here they are:
"Even Though It Hurts" by Devon Gilfillian: Neo-soul sensation, Devon Gilfillian, returns just in time for the fall season with the sensitive R & B ballad, "Even Though It Hurts". With his debut song, "Get Out And Get It", Devon was the perfect ray of sunshine for neo-soul fans everywhere during the spring and summer. As the year becomes quieter and more settled down, though, "Even Though It Hurts" will be the perfect song to provide warmth to cold hearts as Devon croons of heartbreak over slow, smooth, slick R & B grooves!
"Might Be Right" by White Reaper: Don't fear the reaper! The White Reaper, that is. In spite of the band's scary sounding name, they're really more of danceable post-punk influenced band. The guitar solos in their song, "Might Be Right", are similar to more mainstream 1970's rock groups like Boston and Queen, even though the rest of it doesn't sound like that. The lyrics seem a little repetitive in some parts, but the song itself is both catchy and quirky enough to make you forget about that!
"Sing Along" by Sturgill Simpson: If ZZ Top's "Sharp Dressed Man" got a 2010's techno-pop makeover (with a bit of country music influence as well), it would probably sound like Sturgill Simpson's "Sing Along". Sturgill seems to be going in ZZ Top's direction, actually, going from Southern rock to more new wave-y stuff without losing his roots-y appeal in the process. There is a reason the song sounds so futuristic, actually. It's because it is part of an album that also serves as the soundtrack to the noir-ish, sci-fi anime series, "Sound and Fury", which is exclusive to Netflix. Why Sturgill Simpson is doing an album that ties with an anime series is anyone's guess. I suppose this is the year where anything can happen, though!
Wednesday, August 28, 2019
Wednesday, August 21, 2019
New songs for August 21st 2019
here they are:
"Catfish Kate" by Pixies: The legendary alternative rock band returns just in time for the end of the decade! In comparison to the spiky sound of their last "comeback" song, "Classic Masher", "Catfish Kate" sounds almost like an R.E.M. song, similar to The Pixies' now classic, "Here Comes Your Man". Frank "Black Francis" Black takes the lead vocals on this song and weaves a tale about someone he once knew whose nickname was "Catfish Kate". What is this tale about?! I'm scratching my head trying to figure THAT one out, but most Pixies songs tend to be rather obscure in meaning upon first listen. It's only upon listening to a Pixies song enough times that one can decipher its true significance, but such is part of the appeal of a band that was famously one of Kurt Cobain's favorites.
"Knock Me Off My Feet" by Soak: As an Irish-American myself, I think there are many talented Irish musicians. U2, of course, but there are many more: The Cranberries, Sinead O'Connor, The Boomtown Rats, Van Morrison, Damien Rice, and so much more. One of the latest performers to join their ranks is Bridie Monds-Watson, better known as "Soak". Her song, "Knock Me Off My Feet", has a sound that's evocative of groups like The Cure, Echo and The Bunnymen, and Joy Division. Much like the bands she is emulating, Soak's "Knock Me Off My Feet" has rather dark subject matter. Here it concerns how harshly people can treat themselves, although it also suggests the opposite idea of how well people can treat themselves.
"Lebanon" by J.S. Ondara: Thanks to L.A.'s trailblazing radio station, KCSN, I have heard J.S. Ondara's latest offering, "Lebanon". The song has an interesting title for a musician who was born in an African country and raised in the United States, since Lebanon itself is a Middle Eastern country. The song is not about geographical location, though, but is instead about providing friendship and loyalty through thick and thin. Through a sweet folk-rock sound that brings to mind what Tracy Chapman might sound like with a catchier beat, Ondara tells a story of his desire for friendship through troubled times. "In the water, in the fire, I'll go wherever you go", Ondara sings during the song's chorus. Powerful stuff!
"Life In the City" by The Lumineers: It's not every day you get a song with a waltz rhythm and a folk-rock sound, but The Lumineers did it before with "Submarines", and they're doing it again with their latest song, "Life In the City". Though the song itself might sound somewhat uplifting, do not be fooled. "Life In the City" does not celebrate the urban lifestyle, but instead criticizes it. Wesley Schultz croons sorrowfully about how city life has left him feeling empty inside, even stating in the chorus that it will "never be pretty". Through troubled times, though, come great songs, and this is one of them!
