here they are:
"Baptise Me" by Robert Randolph and The Family Band: Not to be confused with "Baptize Me" from the "Book of Mormon" musical, there is something rather spiritual about the latest song from blues-rocker, Robert Randolph. Unlike BOM's "Baptize Me", "Baptise Me" doesn't contain any sexual metaphors. Instead, it's a sincere plea from Robert Randolph to be made into someone who is more closely anointed with God. This song does exactly what it aims to do. It uplifts the spirits, regardless of one's personal worldview. It has often been said that rock and roll was rooted from the blues. Robert Randolph brings the two genres into holy matrimony here, full stop!
"Can I Go On?" by Sleater-Kinney: This song is probably a bit more pop than what Sleater-Kinney's fans are used to. That is, until Annie Clark (St. Vincent)'s guitar kicks in and gives what seems to be an upbeat, pleasant pop song more of an edge. The lyrics are pure Sleater-Kinney, though, as cutting and gritty as ever. One thing that is noticeably different about the lyrics of "Can I Go On?" is how its target is not a person(s), but a machine. A group of machines, to be more precise, that are closing off the way we used to communicate with one another. Thankfully, music still remains our greatest tool of communication, as illustrated in this song!
"Falling Down the Stairs of Your Smile" by The New Pornographers: At 7 words long, this sounds more like the title of a Panic! At the Disco song than it does a New Pornographers song title! Its sound, however, is pure New Pornographers, particularly during the chorus of the song. It hearkens back to the power pop sound most NP's albums have, which was lacking in their previous post-punk/new wave influenced album, "Whiteout Conditions". The lyrics don't seem to mean much of anything, but this seems pretty typical of a band whose other song titles include such oddities as "Sing Me Spanish Techno" and "Brill Bruisers" (not to mention A.C. Newman's solo adult alt radio hit, "Encyclopedia of Classic Takedowns"). Like an indie-rock Fleetwood Mac, the male and female vocals of A.C. Newman and Neko Case, respectively, harmonize well with one another on this song and both play important roles in it. Neko shines particularly brightly during the song's chorus.
"Hold You Down" by X Ambassadors: X Ambassadors debut album from 2015 was marked by the energetic, catchy, "Renegades" being followed by the more bittersweet "Unsteady". It seems the band has taken a similar course for the first two singles they've released for 2019. X Ambassadors had a surprisingly rocking, super catchy smash hit with "Boom" in spring of this year, and now they've decided to mellow out a bit and show their more sensitive side with "Hold You Down". While it doesn't tug at the heartstrings near as heavily as "Unsteady" did, "Hold You Down" is still a sweet, romantic tune with a chorus that reassures the lead singer's love interest that "when there's no one left to hold (her)" he will still "hold (her) down". A nice song to listen to on a romantic beach trip once the sun starts to set!
"Peach Fuzz" by Caamp: The band's weird name (probably pronounced like "camp") is as unique as its sound. Well, maybe not THAT unique, but it's certainly a neat combo of sounds! It wouldn't be out of place to describe their debut song, "Peach Fuzz", as being like The Velvet Underground's "Sweet Jane" mixed with Ray LaMontagne's "Supernova". Caamp's lead singer even seems to have Ray LaMontagne's husky vocals! "Peach Fuzz" is a love song, though a bit of an odd one, in which the lead singer describes himself as a "peach fuzz boy". Uhhh...what?!
"Summer Girl" by Haim: Interesting that both this song and the previous one have brought about Lou Reed comparisons. This one bears resemblance to Lou's biggest chart hit, "Walk On the Wild Side". It contains a similar bass line and a similar sax riff as well. After hearing the sunny, Fleetwood Mac-ish pop/rock of "The Wire" and the more plaintive indie-folk-pop of "Want You Back", it's a welcome change of pace to hear the all-sister trio, Haim, take on something more jazzy and soulful. Between the upbeat vibes of the song and a video that ends with the three girls revealing how they look in bathing suit tops (https://www.youtube.com/watch?v=ZjuA_o6Jzyo), you would think this song would be celebratory, when in fact it really isn't. "I'm your summer girl" is not just a mere declaration of romance from lead singer Danielle Haim, but words of reassurance that she would tell her producer, to whom she was and is romantically linked, during a time when he was suffering from cancer. This is proof of just how powerful music can be!
"Supply And Demand" by Wilder Woods: I was never a fan of William Stanley "Bear" Rinehart's band, Needtobreathe, who combined the sweeter yet blander side of '00s folk-pop with Christian rock lyrical themes. However, Bear has redeemed himself with his side project, Wilder Woods, and their surprisingly soulful song, "Supply And Demand". The song sounds so much like an early '70s soul song that I would have never guessed that a white South Carolinian man from a post-millennial band did this song! Even the lyrics of this song, revolving around passionate and soul-baring love making, seem like they wouldn't be out of place in a band like The Delfonics, The Stylistics, or The Chi-Lites. This is a great song to get your groove on with!
Showing posts with label X Ambassadors. Show all posts
Showing posts with label X Ambassadors. Show all posts
Wednesday, August 7, 2019
Wednesday, February 27, 2019
New songs for February 27th 2019
here they are:
"Beloved" by Mumford and Sons: If you thought Mumford and Sons' Fall 2018 hit, "Guiding Light", harkened back to their original sound, then you're in for a real treat with "Beloved", which sounds even more like a "Babel" outtake than "Guiding Light" did! The song hovers closer to folk-rock than it does alt-pop, like the early M & S songs, and the poetic and nearly Shakespearean content of "Beloved"'s lyrics is a nice way to welcome fans back into the M & S circle. A few lyrics of the song are what some might call "ambiguously Christian" ("She says the Lord has a plan/but admits it's pretty hard to understand"), but it's not that different than most of the other Mumford and Sons lyrics that straddle the line between religious sincerity and the doubt that gives such songs "indie cred." The only real disappointing part is when they add more synthetic instrumentation in the middle, but on the whole, that does not ruin what is otherwise a fantastic song!
