here they are:
"All We Ever Knew" by The Head and The Heart: Well, this isn't ALL we ever knew about The Head and The Heart, that's for sure! Their signature piano sound is still the centerpiece of their latest track, "All We Ever Knew", but the roots-y down-homy-ness that the band has been known for seems like it's vanished from their work in this song. Instead, we get a clap-heavy, brightly colored sing-along punctuated by "la-la's" in between that seems like Josiah, Chris, Charity, and co's attempt at gaining a hit on the pop airwaves. There's a bit of salvation for old school Head & The Heart fans during the middle and end of the song where a violin sound appears, but for the most part, this song just doesn't seem the same as the others by the happy-with-their-sound band I saw about two summers ago at the Hollywood Bowl. I guess one thing the band IS starting to pick up on that I hadn't noticed in their other songs is lyrical dissonance. Witness, for instance, when Josiah sings, "You don't see why your world has no love to give? Well, what goes around comes around." Very cutting lyrics for such a happy song, dont'cha think?!
"Grand Canyon" by The Wind and The Wave: A song that opens with the lyrics, "Down to your skivvies at the watering hole, gonna get you wet, gonna save your soul" just gets you in the mood for summertime, doesn't it?! (Not to mention that upbeat acoustic guitar based sound before the lyrics come in). The title of the song as well, "Grand Canyon", also evokes summery images. Guy-girl folk-rock duo, The Wind and The Wave, sure know how to release a song at the right time of year, don't they?! The title of the song comes from lead vocalist Patricia Lynn Drew's insistence in the song that "You haven't lived until you've gone to the Grand Canyon". The fun, free spirited vibe of the song's rhythm is just as fun and free spirited as its lyrics and the delivery in which they're sung. Next stop, the beach!
"Low Life" by X Ambassadors (featuring Jamie N Commons): Despite Jamie N Commons' "Rumble And Sway" becoming one of the most played songs of 2013 on adult alt stations, not a lot of people seem to know who Jamie N Commons is, and he hasn't had a hit since then (until now, that is). As for X Ambassadors?! Who DOESN'T know "Renegades"?! The song was all over the radio and commercials in summer of last year, and their followup hit, the more melancholy but still memorable "Unsteady", was almost as inescapable. "Low Life" is what happens when alt-pop superstars join forces with a blues-y jazzy one-hit wonder, a combination that no one was probably anticipating, but a good one nonetheless. This is by far the blues-iest and jazziest song that X Ambassadors have had so far, and perhaps a song that could gain them a new audience in the process. Lead vocalist Sam Harris repeatedly claims he's "nothing but a low life" in this song, but he sure doesn't SOUND like a low life. He sounds like anything but, as a matter of fact!
"Never Gonna See Me Cry" by Good Old War: GOW are a good band, to be sure, but I'm just not feelin' it with the songs on their latest album. Their previous hit, "Tell Me What You Want From Me" just seemed to have way too much shiny, clean pop production, but at least it had the band's trademark folk-y guitar sound. In "Never Gonna See Me Cry", there isn't even a hint of acoustic guitar. Judging from the solo of the song, GOW seem to want to be going the other way around, actually, though it's mostly just a plain ol' pop song as far as I can tell. You're never gonna see me cry with this song, but you are gonna see me disappointed. It's not terrible, though.
"Opening Statement" by Hard Working Americans: Roots-rock supergroup Hard Working Americans are already releasing their sophomore album! It seemed like their debut was more recent than that, but it was actually from December 2013. Anyway, the slow burning roots-rock sound of HWA's "Opening Statement" is kinda similar to their debut single, "Down to the Well". Todd Snider's vocals are also similar to how they were on "Down to the Well". Nothing exactly remarkable about "Opening Statement", but it's still worth listening to on days when you just want to laze about and not have to worry about anything, 'cause it just gives off that kinda vibe.