"So Caught Up" by The Teskey Brothers: Australian quartet, The Teskey Brothers, offer us music that does not sound like it came from down under at all. For that matter, it doesn't sound current either. Instead, it sounds like a 1960's soul song that came from someone like Sam & Dave or Otis Redding. Lyrically, it's a love song without a very deep meaning to it, but the way the song is delivered is so energetic that the listener can't help but get hooked into it!
"The Chain" by The Highwomen: An all-woman, country-rock supergroup, composed of Brandi Carlile, Maren Morris, Natalie Hemby, and Amanda Shires, most of whom have had adult alt radio hits as solo musicians, take on a song from one of the most legendary women (and men) in rock and roll history! If you saw the title, "The Chain", and thought of a Fleetwood Mac song from the mid 1970's, you'd be correct! This is the song the quartet of women are taking on. How does it fare in comparison to the original? An A for effort on their part, but it almost sounds TOO similar to the Fleetwood Mac version. The song is in the key of E (major for the verses, minor for the chorus) like the original, and it also has the same rhythm and remarkably similar instrumentation, right down to the bass riff and guitar solo that marks the end of the song, nearly note for note! The only way to truly differentiate the two versions is by vocals (and by the "jam band" styled section towards the end of the song). Still, they picked a great song to cover!
"2all" by Catfish and The Bottlemen: Our last entry of the week is another song I first heard on L.A.'s KCSN, just like J.S. Ondara's "Lebanon", which I reviewed earlier in this week's blog. The harmonious vocals and heartfelt message of "2all" marks an interesting contrast to the usual gritty material of Catfish and The Bottlemen's material. I couldn't even believe it WAS Catfish and The Bottlemen when I first heard it. There's a reason this song sounds sweet and mellow in comparison to most of CATB's material, though. Van McCann apparently wanted to do a song dedicated to his audience and how supportive they were to his band and their music. What a great idea! Now that's what I call dedication!
"Catfish Kate" by Pixies: The legendary alternative rock band returns just in time for the end of the decade! In comparison to the spiky sound of their last "comeback" song, "Classic Masher", "Catfish Kate" sounds almost like an R.E.M. song, similar to The Pixies' now classic, "Here Comes Your Man". Frank "Black Francis" Black takes the lead vocals on this song and weaves a tale about someone he once knew whose nickname was "Catfish Kate". What is this tale about?! I'm scratching my head trying to figure THAT one out, but most Pixies songs tend to be rather obscure in meaning upon first listen. It's only upon listening to a Pixies song enough times that one can decipher its true significance, but such is part of the appeal of a band that was famously one of Kurt Cobain's favorites.
"Knock Me Off My Feet" by Soak: As an Irish-American myself, I think there are many talented Irish musicians. U2, of course, but there are many more: The Cranberries, Sinead O'Connor, The Boomtown Rats, Van Morrison, Damien Rice, and so much more. One of the latest performers to join their ranks is Bridie Monds-Watson, better known as "Soak". Her song, "Knock Me Off My Feet", has a sound that's evocative of groups like The Cure, Echo and The Bunnymen, and Joy Division. Much like the bands she is emulating, Soak's "Knock Me Off My Feet" has rather dark subject matter. Here it concerns how harshly people can treat themselves, although it also suggests the opposite idea of how well people can treat themselves.
"Lebanon" by J.S. Ondara: Thanks to L.A.'s trailblazing radio station, KCSN, I have heard J.S. Ondara's latest offering, "Lebanon". The song has an interesting title for a musician who was born in an African country and raised in the United States, since Lebanon itself is a Middle Eastern country. The song is not about geographical location, though, but is instead about providing friendship and loyalty through thick and thin. Through a sweet folk-rock sound that brings to mind what Tracy Chapman might sound like with a catchier beat, Ondara tells a story of his desire for friendship through troubled times. "In the water, in the fire, I'll go wherever you go", Ondara sings during the song's chorus. Powerful stuff!