"Boom" by X Ambassadors: "Boom" is a song that last for just 2 and a half minutes and whose title is just 4 letters, but that does not stop it from being an aptly explosive song! This might just be the first X Ambassadors song to rely more on bass than it does on guitar (though you can hear some funky guitar licks during the chorus). "Renegades", "Unsteady" and "Ahead of Myself" all focused on acoustic guitar, and "Low Life" was an unusually blues-y electric guitar song, which gives "Boom" distinction among the other songs in X Ambassadors' catalog. The lyrics are pretty simplistic ("my feet go boom boom boom/my heart beats boom boom boom", etc.), but that doesn't stop "Boom" from being a catchy song!
"Clap Your Hands" by Galactic: Blues and jazz influence are defining features of Galactic's music. They are still present on their latest song, "Clap Your Hands", but they seem to be heading in more of a pop music direction than their previous efforts have suggested here. Thankfully they haven't completely shifted gears. There is still plenty for old school R & B fans and fans of New Orleans jazz to get out of "Clap Your Hands". Fitting for the title of the song, "Clap Your Hands" does contain a lot of clapping, which is probably what gives it more of a pop flavor than most Galactic songs have, but the band are still as jammin' as ever in this one!
"For Real" by Tom Petty: Legends never die! Last summer, a posthumous Petty song was released called "Keep A Little Soul", which sounded like a rock song from the early '80s because that's essentially what it was: an outtake of a previously unreleased Tom Petty song from the '80s. "For Real" sounds like it was done a bit later, and has a bit less of a rock and roll factor than "Keep A Little Soul" did, but it has nevertheless been soaring up the adult alt radio charts within a little over a week. "For Real" is a song that seems to reflect on Tom Petty's life and career in a very poignant manner. The fact that it sounds like a more recent song might be because that's what it probably is. Petty died 2 years ago, and this is more than likely one of the last songs he ever recorded. There seems to be a painfully sad self awareness that Petty has about the last moments of his life in "For Real", which can be compared to other recent post-mortem rock songs like David Bowie's "Lazarus" and The Cranberries' "All Over Now".
"Jingle And Go" by Ryan Bingham: Ryan Bingham is known for his country/folk sounding songs, like "The Weary Kind", but the songs of his that make the biggest impression on me contain a bit more of a rock and roll sound, like the frantic "Heart of Rhythm" and the Tom Petty-esque "Radio". On "Jingle And Go", Ryan seems to take a cue or two from The Rolling Stones circa the late '60s/early '70s. Imagine Mick Jagger's famous rock group with more of a country-rock sound, and you've pretty much got "Jingle And Go" in a nutshell. Eclectic rock guitarist Charlie Sexton provides "Jingle And Go" with its freewheelin' rock and roll sound.
"Ruby" by Strand of Oaks: Strand of Oaks' lead singer, Timothy Showalter, claims that "Ruby" is the happiest song he's ever written! That's pretty something coming from someone who did angst filled songs like "Goshen '97" and "Radio Kids". "Ruby" does not contain any angst at all, and is the softest song so far in Strand of Oaks' catalog. Ruby is also not the name of a person, but a personification of Showalter's past. The song seems to be a yearning for nostalgia for the most part. Given how jaded Strand of Oaks' material usually sounds, the song provides a much needed breath of fresh air the band has probably needed for quite a while now!
"Beloved" by Mumford and Sons: If you thought Mumford and Sons' Fall 2018 hit, "Guiding Light", harkened back to their original sound, then you're in for a real treat with "Beloved", which sounds even more like a "Babel" outtake than "Guiding Light" did! The song hovers closer to folk-rock than it does alt-pop, like the early M & S songs, and the poetic and nearly Shakespearean content of "Beloved"'s lyrics is a nice way to welcome fans back into the M & S circle. A few lyrics of the song are what some might call "ambiguously Christian" ("She says the Lord has a plan/but admits it's pretty hard to understand"), but it's not that different than most of the other Mumford and Sons lyrics that straddle the line between religious sincerity and the doubt that gives such songs "indie cred." The only real disappointing part is when they add more synthetic instrumentation in the middle, but on the whole, that does not ruin what is otherwise a fantastic song!
"Boom" by X Ambassadors: "Boom" is a song that last for just 2 and a half minutes and whose title is just 4 letters, but that does not stop it from being an aptly explosive song! This might just be the first X Ambassadors song to rely more on bass than it does on guitar (though you can hear some funky guitar licks during the chorus). "Renegades", "Unsteady" and "Ahead of Myself" all focused on acoustic guitar, and "Low Life" was an unusually blues-y electric guitar song, which gives "Boom" distinction among the other songs in X Ambassadors' catalog. The lyrics are pretty simplistic ("my feet go boom boom boom/my heart beats boom boom boom", etc.), but that doesn't stop "Boom" from being a catchy song!
