New songs for July 29th 2015

here they are:


"Different Colors" by Walk the Moon: With each new Walk the Moon song that comes out, the alt-pop quartet continues to prove that they are heavy hitters today, just as much as their namesake (The Police - specifically "Walking On the Moon") was in the late '70s/early '80s. "Anna Sun" and "Tightrope" were already pretty huge, but their Fall '14 smash hit, "Shut Up And Dance", outdid even THOSE songs!! So, does WTM's star continue to rise on "Different Colors"?! I would say, yes AND no. Yes, because it's catchy as heck, like pretty much all of their material is! No, on the other hand, because "Different Colors" isn't INSTANTLY catchy like their other three singles have been so far. A short description of this song's sound?! Think Foreigner's "Jukebox Hero" mixed with The Killers' "Shot At the Night".


"I'm In Love With My Life" by Phases: "I'm In Love With My Life", indeed! And with a song as catchy as THIS, why shouldn't you be?! It has all the makings of a classic pop radio hit! Disco beats, INXS-ish guitar hooks, and the perfect blend of male and female vocal harmonies! What's more?! First off, not a single lyric in the song is negative, a rarity for this day and age! To add to that, Phases are also an indie-pop supergroup, consisting of members of groups like The Like, Phantom Planet, as well as one member who was in both Bright Eyes and Rilo Kiley. Have you ever known a song whose title fits its mood more than this one does?! I sure haven't!!


"Light And Candle" by JJ Grey and Mofro: The '60s R & B vibe is here, as is the case with most JJ Grey and Mofro songs, but this time the boys slow things down a bit for a sound that is smooth and sensual, yet still gritty. The sweet, sensitive sounding title of the song kinda gives away how the song comes across overall. This sorta song is perfect after a nice night out of fine dining, or a walk in the moonlight. You'd swear you were hearing a long, lost Otis Redding ballad of the most passionate quality!


"Meet Me In the Woods" by Lord Huron: February's "Fool For Love" was the surprise hit of the year for Lord Huron! The group have always been favorites of the indie-folk community, but "Fool For Love" reached a little beyond their usual crowd! Could that be what's in store for Lord Huron's next big song, "Meet Me In the Woods"? Well, probably not. Still, though, the captivating, haunting sound of "Meet Me In the Woods" is bound to be a treat for Lord Huron fans, as well as fans of similar acts like Fleet Foxes, Iron & Wine, and The Tallest Man on Earth. So far, "Meet Me In the Woods" is the only minor key Lord Huron song that I've heard, which is interesting, considering how "lo-fi" their overall sound is. Perhaps it is the minor key sound of the song that makes it sound so mysterious, like a group of people traveling through a forest in the middle of the night!


"Sparks" by Beach House: Ah, nothing like a nice, dreamy song from Beach House. 'Cept this one kinda isn't! At least not as much as their usual material is. "Sparks" is more influenced by neo-psychedelia (and post-punk, in the vein of bands like My Bloody Valentine and The Jesus & Mary Chain) than it is by ethereal, airy folk/classical/jazz/rock blend they usually have. The screeching, fuzz soaked electric guitars about 30 seconds into the song make it apparent that this is a different Beach House song than usual. Well, at least Victoria Legrand's vocals are still soothing. It also retains the one-word titles of their previous hits ("Norway", "Zebra", and "Myth").

New songs for January 21st, 2015

here they are:


"Black Is the Color" by Rhiannon Giddens: No other black female musician has sung about being a "country girl" quite so convincingly, and nor has any other attempted to mix bluegrass instrumentation with hip-hop beats. Qualities like this put Carolina Chocolate Drops' lead singer, Rhiannon Giddens, in a truly special category! She ups the ante on musical diversity with her debut solo song, "Black Is the Color", which is somewhat reminiscent of the harmonica laden soul tunes that Stevie Wonder has become known for. "Black", in this case, does not refer to race, but to the actual color, as it describes Rhiannon's "true love's hair" (well actually, not HER "true love", as people like Nina Simone recorded versions of the song before she did). A truly sublime treat from an equally sublime musician!


"Every Minute" by JJ Grey and Mofro: Moving on to a contemporary soul influenced group of a grittier variety, "Every Minute" is probably the smoothest song JJ Grey and Mofro have put out so far. The song gives more of a romantic, warm summery vibe than most of the grimier material in their catalog. That is, until halfway through the song, when horns start to blare, and guest guitarist Derek Trucks makes his guitar more audible! It starts to mellow out again after about 10 or 20 seconds, but towards the end, the instruments kick into full gear and louder tone once again!


"Gold" by Chet Faker: Notice that "F" in his name. This is not Chet Baker, the romantic singer from days of old, this is a contemporary "trip-hop" musician from Australia who goes by the moniker of Chet Faker, mixing lounge atmosphere and soothing instrumentation with hip-hop beats. Chet Faker isn't faking anything, though! He is quite talented at what he does. His breakthrough song, "Gold", weaves a tale of love gone wrong that is somewhat offset by Chet's mesmerizing, beautiful vocals. Not really sure what he means with the recurring line, "made of gold". Perhaps it has to do with how he might be sensing transparency within his relationship. Maybe if I listen to the song more, I'll be able to figure out the meaning of that line!