"Life In the City" by The Lumineers: It's not every day you get a song with a waltz rhythm and a folk-rock sound, but The Lumineers did it before with "Submarines", and they're doing it again with their latest song, "Life In the City". Though the song itself might sound somewhat uplifting, do not be fooled. "Life In the City" does not celebrate the urban lifestyle, but instead criticizes it. Wesley Schultz croons sorrowfully about how city life has left him feeling empty inside, even stating in the chorus that it will "never be pretty". Through troubled times, though, come great songs, and this is one of them!
"So Caught Up" by The Teskey Brothers: Australian quartet, The Teskey Brothers, offer us music that does not sound like it came from down under at all. For that matter, it doesn't sound current either. Instead, it sounds like a 1960's soul song that came from someone like Sam & Dave or Otis Redding. Lyrically, it's a love song without a very deep meaning to it, but the way the song is delivered is so energetic that the listener can't help but get hooked into it!
"The Chain" by The Highwomen: An all-woman, country-rock supergroup, composed of Brandi Carlile, Maren Morris, Natalie Hemby, and Amanda Shires, most of whom have had adult alt radio hits as solo musicians, take on a song from one of the most legendary women (and men) in rock and roll history! If you saw the title, "The Chain", and thought of a Fleetwood Mac song from the mid 1970's, you'd be correct! This is the song the quartet of women are taking on. How does it fare in comparison to the original? An A for effort on their part, but it almost sounds TOO similar to the Fleetwood Mac version. The song is in the key of E (major for the verses, minor for the chorus) like the original, and it also has the same rhythm and remarkably similar instrumentation, right down to the bass riff and guitar solo that marks the end of the song, nearly note for note! The only way to truly differentiate the two versions is by vocals (and by the "jam band" styled section towards the end of the song). Still, they picked a great song to cover!
"2all" by Catfish and The Bottlemen: Our last entry of the week is another song I first heard on L.A.'s KCSN, just like J.S. Ondara's "Lebanon", which I reviewed earlier in this week's blog. The harmonious vocals and heartfelt message of "2all" marks an interesting contrast to the usual gritty material of Catfish and The Bottlemen's material. I couldn't even believe it WAS Catfish and The Bottlemen when I first heard it. There's a reason this song sounds sweet and mellow in comparison to most of CATB's material, though. Van McCann apparently wanted to do a song dedicated to his audience and how supportive they were to his band and their music. What a great idea! Now that's what I call dedication!
Wednesday, August 7, 2019
New songs for August 7th 2019
here they are:
"Baptise Me" by Robert Randolph and The Family Band: Not to be confused with "Baptize Me" from the "Book of Mormon" musical, there is something rather spiritual about the latest song from blues-rocker, Robert Randolph. Unlike BOM's "Baptize Me", "Baptise Me" doesn't contain any sexual metaphors. Instead, it's a sincere plea from Robert Randolph to be made into someone who is more closely anointed with God. This song does exactly what it aims to do. It uplifts the spirits, regardless of one's personal worldview. It has often been said that rock and roll was rooted from the blues. Robert Randolph brings the two genres into holy matrimony here, full stop!
"Can I Go On?" by Sleater-Kinney: This song is probably a bit more pop than what Sleater-Kinney's fans are used to. That is, until Annie Clark (St. Vincent)'s guitar kicks in and gives what seems to be an upbeat, pleasant pop song more of an edge. The lyrics are pure Sleater-Kinney, though, as cutting and gritty as ever. One thing that is noticeably different about the lyrics of "Can I Go On?" is how its target is not a person(s), but a machine. A group of machines, to be more precise, that are closing off the way we used to communicate with one another. Thankfully, music still remains our greatest tool of communication, as illustrated in this song!
"Falling Down the Stairs of Your Smile" by The New Pornographers: At 7 words long, this sounds more like the title of a Panic! At the Disco song than it does a New Pornographers song title! Its sound, however, is pure New Pornographers, particularly during the chorus of the song. It hearkens back to the power pop sound most NP's albums have, which was lacking in their previous post-punk/new wave influenced album, "Whiteout Conditions". The lyrics don't seem to mean much of anything, but this seems pretty typical of a band whose other song titles include such oddities as "Sing Me Spanish Techno" and "Brill Bruisers" (not to mention A.C. Newman's solo adult alt radio hit, "Encyclopedia of Classic Takedowns"). Like an indie-rock Fleetwood Mac, the male and female vocals of A.C. Newman and Neko Case, respectively, harmonize well with one another on this song and both play important roles in it. Neko shines particularly brightly during the song's chorus.