"Clap Your Hands" by Galactic: Blues and jazz influence are defining features of Galactic's music. They are still present on their latest song, "Clap Your Hands", but they seem to be heading in more of a pop music direction than their previous efforts have suggested here. Thankfully they haven't completely shifted gears. There is still plenty for old school R & B fans and fans of New Orleans jazz to get out of "Clap Your Hands". Fitting for the title of the song, "Clap Your Hands" does contain a lot of clapping, which is probably what gives it more of a pop flavor than most Galactic songs have, but the band are still as jammin' as ever in this one!
"For Real" by Tom Petty: Legends never die! Last summer, a posthumous Petty song was released called "Keep A Little Soul", which sounded like a rock song from the early '80s because that's essentially what it was: an outtake of a previously unreleased Tom Petty song from the '80s. "For Real" sounds like it was done a bit later, and has a bit less of a rock and roll factor than "Keep A Little Soul" did, but it has nevertheless been soaring up the adult alt radio charts within a little over a week. "For Real" is a song that seems to reflect on Tom Petty's life and career in a very poignant manner. The fact that it sounds like a more recent song might be because that's what it probably is. Petty died 2 years ago, and this is more than likely one of the last songs he ever recorded. There seems to be a painfully sad self awareness that Petty has about the last moments of his life in "For Real", which can be compared to other recent post-mortem rock songs like David Bowie's "Lazarus" and The Cranberries' "All Over Now".
"Jingle And Go" by Ryan Bingham: Ryan Bingham is known for his country/folk sounding songs, like "The Weary Kind", but the songs of his that make the biggest impression on me contain a bit more of a rock and roll sound, like the frantic "Heart of Rhythm" and the Tom Petty-esque "Radio". On "Jingle And Go", Ryan seems to take a cue or two from The Rolling Stones circa the late '60s/early '70s. Imagine Mick Jagger's famous rock group with more of a country-rock sound, and you've pretty much got "Jingle And Go" in a nutshell. Eclectic rock guitarist Charlie Sexton provides "Jingle And Go" with its freewheelin' rock and roll sound.
"Ruby" by Strand of Oaks: Strand of Oaks' lead singer, Timothy Showalter, claims that "Ruby" is the happiest song he's ever written! That's pretty something coming from someone who did angst filled songs like "Goshen '97" and "Radio Kids". "Ruby" does not contain any angst at all, and is the softest song so far in Strand of Oaks' catalog. Ruby is also not the name of a person, but a personification of Showalter's past. The song seems to be a yearning for nostalgia for the most part. Given how jaded Strand of Oaks' material usually sounds, the song provides a much needed breath of fresh air the band has probably needed for quite a while now!
Wednesday, August 2, 2017
New songs for August 2nd, 2017
here they are:
"Ahead of Myself" by X Ambassadors: This song has a lot of the qualities that X Ambassadors' first (and so far, biggest) hit, "Renegades" had. First off, it combines acoustic guitar sounds with synthetic beats. Those aspects of the song, not to mention the distinctive vocal qualities of Sam Harris, make this song a surefire summer hit! The "I thought I was this, but really I was that" theme of the lyrics of the song are also an appealing aspect of it. Well, not to get "ahead of myself", but I anticipate this song to be on quite a few alt and adult alt radio stations for at least the next few months!
"Faded Heart" by Borns: Garrett Borns, better known by just his last name, seems to be bringing David Bowie back from the dead in his latest song, "Faded Heart"! Multiple eras of his music, at that. First, there's the glam Bowie influence we hear in the joyfully raucous sound of the pounding piano during the verses, and new wave and post-punk Bowie surface during the chorus of the song. Was this Bowie influence intentional?! Well, it just might have been, as Garrett was also influenced by fellow glam rock icons like Iggy Pop and Freddie Mercury when he worked on this song! Previously, Borns seemed like just another electro-pop act, albeit with some catchy, memorable tunes. "Faded Heart" brings out a whole new aspect to Borns' music that I'm glad to have known!
"My Only True Friend" by Gregg Allman: And speaking of recently deceased rock stars, Gregg Allman from The Allman Brothers' Band demise was only about a month ago. The Southern rock icon apparently left behind a few songs right before he passed on, though, and "My Only True Friend" just happened to be one of them. Fitting for a swan song, "My Only True Friend" is a bittersweet song that might just have been his way of saying goodbye to the world through the power of song. His "only true friend", as it turns out, is the road, perhaps a reference to one of his biggest hits with The Allman Brothers Band, "Midnight Rider" ("and the road goes on forever...") This "road" might also be a flat, horizontal equivalent to the stairway to heaven as described in Led Zeppelin's famous song. In other words, Allman was probably well aware that his days on Earth were numbered, so he acknowledged it by singing about it. Rest in peace, Gregg. The world will never know another Southern rocker who combined country, blues, and rock as deftly as you did!
"So Tied Up" by Cold War Kids (featuring Bishop Briggs): The instrumental arrangement of Cold War Kids' latest song, "So Tied Up", centers primarily around piano and cello. The guest vocalist here is Bishop Briggs (formerly known only by her first name), an alt-pop songstress whose work flows in a similar vein to people like Lorde, Lana Del Rey, and Florence Welch. The decision of having Bishop provide extra vocals on this song works well here, as her sweeping vocal harmonies blend together with the orchestral rock arrangement of the instruments in this song. "Soothing" and "mellow" are words to describe multiple Cold War Kids songs, but "So Tied Up" is the first one I'd describe as "lovely"!