"Wow" by Beck". Wow! Just...wow! That's all I gotta say about this one! OK, so it's not THAT impressive, but this IS Beck we're talkin' about here, so the title fits the song at least somewhat. Like his 2015 song, "Dreams", "Wow" is a single-only song that takes on the form of neo-psychedelic dance-pop. "Wow" actually hearkens back to Beck's early days with its zonked out hip-hop influenced rhythm. The chorus only contains two phrases, "It's like 'wow'" and "It's like right now", but they stick in your head like glue from dawn 'till dusk once you hear "Wow" for the first time. The self-proclaimed "loser" does it again, folks!
Showing posts with label The Wind and The Wave. Show all posts
Showing posts with label The Wind and The Wave. Show all posts
Wednesday, June 8, 2016
Wednesday, January 21, 2015
New songs for January 21st, 2015
here they are:
"Black Is the Color" by Rhiannon Giddens: No other black female musician has sung about being a "country girl" quite so convincingly, and nor has any other attempted to mix bluegrass instrumentation with hip-hop beats. Qualities like this put Carolina Chocolate Drops' lead singer, Rhiannon Giddens, in a truly special category! She ups the ante on musical diversity with her debut solo song, "Black Is the Color", which is somewhat reminiscent of the harmonica laden soul tunes that Stevie Wonder has become known for. "Black", in this case, does not refer to race, but to the actual color, as it describes Rhiannon's "true love's hair" (well actually, not HER "true love", as people like Nina Simone recorded versions of the song before she did). A truly sublime treat from an equally sublime musician!
"Every Minute" by JJ Grey and Mofro: Moving on to a contemporary soul influenced group of a grittier variety, "Every Minute" is probably the smoothest song JJ Grey and Mofro have put out so far. The song gives more of a romantic, warm summery vibe than most of the grimier material in their catalog. That is, until halfway through the song, when horns start to blare, and guest guitarist Derek Trucks makes his guitar more audible! It starts to mellow out again after about 10 or 20 seconds, but towards the end, the instruments kick into full gear and louder tone once again!
"Gold" by Chet Faker: Notice that "F" in his name. This is not Chet Baker, the romantic singer from days of old, this is a contemporary "trip-hop" musician from Australia who goes by the moniker of Chet Faker, mixing lounge atmosphere and soothing instrumentation with hip-hop beats. Chet Faker isn't faking anything, though! He is quite talented at what he does. His breakthrough song, "Gold", weaves a tale of love gone wrong that is somewhat offset by Chet's mesmerizing, beautiful vocals. Not really sure what he means with the recurring line, "made of gold". Perhaps it has to do with how he might be sensing transparency within his relationship. Maybe if I listen to the song more, I'll be able to figure out the meaning of that line!
"It's A Longer Road to California Than I Thought" by The Wind and The Wave: Guy-girl folk-rock duo, The Wind and The Wave, hail from Texas, so perhaps California really IS a "long road" for them. For me, though, it's where I live! In comparison to their last hit, the bluegrass-rock stomper, "With Your Two Hands", "It's A Longer Road to California..." uses more instruments than just acoustic guitar. That instrument is used in this song, but it also uses keyboard in the background occasionally. The opening line of the song seems to rely on stereotypes about my state, with its "I miss smoking pot and playing guitar" line. Not everyone smokes that stuff in California (I don't)! And not every Californian who plays guitar smokes it either (once again, I don't smoke it - I do play guitar, though). Lucky for me, the rest of the song talks about the more natural aspects of California, like "rolling yellow hills" and "blue skies and the moon out in the distance and a sunset few and far behind". I'm proud to call California my home state! For those who don't live here, though, not all of us are burned out hippies.
"Let the Good Times Roll" by JD McPherson: JD never fails to please me! It's like he's able to channel the ghost of Elvis (before he got drafted into the army) every time he puts out a new song! That being said, it shouldn't come as a surprise that JD's latest tune, "Let the Good Times Roll", does exactly what its title says to do! What might come as a big surprise, though, is the condition he was in when he wrote it. Apparently he was ill when he wrote it, and the fact that he was watching an episode of "Frasier" where Niles finds a skull and holds it up didn't exactly make things any better for him. Isn't life ironic sometimes?!