"Hold You Down" by X Ambassadors: X Ambassadors debut album from 2015 was marked by the energetic, catchy, "Renegades" being followed by the more bittersweet "Unsteady". It seems the band has taken a similar course for the first two singles they've released for 2019. X Ambassadors had a surprisingly rocking, super catchy smash hit with "Boom" in spring of this year, and now they've decided to mellow out a bit and show their more sensitive side with "Hold You Down". While it doesn't tug at the heartstrings near as heavily as "Unsteady" did, "Hold You Down" is still a sweet, romantic tune with a chorus that reassures the lead singer's love interest that "when there's no one left to hold (her)" he will still "hold (her) down". A nice song to listen to on a romantic beach trip once the sun starts to set!
"Peach Fuzz" by Caamp: The band's weird name (probably pronounced like "camp") is as unique as its sound. Well, maybe not THAT unique, but it's certainly a neat combo of sounds! It wouldn't be out of place to describe their debut song, "Peach Fuzz", as being like The Velvet Underground's "Sweet Jane" mixed with Ray LaMontagne's "Supernova". Caamp's lead singer even seems to have Ray LaMontagne's husky vocals! "Peach Fuzz" is a love song, though a bit of an odd one, in which the lead singer describes himself as a "peach fuzz boy". Uhhh...what?!
"Summer Girl" by Haim: Interesting that both this song and the previous one have brought about Lou Reed comparisons. This one bears resemblance to Lou's biggest chart hit, "Walk On the Wild Side". It contains a similar bass line and a similar sax riff as well. After hearing the sunny, Fleetwood Mac-ish pop/rock of "The Wire" and the more plaintive indie-folk-pop of "Want You Back", it's a welcome change of pace to hear the all-sister trio, Haim, take on something more jazzy and soulful. Between the upbeat vibes of the song and a video that ends with the three girls revealing how they look in bathing suit tops (https://www.youtube.com/watch?v=ZjuA_o6Jzyo), you would think this song would be celebratory, when in fact it really isn't. "I'm your summer girl" is not just a mere declaration of romance from lead singer Danielle Haim, but words of reassurance that she would tell her producer, to whom she was and is romantically linked, during a time when he was suffering from cancer. This is proof of just how powerful music can be!
"Supply And Demand" by Wilder Woods: I was never a fan of William Stanley "Bear" Rinehart's band, Needtobreathe, who combined the sweeter yet blander side of '00s folk-pop with Christian rock lyrical themes. However, Bear has redeemed himself with his side project, Wilder Woods, and their surprisingly soulful song, "Supply And Demand". The song sounds so much like an early '70s soul song that I would have never guessed that a white South Carolinian man from a post-millennial band did this song! Even the lyrics of this song, revolving around passionate and soul-baring love making, seem like they wouldn't be out of place in a band like The Delfonics, The Stylistics, or The Chi-Lites. This is a great song to get your groove on with!
"Baptise Me" by Robert Randolph and The Family Band: Not to be confused with "Baptize Me" from the "Book of Mormon" musical, there is something rather spiritual about the latest song from blues-rocker, Robert Randolph. Unlike BOM's "Baptize Me", "Baptise Me" doesn't contain any sexual metaphors. Instead, it's a sincere plea from Robert Randolph to be made into someone who is more closely anointed with God. This song does exactly what it aims to do. It uplifts the spirits, regardless of one's personal worldview. It has often been said that rock and roll was rooted from the blues. Robert Randolph brings the two genres into holy matrimony here, full stop!