"Stand By My Girl" by Dan Auerbach: Is piano a trending instrument or what? The Black Keys frontman normally prefers guitar, and he uses plenty of it in this song, but there is a noticeable amount of piano in his latest song, "Stand By My Girl", as well. This aspect, as well as its use of slide guitar, gives "Stand By My Girl" a rather George Harrison-esque flavor. Cleverly, Auerbach uses this song as an opportunity to make a song that sounds light and happy, but is actually about making a major error in a relationship. The song begins with a "man in a blue plaid shirt" who knocks on Auerbach's door. He doesn't know what the man is there for, but decides it would be safer if he didn't answer it, for fear of what would happen if he did. He vows to stand by his girl. Why? Because apparently she'll "kill him" if he doesn't! Whoa now! Well at least it's still a fun song to listen to...right?!
"Ahead of Myself" by X Ambassadors: This song has a lot of the qualities that X Ambassadors' first (and so far, biggest) hit, "Renegades" had. First off, it combines acoustic guitar sounds with synthetic beats. Those aspects of the song, not to mention the distinctive vocal qualities of Sam Harris, make this song a surefire summer hit! The "I thought I was this, but really I was that" theme of the lyrics of the song are also an appealing aspect of it. Well, not to get "ahead of myself", but I anticipate this song to be on quite a few alt and adult alt radio stations for at least the next few months!
"Faded Heart" by Borns: Garrett Borns, better known by just his last name, seems to be bringing David Bowie back from the dead in his latest song, "Faded Heart"! Multiple eras of his music, at that. First, there's the glam Bowie influence we hear in the joyfully raucous sound of the pounding piano during the verses, and new wave and post-punk Bowie surface during the chorus of the song. Was this Bowie influence intentional?! Well, it just might have been, as Garrett was also influenced by fellow glam rock icons like Iggy Pop and Freddie Mercury when he worked on this song! Previously, Borns seemed like just another electro-pop act, albeit with some catchy, memorable tunes. "Faded Heart" brings out a whole new aspect to Borns' music that I'm glad to have known!
"My Only True Friend" by Gregg Allman: And speaking of recently deceased rock stars, Gregg Allman from The Allman Brothers' Band demise was only about a month ago. The Southern rock icon apparently left behind a few songs right before he passed on, though, and "My Only True Friend" just happened to be one of them. Fitting for a swan song, "My Only True Friend" is a bittersweet song that might just have been his way of saying goodbye to the world through the power of song. His "only true friend", as it turns out, is the road, perhaps a reference to one of his biggest hits with The Allman Brothers Band, "Midnight Rider" ("and the road goes on forever...") This "road" might also be a flat, horizontal equivalent to the stairway to heaven as described in Led Zeppelin's famous song. In other words, Allman was probably well aware that his days on Earth were numbered, so he acknowledged it by singing about it. Rest in peace, Gregg. The world will never know another Southern rocker who combined country, blues, and rock as deftly as you did!
"So Tied Up" by Cold War Kids (featuring Bishop Briggs): The instrumental arrangement of Cold War Kids' latest song, "So Tied Up", centers primarily around piano and cello. The guest vocalist here is Bishop Briggs (formerly known only by her first name), an alt-pop songstress whose work flows in a similar vein to people like Lorde, Lana Del Rey, and Florence Welch. The decision of having Bishop provide extra vocals on this song works well here, as her sweeping vocal harmonies blend together with the orchestral rock arrangement of the instruments in this song. "Soothing" and "mellow" are words to describe multiple Cold War Kids songs, but "So Tied Up" is the first one I'd describe as "lovely"!
"Stand By My Girl" by Dan Auerbach: Is piano a trending instrument or what? The Black Keys frontman normally prefers guitar, and he uses plenty of it in this song, but there is a noticeable amount of piano in his latest song, "Stand By My Girl", as well. This aspect, as well as its use of slide guitar, gives "Stand By My Girl" a rather George Harrison-esque flavor. Cleverly, Auerbach uses this song as an opportunity to make a song that sounds light and happy, but is actually about making a major error in a relationship. The song begins with a "man in a blue plaid shirt" who knocks on Auerbach's door. He doesn't know what the man is there for, but decides it would be safer if he didn't answer it, for fear of what would happen if he did. He vows to stand by his girl. Why? Because apparently she'll "kill him" if he doesn't! Whoa now! Well at least it's still a fun song to listen to...right?!
Wednesday, June 8, 2016
New songs for June 8th, 2016
here they are:
"All We Ever Knew" by The Head and The Heart: Well, this isn't ALL we ever knew about The Head and The Heart, that's for sure! Their signature piano sound is still the centerpiece of their latest track, "All We Ever Knew", but the roots-y down-homy-ness that the band has been known for seems like it's vanished from their work in this song. Instead, we get a clap-heavy, brightly colored sing-along punctuated by "la-la's" in between that seems like Josiah, Chris, Charity, and co's attempt at gaining a hit on the pop airwaves. There's a bit of salvation for old school Head & The Heart fans during the middle and end of the song where a violin sound appears, but for the most part, this song just doesn't seem the same as the others by the happy-with-their-sound band I saw about two summers ago at the Hollywood Bowl. I guess one thing the band IS starting to pick up on that I hadn't noticed in their other songs is lyrical dissonance. Witness, for instance, when Josiah sings, "You don't see why your world has no love to give? Well, what goes around comes around." Very cutting lyrics for such a happy song, dont'cha think?!
