirty Side Down", for instance) still have a country-rock sound to them. "Down to the Well" itself was originally a song by roots-y country musician Lucinda Williams. Don't let the "country music" description of this song prevent you from listening to it, though. There is absolutely nothing about this song that aims to appeal to a "pop-country" audience. Instead, it's honest and heartfelt, while still somewhat raw, the way a GOOD country (or country-rock) song should be!
"Pretty Green" by White Denim: If Daft Punk were re-envisioned as a neo-psychedelic rock and roll band instead of an electronica duo, they would probably end up being White Denim. It is clear from the video of White Denim's debut song, "Pretty Green", that at least half of the band members prefer hiding behind masks to showing their actual faces, much like Daft Punk did (though this could also be influenced by the "eyeball masks" of '70s avant-garde group, The Residents). The video only gets weirder as the song goes on, as the members of White Denim take a vivid voyage through a land of...ummm...lips with no body or face attached. The second half of this bizarre journey involves entering into a realm of splattering paint (didn't "Sesame Street" already do this years ago with their new wave styled song about "Wet Paint"?!) Perhaps I should have expected the song to involve kaleidoscopic, colorful imagery. After all, the band's name is WHITE Denim, and the song is called "Pretty GREEN"!! If you are willing to let your mind blow out of your butt (or is that the other way around?!), then check out the music video for this song, which can be viewed here (www.youtube.com/watch?v=vMCoiehkH8U)
"Thirsty Man" by Blitzen Trapper: Between this song and "Shine On" (the one they put out in early fall of this year), I could swear that if time machines were real, that Blitzen Trapper took one to the 1970's somewhere in the Southern United States. "Thirsty Man" is more of a return to the folk-rock-y roots that Blitzen Trapper were originally known for, yet it sounds more like an acoustic Allman Brothers song ("Midnight Rider", "Melissa", etc.) than it does like Fleet Foxes, Bon Iver, and the like. When lead singer, Eric Earley, sings about being a "thirsty man" walking through the desert, his vocal delivery tends to give off a "been through it all" attitude that can often be found in the music of bands like The Allman Brothers Band and Lynyrd Skynyrd. The Doors-y organs and fuzzed-out "psychedelic" guitar solo are about the only things keeping "Thirsty Man" from completely sounding like a Southern rock song.
"This Must Be the Place (Naive Melody)" by The Lumineers (originally by Talking Heads): So the first song we hear covered from The Lumineers ISN'T by Simon and Garfunkel, or Crosby Stills & Nash?! That's a shocker! What's even MORE of a shocker is that they chose to cover a song by quirky new wave legends, Talking Heads, whose sound seems a bit too jittery and electronic in comparison to the laid-back, acoustic sound of The Lumineers. If a band like, say, MGMT covered it, that wouldn't be too surprising (and they have done so, too). But The Lumi's?! I love them, but I would NEVER have expected them to choose a song from David Byrne and co. According to their cellist (and only girl member) Neyla Pekarek, the reason they chose to release a cover version of "This Must Be the Place" is because The Lumineers usually ended their live shows with the song, since its lyrics center around going home ("Home is where I want to be, but I guess I'm already there...") So how does their version measure up to the unstoppable, oddball energy of the original?! It's a decent cover, but it pales in comparison to their originals, like "Ho Hey" and "Stubborn Love". As a folk-rock song, "This Must Be the Place" just doesn't feel like it should! I'll give it an A for effort, though.
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