"Made Up Mind" by The Brothers Landreth: Our last song of the week comes from country-rock group, The Brothers Landreth. Not to be confused with the Tedeschi-Trucks Band song of the same name, "Made Up Mind" a slower, mellower number, dominated by acoustic and steel guitar, with a blues-y electric guitar in the background. The lyrics can be quite poetic at times (especially the recurring line, "serenade of a made up mind"), but the song itself just seems okay to me so far. Not a bad one, though, and perhaps it'll grow on me over time, as many of these songs have.
"Black Is the Color" by Rhiannon Giddens: No other black female musician has sung about being a "country girl" quite so convincingly, and nor has any other attempted to mix bluegrass instrumentation with hip-hop beats. Qualities like this put Carolina Chocolate Drops' lead singer, Rhiannon Giddens, in a truly special category! She ups the ante on musical diversity with her debut solo song, "Black Is the Color", which is somewhat reminiscent of the harmonica laden soul tunes that Stevie Wonder has become known for. "Black", in this case, does not refer to race, but to the actual color, as it describes Rhiannon's "true love's hair" (well actually, not HER "true love", as people like Nina Simone recorded versions of the song before she did). A truly sublime treat from an equally sublime musician!
"Every Minute" by JJ Grey and Mofro: Moving on to a contemporary soul influenced group of a grittier variety, "Every Minute" is probably the smoothest song JJ Grey and Mofro have put out so far. The song gives more of a romantic, warm summery vibe than most of the grimier material in their catalog. That is, until halfway through the song, when horns start to blare, and guest guitarist Derek Trucks makes his guitar more audible! It starts to mellow out again after about 10 or 20 seconds, but towards the end, the instruments kick into full gear and louder tone once again!
"Gold" by Chet Faker: Notice that "F" in his name. This is not Chet Baker, the romantic singer from days of old, this is a contemporary "trip-hop" musician from Australia who goes by the moniker of Chet Faker, mixing lounge atmosphere and soothing instrumentation with hip-hop beats. Chet Faker isn't faking anything, though! He is quite talented at what he does. His breakthrough song, "Gold", weaves a tale of love gone wrong that is somewhat offset by Chet's mesmerizing, beautiful vocals. Not really sure what he means with the recurring line, "made of gold". Perhaps it has to do with how he might be sensing transparency within his relationship. Maybe if I listen to the song more, I'll be able to figure out the meaning of that line!
"It's A Longer Road to California Than I Thought" by The Wind and The Wave: Guy-girl folk-rock duo, The Wind and The Wave, hail from Texas, so perhaps California really IS a "long road" for them. For me, though, it's where I live! In comparison to their last hit, the bluegrass-rock stomper, "With Your Two Hands", "It's A Longer Road to California..." uses more instruments than just acoustic guitar. That instrument is used in this song, but it also uses keyboard in the background occasionally. The opening line of the song seems to rely on stereotypes about my state, with its "I miss smoking pot and playing guitar" line. Not everyone smokes that stuff in California (I don't)! And not every Californian who plays guitar smokes it either (once again, I don't smoke it - I do play guitar, though). Lucky for me, the rest of the song talks about the more natural aspects of California, like "rolling yellow hills" and "blue skies and the moon out in the distance and a sunset few and far behind". I'm proud to call California my home state! For those who don't live here, though, not all of us are burned out hippies.
"Let the Good Times Roll" by JD McPherson: JD never fails to please me! It's like he's able to channel the ghost of Elvis (before he got drafted into the army) every time he puts out a new song! That being said, it shouldn't come as a surprise that JD's latest tune, "Let the Good Times Roll", does exactly what its title says to do! What might come as a big surprise, though, is the condition he was in when he wrote it. Apparently he was ill when he wrote it, and the fact that he was watching an episode of "Frasier" where Niles finds a skull and holds it up didn't exactly make things any better for him. Isn't life ironic sometimes?!