"Grand Canyon" by The Wind and The Wave: A song that opens with the lyrics, "Down to your skivvies at the watering hole, gonna get you wet, gonna save your soul" just gets you in the mood for summertime, doesn't it?! (Not to mention that upbeat acoustic guitar based sound before the lyrics come in). The title of the song as well, "Grand Canyon", also evokes summery images. Guy-girl folk-rock duo, The Wind and The Wave, sure know how to release a song at the right time of year, don't they?! The title of the song comes from lead vocalist Patricia Lynn Drew's insistence in the song that "You haven't lived until you've gone to the Grand Canyon". The fun, free spirited vibe of the song's rhythm is just as fun and free spirited as its lyrics and the delivery in which they're sung. Next stop, the beach!
"Low Life" by X Ambassadors (featuring Jamie N Commons): Despite Jamie N Commons' "Rumble And Sway" becoming one of the most played songs of 2013 on adult alt stations, not a lot of people seem to know who Jamie N Commons is, and he hasn't had a hit since then (until now, that is). As for X Ambassadors?! Who DOESN'T know "Renegades"?! The song was all over the radio and commercials in summer of last year, and their followup hit, the more melancholy but still memorable "Unsteady", was almost as inescapable. "Low Life" is what happens when alt-pop superstars join forces with a blues-y jazzy one-hit wonder, a combination that no one was probably anticipating, but a good one nonetheless. This is by far the blues-iest and jazziest song that X Ambassadors have had so far, and perhaps a song that could gain them a new audience in the process. Lead vocalist Sam Harris repeatedly claims he's "nothing but a low life" in this song, but he sure doesn't SOUND like a low life. He sounds like anything but, as a matter of fact!
"Never Gonna See Me Cry" by Good Old War: GOW are a good band, to be sure, but I'm just not feelin' it with the songs on their latest album. Their previous hit, "Tell Me What You Want From Me" just seemed to have way too much shiny, clean pop production, but at least it had the band's trademark folk-y guitar sound. In "Never Gonna See Me Cry", there isn't even a hint of acoustic guitar. Judging from the solo of the song, GOW seem to want to be going the other way around, actually, though it's mostly just a plain ol' pop song as far as I can tell. You're never gonna see me cry with this song, but you are gonna see me disappointed. It's not terrible, though.
"Opening Statement" by Hard Working Americans: Roots-rock supergroup Hard Working Americans are already releasing their sophomore album! It seemed like their debut was more recent than that, but it was actually from December 2013. Anyway, the slow burning roots-rock sound of HWA's "Opening Statement" is kinda similar to their debut single, "Down to the Well". Todd Snider's vocals are also similar to how they were on "Down to the Well". Nothing exactly remarkable about "Opening Statement", but it's still worth listening to on days when you just want to laze about and not have to worry about anything, 'cause it just gives off that kinda vibe.
"Wow" by Beck". Wow! Just...wow! That's all I gotta say about this one! OK, so it's not THAT impressive, but this IS Beck we're talkin' about here, so the title fits the song at least somewhat. Like his 2015 song, "Dreams", "Wow" is a single-only song that takes on the form of neo-psychedelic dance-pop. "Wow" actually hearkens back to Beck's early days with its zonked out hip-hop influenced rhythm. The chorus only contains two phrases, "It's like 'wow'" and "It's like right now", but they stick in your head like glue from dawn 'till dusk once you hear "Wow" for the first time. The self-proclaimed "loser" does it again, folks!
"All We Ever Knew" by The Head and The Heart: Well, this isn't ALL we ever knew about The Head and The Heart, that's for sure! Their signature piano sound is still the centerpiece of their latest track, "All We Ever Knew", but the roots-y down-homy-ness that the band has been known for seems like it's vanished from their work in this song. Instead, we get a clap-heavy, brightly colored sing-along punctuated by "la-la's" in between that seems like Josiah, Chris, Charity, and co's attempt at gaining a hit on the pop airwaves. There's a bit of salvation for old school Head & The Heart fans during the middle and end of the song where a violin sound appears, but for the most part, this song just doesn't seem the same as the others by the happy-with-their-sound band I saw about two summers ago at the Hollywood Bowl. I guess one thing the band IS starting to pick up on that I hadn't noticed in their other songs is lyrical dissonance. Witness, for instance, when Josiah sings, "You don't see why your world has no love to give? Well, what goes around comes around." Very cutting lyrics for such a happy song, dont'cha think?!
"Grand Canyon" by The Wind and The Wave: A song that opens with the lyrics, "Down to your skivvies at the watering hole, gonna get you wet, gonna save your soul" just gets you in the mood for summertime, doesn't it?! (Not to mention that upbeat acoustic guitar based sound before the lyrics come in). The title of the song as well, "Grand Canyon", also evokes summery images. Guy-girl folk-rock duo, The Wind and The Wave, sure know how to release a song at the right time of year, don't they?! The title of the song comes from lead vocalist Patricia Lynn Drew's insistence in the song that "You haven't lived until you've gone to the Grand Canyon". The fun, free spirited vibe of the song's rhythm is just as fun and free spirited as its lyrics and the delivery in which they're sung. Next stop, the beach!
