Showing posts with label part one. Show all posts
Showing posts with label part one. Show all posts

Wednesday, December 9, 2020

Final blog of the year part 1 - new songs for December 9th, 2020

 Can you believe it, folks?! We've reached the final blog of the year! But before we get started, please note that this is a two-part blog: one for new songs for this week, and another to count down the 20 most played songs that came out in (or around) 2020. Enjoy!


"Family Farm" by The Hold Steady: We start this week with the only song that is not currently a crossover hit between the alt and adult alt radio charts. The Hold Steady's latest is Triple-A exclusive, it seems, like most of their material, but that does not mean it's not worth listening to! As a matter of fact, it might be the most prolific and well-written song on today's list! The Hold Steady have been Bruce Springsteen fans ever since their debut in the late 2000's, but nowhere has this been more apparent so far than on their newest effort, "Family Farm." Filled to the brim with exciting Roy Bittan-styled piano riffs and Clarence Clemons influenced sax playing, "Family Farm" is the best song the Boss never wrote! Lyrically, the song serves as an unintentional predictor of the present day. Written before the pandemic hit, but not released until well into the thick of it, "Family Farm" deals with trying to survive in an increasingly difficult world, and it also mentions Van Halen's "Eruption" in the lyrics, which is yet another eerie coincidence since Eddie Van Halen made the ascent into guitar hero heaven two months ago. 


"Mariposa" by Peach Tree Rascals: Peach Tree Rascals might sound like a typical contemporary indie-pop band, but what you might not know just from listening is that their lead singer happens to be Filipino. In fact, many of the members are racially diverse. Perhaps, then, it might make sense to you that they hail from the racially diverse (and all around awesome) town of Los Angeles, California! The influences of Peach Tree Rascals are also very eclectic, mixing the sweet, buoyant '60s pop/rock of The Beatles and The Beach Boys with more modern-day urban pop influences like Kendrick Lamar and Frank Ocean in their breakthrough hit, "Mariposa" (which is Spanish for "butterfly"). And how did this sweet yet funky little song capture the hearts of millions towards the end of this year?! Through TikTok, that app that everyone keeps talking about that I still have yet to find out more about. Go figure, eh?!


"No Other Way" by Shaed: Electro-pop trio, Shaed, took the alt and adult charts by storm last year with the sweet, dreamy, "Trampoline." Come late into the next year, Shaed are at it again with "No Other Way." The song has a similarly breezy electro-pop flavor to "Trampoline," though it is also noticeably more upbeat than that song was. Like many indie-pop songs that have come out in the wake of the coronavirus pandemic, "No Other Way" acknowledges what a wild and dangerous year it's been, but still manages to send a positive message. "We could have died a million ways," lead singer Chelsea Lee sings during the chorus, following up the line with, "but we're alive another day." So count your blessings, folks, and count Shaed among them!


"Sofia" by Clairo: Just a mere matter of weeks ago, I reviewed "Are You Bored Yet?" by Wallows, on which indie-pop singer Clairo is featured on backing vocals. On "Sofia," Clairo strikes out on her own and gives us a taste of what her music sounds like without another band taking over it. Like "Mariposa" earlier in this blog, "Sofia" is yet another song that has gained popularity through TikTok (I feel so old saying that without knowing fully what it is, haha). "Sofia" is also named after an actual Sofia...two of them, actually. Uber-attractive Latina actress, Sofia Vergara, was one of the Sofias Clairo had in mind when doing this song, and the other was Sofia Coppola, daughter of famed director Francis Ford Coppola. The song is about Clairo's recurrent crushes on older women, told through a mix of techno-pop synths and fuzzy yet rhythmic guitars. 





Wednesday, April 17, 2019

April 17th 2019 part 1: Songs I've missed out on

A two-part blog for this week since I feel like I've missed out on the opportunity to review quite a few new songs. Here's part 1 of 2:


"Big Bear Mountain" by Jr. Jr.: The sweet, breezy piano vibe of this song harkens back to when Jr. Jr. were known as Dale Earnhardt Jr. Jr. and debuted with the light, quirky folk-pop song, "Simple Girl". A lot of Jr. Jr.'s other material seems to take somewhat of a techno slant, but this one does not. It probably wouldn't sound out of place on a Beatles record, actually, and it even contains a Lennon-esque guitar midway through the song, as well as a brief solo reminiscent of George Harrison. Nice to see Jr. Jr. getting back to their roots, even if they no longer bear their namesake in their moniker.


"They Own This Town" by Flora Cash: It seems like it'd be a bit hard for Swedish indie-pop duo, Flora Cash, to outdo their 2018 hit, "You're Somebody Else". The bittersweetness and blunt honesty of "You're Somebody Else" permeated alt and adult alt airwaves throughout the second half of 2018! This time, instead of opting for light, melancholy acoustic guitar like they did the first time around, "They Own This Town" bases its sound around piano instead. However, it still retains the poignancy that their previous hit did. Although there are more pop beats that surround "They Own This Town" than there are guitars, the message and vibe of the song still get across the way they should.


"UFOF" by Big Thief: You-eff-oaf?! Oo-foaf?! It's actually each letter pronounced individually, "You-eff-oh-eff", which stands for "UFO Friend". The song sounds like a folk-rock song from outer space, fittingly, with its ethereal aura surrounding its sweet and tender melody. "UFOF" is basically an ode to a "lover" the singer imagines she met in outer space. There's nothing scary about this song, though. In fact I'd say it's rather precious!