"Made Up Mind" by The Brothers Landreth: Our last song of the week comes from country-rock group, The Brothers Landreth. Not to be confused with the Tedeschi-Trucks Band song of the same name, "Made Up Mind" a slower, mellower number, dominated by acoustic and steel guitar, with a blues-y electric guitar in the background. The lyrics can be quite poetic at times (especially the recurring line, "serenade of a made up mind"), but the song itself just seems okay to me so far. Not a bad one, though, and perhaps it'll grow on me over time, as many of these songs have.
Wednesday, April 23, 2014
New songs for the day after Earth Day
here they are:
"Cardiac Arrest" by Bad Suns: As the title of this song implies, your heart will be stopped after listening to this one, in a good way, of course! Pretty much all the essential ingredients of a catchy indie-pop song go into this song. There's the faux-British, melodic vocals, complete with sweet, memorable harmonies, the switching between minor and major chords throughout (while using only a few chords altogether through the whole song), the stick-in-your-head catchiness, and of course, the strange but kinda cute metaphors for love (comparing love to cardiac arrest, because the kissing the lead singer experiences is "high voltage"). There's nothing bad about Bad Suns, but there's definitely something sunny about them!
"I Wanna Get Better" by Bleachers: Jack Antonoff has enjoyed both marginal success as part of the alt-country group, Steel Train, and massive success as part of the catchy alt-pop trio, fun. His side project, Bleachers, definitely leans more towards the sound he had in fun., but "I Wanna Get Better" lives up to its title, and manages to be more fun than...well...fun.! The deceptive darkness that lurked beneath the bright, sunny pop of "We Are Young" and "Some Nights" is nowhere to be found in "I Wanna Get Better". The rousing, uplifting chorus of this song is sure to get people singing and dancing along in no time!
"Let's Get Drunk And Get It On" by Old '97s: The term "rock and roll" might not be the first term that comes to mind when describing alt-country icons, Old '97s, but their roots are definitely in rock, and the title of their latest song, "Let's Get Drunk And Get It On", pretty much encapsulates the not-so-holy trinity of sex, drugs, and rock 'n' roll in just seven words! Rowdier than Johnny Cash, mellower than Social Distortion, but somehow slightly similar to both due to its sloppy country-rock sound, "Let's Get Drunk And Get It On" is just the tip of the iceberg of the many songs (with titles like "Wasted" and "Intervention") dealing with risky lifestyle choices that the '97s have on their latest album, fittingly titled "Most Messed Up".
"The Soundmaker" by Rodrigo y Gabriela: Instrumental flamenco music might not be what I normally review, but Rodrigo y Gabriela are great at doing Mexican folk styled songs with no words! Aside from The Gipsy Kings, they're probably the only flamenco band I even LISTEN to. Part of the reason for Rodrigo y Gabriela's unusually widespread appeal is their ability to mix flamenco with rock music (their song "Buster Voodoo" borrowed riffs from Jimi Hendrix, one of their favorite bands is Metallica, and they have even covered Led Zeppelin's "Stairway to Heaven" in its entirety, albeit without words). "The Soundmaker" is basically what you'd expect from Rodrigo y Gabriela - flamenco riffs and rock 'n' roll beats, but they have added in elements to the song to distinguish it from their other material. For one, it is the first hit they've had that is in E minor (most of them are in A minor, with "Buster Voodoo" as a notable exception in B minor). For another, they have a "walking" riff towards the end of the song that uses the E minor scale as its "root sound".
"With Your Two Hands" by The Wind and The Wave: "The Head and The Heart" and "Belle and Sebastian" are merely clever names in indie-folk music. They aren't actually duos, but full bands. This is where The Wind and The Wave differs. They are, in fact, two people, and "The Wind" and "The Wave" are actually affectionate nicknames for Patricia Lynn and Dwight Baker, respectively, the latter of whom is also a member of Plain White T's (best known for the bittersweet folk-rock ballad, "Hey There Delilah"). Their song, "With Your Two Hands", sounds a bit like fellow contemporary folk-rock duo, The Civil Wars, only a bit more sped up, and not so forlorn and world-weary. Could end up being this year's "Ho Hey" with its combination of pop hooks and bluegrass sound!