"Low Life" by X Ambassadors (featuring Jamie N Commons): Despite Jamie N Commons' "Rumble And Sway" becoming one of the most played songs of 2013 on adult alt stations, not a lot of people seem to know who Jamie N Commons is, and he hasn't had a hit since then (until now, that is). As for X Ambassadors?! Who DOESN'T know "Renegades"?! The song was all over the radio and commercials in summer of last year, and their followup hit, the more melancholy but still memorable "Unsteady", was almost as inescapable. "Low Life" is what happens when alt-pop superstars join forces with a blues-y jazzy one-hit wonder, a combination that no one was probably anticipating, but a good one nonetheless. This is by far the blues-iest and jazziest song that X Ambassadors have had so far, and perhaps a song that could gain them a new audience in the process. Lead vocalist Sam Harris repeatedly claims he's "nothing but a low life" in this song, but he sure doesn't SOUND like a low life. He sounds like anything but, as a matter of fact!
"Never Gonna See Me Cry" by Good Old War: GOW are a good band, to be sure, but I'm just not feelin' it with the songs on their latest album. Their previous hit, "Tell Me What You Want From Me" just seemed to have way too much shiny, clean pop production, but at least it had the band's trademark folk-y guitar sound. In "Never Gonna See Me Cry", there isn't even a hint of acoustic guitar. Judging from the solo of the song, GOW seem to want to be going the other way around, actually, though it's mostly just a plain ol' pop song as far as I can tell. You're never gonna see me cry with this song, but you are gonna see me disappointed. It's not terrible, though.
"Opening Statement" by Hard Working Americans: Roots-rock supergroup Hard Working Americans are already releasing their sophomore album! It seemed like their debut was more recent than that, but it was actually from December 2013. Anyway, the slow burning roots-rock sound of HWA's "Opening Statement" is kinda similar to their debut single, "Down to the Well". Todd Snider's vocals are also similar to how they were on "Down to the Well". Nothing exactly remarkable about "Opening Statement", but it's still worth listening to on days when you just want to laze about and not have to worry about anything, 'cause it just gives off that kinda vibe.
"Wow" by Beck". Wow! Just...wow! That's all I gotta say about this one! OK, so it's not THAT impressive, but this IS Beck we're talkin' about here, so the title fits the song at least somewhat. Like his 2015 song, "Dreams", "Wow" is a single-only song that takes on the form of neo-psychedelic dance-pop. "Wow" actually hearkens back to Beck's early days with its zonked out hip-hop influenced rhythm. The chorus only contains two phrases, "It's like 'wow'" and "It's like right now", but they stick in your head like glue from dawn 'till dusk once you hear "Wow" for the first time. The self-proclaimed "loser" does it again, folks!
Wednesday, October 28, 2015
New songs for October 28th, 2015
here they are:
"Gibraltar" by Beirut: Beirut Folds Five?! Kinda sounds like that's the route that Beirut are taking with their latest song, "Gibraltar", albeit with added influence from both lounge music and African drumming as well. Beirut's musical selection is as enigmatic as the origin of their name (which I still have yet to find out, amazingly). It's nice to hear Beirut depart from the synthesizer sound they went for on their other two adult alt radio hits ("Santa Fe" and "No No No") and put in an unplugged keyboard sound in its place in "Gibraltar". On the downside, though, "Gibraltar" is also missing the trademark muted horns that Beirut have used on both radio faves and fan faves among their material. No matter, though, as Beirut continue to amaze me with each new musical adventure they attempt!
"Han Solo" by Bob Schneider: Between this song title and the title of Bob's song "Captain Kirk", I'm kinda convinced that Bob Schneider has a nerdy side that he doesn't often reveal in his other songs and performances. Apparently the title of the song is used as a term of affection for either a close friend or girlfriend that he wants to ensure protection for. This song ranks among the more reflective, slightly bittersweet songs in Bob's catalog and has a somewhat Snow Patrol-ish sound like "40 Dogs (Like Romeo And Juliet)" and "Swimming In the Sea" did. Though I have no problem with the happier sounding Bob Schneider tunes (like "Let the Light In" and "The Stars Over Your House"), I kinda think Bob is at his best when he does more wistful sounding songs like "Han Solo".
"Never Come Back Again" by Austin Plaine: The title of this song might sound like the name of an angry breakup tune, but it's actually anything but. "Never Come Back Again" by folk/alt-country newcomer, Austin Plaine, is actually a song about having adventure out in nature that's so exciting that you want to "feel what it's like to never come back again". The song is one of those songs that fits perfectly with the end of a long trip home on the freeway at sunset, and such imagery fits perfectly with the haunting yet blissful "let's get lost" lyrics of the song. One listen to this song, and you really will want to "never come back again"!
"Record High, Record Low" by Givers: Givers were an energetic indie-pop sextet who debuted in summer 2011 and made all of 2011 (and some of early 2012) feel like summer all year long with relentlessly happy songs like "Up Up Up", "Saw You First", and "Ceiling of Plankton". Givers' summery vibe continues to glow and radiate with their latest song, "Record High, Record Low", which differs from their other three hit songs in that it gives backing vocalist Tiffany Lamson a time to shine in the limelight by taking on the lead vocals of the song instead of the background (I guess there's a good reason they're called "Givers" after all!) The title's deliberate use of opposites next to each other has been thought by some to be an allusion to the famous Charles Dickens quote, "It was the best of times, it was the worst of times". I'm pretty sure Dickens didn't want his audience to feel like they were at a dance party on the beach, though, which Givers clearly do here!
"Talk to Me" by Kopecky: The main riff of Fleetwood Mac's "Rhiannon" filtered through a Blondie-ish musical lens doesn't seem like it would gel together too well, but that's pretty much what Kopecky does here with their latest song, "Talk to Me". Fleetwood Mac seems to have influenced Kopecky here lyrically as well as musically, as the song seems to be about a relationship on the brink like many of the songs on "Rumours" were. Between this song and the surprisingly rockin' "Quarterback" from spring of this year, I feel as if Kopecky want to up their rock 'n' roll quotient on their latest album. Perhaps another single or two from that album will answer my question either later this year or sometime next year.