"Can I Go On?" by Sleater-Kinney: This song is probably a bit more pop than what Sleater-Kinney's fans are used to. That is, until Annie Clark (St. Vincent)'s guitar kicks in and gives what seems to be an upbeat, pleasant pop song more of an edge. The lyrics are pure Sleater-Kinney, though, as cutting and gritty as ever. One thing that is noticeably different about the lyrics of "Can I Go On?" is how its target is not a person(s), but a machine. A group of machines, to be more precise, that are closing off the way we used to communicate with one another. Thankfully, music still remains our greatest tool of communication, as illustrated in this song!
"Falling Down the Stairs of Your Smile" by The New Pornographers: At 7 words long, this sounds more like the title of a Panic! At the Disco song than it does a New Pornographers song title! Its sound, however, is pure New Pornographers, particularly during the chorus of the song. It hearkens back to the power pop sound most NP's albums have, which was lacking in their previous post-punk/new wave influenced album, "Whiteout Conditions". The lyrics don't seem to mean much of anything, but this seems pretty typical of a band whose other song titles include such oddities as "Sing Me Spanish Techno" and "Brill Bruisers" (not to mention A.C. Newman's solo adult alt radio hit, "Encyclopedia of Classic Takedowns"). Like an indie-rock Fleetwood Mac, the male and female vocals of A.C. Newman and Neko Case, respectively, harmonize well with one another on this song and both play important roles in it. Neko shines particularly brightly during the song's chorus.
"Hold You Down" by X Ambassadors: X Ambassadors debut album from 2015 was marked by the energetic, catchy, "Renegades" being followed by the more bittersweet "Unsteady". It seems the band has taken a similar course for the first two singles they've released for 2019. X Ambassadors had a surprisingly rocking, super catchy smash hit with "Boom" in spring of this year, and now they've decided to mellow out a bit and show their more sensitive side with "Hold You Down". While it doesn't tug at the heartstrings near as heavily as "Unsteady" did, "Hold You Down" is still a sweet, romantic tune with a chorus that reassures the lead singer's love interest that "when there's no one left to hold (her)" he will still "hold (her) down". A nice song to listen to on a romantic beach trip once the sun starts to set!
"Peach Fuzz" by Caamp: The band's weird name (probably pronounced like "camp") is as unique as its sound. Well, maybe not THAT unique, but it's certainly a neat combo of sounds! It wouldn't be out of place to describe their debut song, "Peach Fuzz", as being like The Velvet Underground's "Sweet Jane" mixed with Ray LaMontagne's "Supernova". Caamp's lead singer even seems to have Ray LaMontagne's husky vocals! "Peach Fuzz" is a love song, though a bit of an odd one, in which the lead singer describes himself as a "peach fuzz boy". Uhhh...what?!
"Summer Girl" by Haim: Interesting that both this song and the previous one have brought about Lou Reed comparisons. This one bears resemblance to Lou's biggest chart hit, "Walk On the Wild Side". It contains a similar bass line and a similar sax riff as well. After hearing the sunny, Fleetwood Mac-ish pop/rock of "The Wire" and the more plaintive indie-folk-pop of "Want You Back", it's a welcome change of pace to hear the all-sister trio, Haim, take on something more jazzy and soulful. Between the upbeat vibes of the song and a video that ends with the three girls revealing how they look in bathing suit tops (https://www.youtube.com/watch?v=ZjuA_o6Jzyo), you would think this song would be celebratory, when in fact it really isn't. "I'm your summer girl" is not just a mere declaration of romance from lead singer Danielle Haim, but words of reassurance that she would tell her producer, to whom she was and is romantically linked, during a time when he was suffering from cancer. This is proof of just how powerful music can be!
"Supply And Demand" by Wilder Woods: I was never a fan of William Stanley "Bear" Rinehart's band, Needtobreathe, who combined the sweeter yet blander side of '00s folk-pop with Christian rock lyrical themes. However, Bear has redeemed himself with his side project, Wilder Woods, and their surprisingly soulful song, "Supply And Demand". The song sounds so much like an early '70s soul song that I would have never guessed that a white South Carolinian man from a post-millennial band did this song! Even the lyrics of this song, revolving around passionate and soul-baring love making, seem like they wouldn't be out of place in a band like The Delfonics, The Stylistics, or The Chi-Lites. This is a great song to get your groove on with!
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