"Cardiac Arrest" by Bad Suns: As the title of this song implies, your heart will be stopped after listening to this one, in a good way, of course! Pretty much all the essential ingredients of a catchy indie-pop song go into this song. There's the faux-British, melodic vocals, complete with sweet, memorable harmonies, the switching between minor and major chords throughout (while using only a few chords altogether through the whole song), the stick-in-your-head catchiness, and of course, the strange but kinda cute metaphors for love (comparing love to cardiac arrest, because the kissing the lead singer experiences is "high voltage"). There's nothing bad about Bad Suns, but there's definitely something sunny about them!
"I Wanna Get Better" by Bleachers: Jack Antonoff has enjoyed both marginal success as part of the alt-country group, Steel Train, and massive success as part of the catchy alt-pop trio, fun. His side project, Bleachers, definitely leans more towards the sound he had in fun., but "I Wanna Get Better" lives up to its title, and manages to be more fun than...well...fun.! The deceptive darkness that lurked beneath the bright, sunny pop of "We Are Young" and "Some Nights" is nowhere to be found in "I Wanna Get Better". The rousing, uplifting chorus of this song is sure to get people singing and dancing along in no time!
"Let's Get Drunk And Get It On" by Old '97s: The term "rock and roll" might not be the first term that comes to mind when describing alt-country icons, Old '97s, but their roots are definitely in rock, and the title of their latest song, "Let's Get Drunk And Get It On", pretty much encapsulates the not-so-holy trinity of sex, drugs, and rock 'n' roll in just seven words! Rowdier than Johnny Cash, mellower than Social Distortion, but somehow slightly similar to both due to its sloppy country-rock sound, "Let's Get Drunk And Get It On" is just the tip of the iceberg of the many songs (with titles like "Wasted" and "Intervention") dealing with risky lifestyle choices that the '97s have on their latest album, fittingly titled "Most Messed Up".
"The Soundmaker" by Rodrigo y Gabriela: Instrumental flamenco music might not be what I normally review, but Rodrigo y Gabriela are great at doing Mexican folk styled songs with no words! Aside from The Gipsy Kings, they're probably the only flamenco band I even LISTEN to. Part of the reason for Rodrigo y Gabriela's unusually widespread appeal is their ability to mix flamenco with rock music (their song "Buster Voodoo" borrowed riffs from Jimi Hendrix, one of their favorite bands is Metallica, and they have even covered Led Zeppelin's "Stairway to Heaven" in its entirety, albeit without words). "The Soundmaker" is basically what you'd expect from Rodrigo y Gabriela - flamenco riffs and rock 'n' roll beats, but they have added in elements to the song to distinguish it from their other material. For one, it is the first hit they've had that is in E minor (most of them are in A minor, with "Buster Voodoo" as a notable exception in B minor). For another, they have a "walking" riff towards the end of the song that uses the E minor scale as its "root sound".
"With Your Two Hands" by The Wind and The Wave: "The Head and The Heart" and "Belle and Sebastian" are merely clever names in indie-folk music. They aren't actually duos, but full bands. This is where The Wind and The Wave differs. They are, in fact, two people, and "The Wind" and "The Wave" are actually affectionate nicknames for Patricia Lynn and Dwight Baker, respectively, the latter of whom is also a member of Plain White T's (best known for the bittersweet folk-rock ballad, "Hey There Delilah"). Their song, "With Your Two Hands", sounds a bit like fellow contemporary folk-rock duo, The Civil Wars, only a bit more sped up, and not so forlorn and world-weary. Could end up being this year's "Ho Hey" with its combination of pop hooks and bluegrass sound!
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