"The Joke Explained" by Wilco: Wilco have attempted to emulate Bob Dylan's musical style many times, but "The Joke Explained" is probably their finest moment so far in terms of emulating Dylan's lyrical style. The lyrics of the song are rather mysterious and oblique, but it almost seems as though they're meant to be that way. Lyrics like "I sweat tears but don't ever cry" and "I laugh at a joke explained" seem like they were taken straight from the Dylan handbook! Musically, "The Joke Explained" kinda sounds like something from Bob's catalog as well, but with equal parts Lou Reed and Neil Young thrown in for good measure.
"The World Ender" by Lord Huron: Think Lord Huron are just some dreamy sounding indie-folk band?! Well "The World Ender" will probably get you to rethink your stance on their music, if that's the case! The sound of the song is somewhat ethereal, like most of LH's material, but it's also the closest the band have gotten to rock 'n' roll so far, with its sound and delivery somewhat reminiscent of both Elvis and Johnny Cash. The lyrical imagery of "The World Ender" isn't exactly dreamy either (although what would you expect with a title like "The World Ender"?!) Lead vocalist Ben Schneider claims in the chorus that he's "the world ender" and that he's "back from the dead". How apt for Halloween! Speaking of which, a LOT of the titles on LH's latest album seem to have Halloween related themes, like "Love Like Ghosts", "Dead Man's Hand", and "Cursed". Looks like I'll have quite a bit of LH music on my Halloween playlist this year!! Muahahahaahhaahahaha!!
"Unsteady" by X Ambassadors: X Ambassadors are responsible for one of this summer's greatest earworms!! Even saying "Hey hey hey, livin' like we're renegades" without singing it will probably cause the song to weasel its way into your head somehow. This gives X Ambassadors' second big song, "Unsteady", a marked contrast to "Renegades". Not that "Unsteady" isn't catchy, but it is a much more sensitive and heartfelt song in comparison to the more carefree vibe of "Renegades". There seems to be a little bit of millennially styled soft rock cheese in "Unsteady" (The Fray, anyone?), but that doesn't detract completely from the message X Ambassadors are trying to convey on "Unsteady", which is an apt adjective to describe Sam Harris' quavering, achy vocals on this song! Perhaps if the production on this song weren't so polished up I'd like this song better, but it certainly isn't a bad one.
"Gibraltar" by Beirut: Beirut Folds Five?! Kinda sounds like that's the route that Beirut are taking with their latest song, "Gibraltar", albeit with added influence from both lounge music and African drumming as well. Beirut's musical selection is as enigmatic as the origin of their name (which I still have yet to find out, amazingly). It's nice to hear Beirut depart from the synthesizer sound they went for on their other two adult alt radio hits ("Santa Fe" and "No No No") and put in an unplugged keyboard sound in its place in "Gibraltar". On the downside, though, "Gibraltar" is also missing the trademark muted horns that Beirut have used on both radio faves and fan faves among their material. No matter, though, as Beirut continue to amaze me with each new musical adventure they attempt!
"Han Solo" by Bob Schneider: Between this song title and the title of Bob's song "Captain Kirk", I'm kinda convinced that Bob Schneider has a nerdy side that he doesn't often reveal in his other songs and performances. Apparently the title of the song is used as a term of affection for either a close friend or girlfriend that he wants to ensure protection for. This song ranks among the more reflective, slightly bittersweet songs in Bob's catalog and has a somewhat Snow Patrol-ish sound like "40 Dogs (Like Romeo And Juliet)" and "Swimming In the Sea" did. Though I have no problem with the happier sounding Bob Schneider tunes (like "Let the Light In" and "The Stars Over Your House"), I kinda think Bob is at his best when he does more wistful sounding songs like "Han Solo".
"Never Come Back Again" by Austin Plaine: The title of this song might sound like the name of an angry breakup tune, but it's actually anything but. "Never Come Back Again" by folk/alt-country newcomer, Austin Plaine, is actually a song about having adventure out in nature that's so exciting that you want to "feel what it's like to never come back again". The song is one of those songs that fits perfectly with the end of a long trip home on the freeway at sunset, and such imagery fits perfectly with the haunting yet blissful "let's get lost" lyrics of the song. One listen to this song, and you really will want to "never come back again"!
"Record High, Record Low" by Givers: Givers were an energetic indie-pop sextet who debuted in summer 2011 and made all of 2011 (and some of early 2012) feel like summer all year long with relentlessly happy songs like "Up Up Up", "Saw You First", and "Ceiling of Plankton". Givers' summery vibe continues to glow and radiate with their latest song, "Record High, Record Low", which differs from their other three hit songs in that it gives backing vocalist Tiffany Lamson a time to shine in the limelight by taking on the lead vocals of the song instead of the background (I guess there's a good reason they're called "Givers" after all!) The title's deliberate use of opposites next to each other has been thought by some to be an allusion to the famous Charles Dickens quote, "It was the best of times, it was the worst of times". I'm pretty sure Dickens didn't want his audience to feel like they were at a dance party on the beach, though, which Givers clearly do here!
"Talk to Me" by Kopecky: The main riff of Fleetwood Mac's "Rhiannon" filtered through a Blondie-ish musical lens doesn't seem like it would gel together too well, but that's pretty much what Kopecky does here with their latest song, "Talk to Me". Fleetwood Mac seems to have influenced Kopecky here lyrically as well as musically, as the song seems to be about a relationship on the brink like many of the songs on "Rumours" were. Between this song and the surprisingly rockin' "Quarterback" from spring of this year, I feel as if Kopecky want to up their rock 'n' roll quotient on their latest album. Perhaps another single or two from that album will answer my question either later this year or sometime next year.
"The Joke Explained" by Wilco: Wilco have attempted to emulate Bob Dylan's musical style many times, but "The Joke Explained" is probably their finest moment so far in terms of emulating Dylan's lyrical style. The lyrics of the song are rather mysterious and oblique, but it almost seems as though they're meant to be that way. Lyrics like "I sweat tears but don't ever cry" and "I laugh at a joke explained" seem like they were taken straight from the Dylan handbook! Musically, "The Joke Explained" kinda sounds like something from Bob's catalog as well, but with equal parts Lou Reed and Neil Young thrown in for good measure.
"The World Ender" by Lord Huron: Think Lord Huron are just some dreamy sounding indie-folk band?! Well "The World Ender" will probably get you to rethink your stance on their music, if that's the case! The sound of the song is somewhat ethereal, like most of LH's material, but it's also the closest the band have gotten to rock 'n' roll so far, with its sound and delivery somewhat reminiscent of both Elvis and Johnny Cash. The lyrical imagery of "The World Ender" isn't exactly dreamy either (although what would you expect with a title like "The World Ender"?!) Lead vocalist Ben Schneider claims in the chorus that he's "the world ender" and that he's "back from the dead". How apt for Halloween! Speaking of which, a LOT of the titles on LH's latest album seem to have Halloween related themes, like "Love Like Ghosts", "Dead Man's Hand", and "Cursed". Looks like I'll have quite a bit of LH music on my Halloween playlist this year!! Muahahahaahhaahahaha!!
"Unsteady" by X Ambassadors: X Ambassadors are responsible for one of this summer's greatest earworms!! Even saying "Hey hey hey, livin' like we're renegades" without singing it will probably cause the song to weasel its way into your head somehow. This gives X Ambassadors' second big song, "Unsteady", a marked contrast to "Renegades". Not that "Unsteady" isn't catchy, but it is a much more sensitive and heartfelt song in comparison to the more carefree vibe of "Renegades". There seems to be a little bit of millennially styled soft rock cheese in "Unsteady" (The Fray, anyone?), but that doesn't detract completely from the message X Ambassadors are trying to convey on "Unsteady", which is an apt adjective to describe Sam Harris' quavering, achy vocals on this song! Perhaps if the production on this song weren't so polished up I'd like this song better, but it certainly isn't a bad one.
Wednesday, May 20, 2015
New songs for May 20th 2015
here they are:
"Future People" by Alabama Shakes: Not as fast as most of Alabama Shakes' material, but rest assured, this song is still funky as ever! The chorus of the song adds some funk to its already funky sound with a buzzy sounding instrument that's probably a keyboard of some sort. The song only has two verses, and the first one pretty much spells out what the song is about. It seems to be about how progressing forward can be better than living in the past. Well, I dunno 'bout you, but I'm looking forward to hearing more Alabama Shakes songs in the future!
"Renegades" by X Ambassadors: The name "X Ambassadors" might sound intimidating, but their music is anything but. They could be described as a slightly more funky Lumineers, since X Ambassadors' breakthrough song, "Renegades", is essentially folk music punctuated by handclaps as its backbeat. The song manages to be instantly catchy as well, though you probably won't remember any of the lyrics at first aside from, "Hey hey hey, living like we're renegades".
"Ship to Wreck" by Florence and The Machine: Might I say that this is the BEST song Flo has done so far?! Its sound combines Bruce Springsteen with R.E.M., two of my all time faves!! What more is there to say?! Well, a lot more, actually. Beneath the catchiness of the song are dark lyrics (though I've come to expect this dichotomy from FATM). As the title implies, "Ship to Wreck" is a song about losing control of one's direction in life. Sometimes, the darkest aspects of life can turn into amazing songs, though, and this is one of them!
"Future People" by Alabama Shakes: Not as fast as most of Alabama Shakes' material, but rest assured, this song is still funky as ever! The chorus of the song adds some funk to its already funky sound with a buzzy sounding instrument that's probably a keyboard of some sort. The song only has two verses, and the first one pretty much spells out what the song is about. It seems to be about how progressing forward can be better than living in the past. Well, I dunno 'bout you, but I'm looking forward to hearing more Alabama Shakes songs in the future!
"Renegades" by X Ambassadors: The name "X Ambassadors" might sound intimidating, but their music is anything but. They could be described as a slightly more funky Lumineers, since X Ambassadors' breakthrough song, "Renegades", is essentially folk music punctuated by handclaps as its backbeat. The song manages to be instantly catchy as well, though you probably won't remember any of the lyrics at first aside from, "Hey hey hey, living like we're renegades".
"Ship to Wreck" by Florence and The Machine: Might I say that this is the BEST song Flo has done so far?! Its sound combines Bruce Springsteen with R.E.M., two of my all time faves!! What more is there to say?! Well, a lot more, actually. Beneath the catchiness of the song are dark lyrics (though I've come to expect this dichotomy from FATM). As the title implies, "Ship to Wreck" is a song about losing control of one's direction in life. Sometimes, the darkest aspects of life can turn into amazing songs, though, and this is one of them!
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