"It's A Longer Road to California Than I Thought" by The Wind and The Wave: Guy-girl folk-rock duo, The Wind and The Wave, hail from Texas, so perhaps California really IS a "long road" for them. For me, though, it's where I live! In comparison to their last hit, the bluegrass-rock stomper, "With Your Two Hands", "It's A Longer Road to California..." uses more instruments than just acoustic guitar. That instrument is used in this song, but it also uses keyboard in the background occasionally. The opening line of the song seems to rely on stereotypes about my state, with its "I miss smoking pot and playing guitar" line. Not everyone smokes that stuff in California (I don't)! And not every Californian who plays guitar smokes it either (once again, I don't smoke it - I do play guitar, though). Lucky for me, the rest of the song talks about the more natural aspects of California, like "rolling yellow hills" and "blue skies and the moon out in the distance and a sunset few and far behind". I'm proud to call California my home state! For those who don't live here, though, not all of us are burned out hippies.


"Let the Good Times Roll" by JD McPherson: JD never fails to please me! It's like he's able to channel the ghost of Elvis (before he got drafted into the army) every time he puts out a new song! That being said, it shouldn't come as a surprise that JD's latest tune, "Let the Good Times Roll", does exactly what its title says to do! What might come as a big surprise, though, is the condition he was in when he wrote it. Apparently he was ill when he wrote it, and the fact that he was watching an episode of "Frasier" where Niles finds a skull and holds it up didn't exactly make things any better for him. Isn't life ironic sometimes?!


"Made Up Mind" by The Brothers Landreth: Our last song of the week comes from country-rock group, The Brothers Landreth. Not to be confused with the Tedeschi-Trucks Band song of the same name, "Made Up Mind" a slower, mellower number, dominated by acoustic and steel guitar, with a blues-y electric guitar in the background. The lyrics can be quite poetic at times (especially the recurring line, "serenade of a made up mind"), but the song itself just seems okay to me so far. Not a bad one, though, and perhaps it'll grow on me over time, as many of these songs have.

Sizzlin' Songs for a Sizzlin' Summer!!

Interestingly, all three of the songs I'm reviewing for this week are blues-rock tunes!! (Hence the title of this week's blog). Anyway, here they are:


“Blew Up (The House)” by Jonny Lang: One of the two best known names in ‘90s blues-rock (the other being Kenny Wayne Shepherd), it seemed as though Jonny Lang took on a more pop-y sound in the ‘00s, with songs like the slow “Red Light”, and the slightly more upbeat but still pop-y “Anything’s Possible”. The messages and deliveries on the songs Jonny did in the ‘00s didn’t seem to match the powerhouse quality he had in the ‘90s. Finally, after 7 years, Mr. Lang has redeemed himself, with the barn-burnin’ blues-rocker, “Blew Up (The House)”. It looks like Jonny has rekindled the fire within his soul, and is letting it light up the hearts of blues and rock fans the world around! Rock on, Jonny!!


“Funny Little Tragedy” by Gov’t Mule: So what do you get when you mix Allman Brothers alumni with Elvis Costello?! This song!! And yes, Mr. Costello contributes a guest vocal spot on this song!! Fans of Costello’s punk-pop days from when he was with The Attractions will love the relentless energy of “Funny Little Tragedy” (as well the organ solos towards the end of the song), while fans of The Allmans can still get their kicks with the song’s blues-y guitar solos and ragged guitar distortion (though the distortion is closer to Neil Young than it is to The Allman Brothers Band). I have to say, between this song and the one that Elvis Costello did with The Roots from just a week ago, I think Elvis is doing a fantastic job at retaining his hip-ness cred, and will probably continue to do so, as long as he continues making music!!


“Somebody Else” – by JJ Grey and Mofro: JJ Grey is da man!! He is more proof that white men can, in fact, sing the blues! JJ injects plenty of good ol’ fashion soul influence into his latest song, “Somebody Else”, too, simultaneously evoking the gutsy, raw, passionate R & B of James Brown, Al Green, and Otis Redding, among others. You get twice the instrumental prowess in “Somebody Else”, which boasts both a gritty sax solo and a mean guitar solo! Nice use of the organs on this song, too, though that instrument is not as prominent. To top it all off, the song ends on a jazzy, suspenseful, “James Bond”-ish chord. Could a “Blues Brothers” revival be far behind?!

New songs for March 28th, 2013

Hi everyone! Sorry I missed out on posting some songs to review here yesterday but I was a bit busier than I expected to be. Anyway, I'm not as busy now, so here are this week's latest songs. Enjoy!


"I Wonder" by Brittany Howard (from Alabama Shakes) and Ruby Amanfu: Sixto Rodriguez (better known simply by his last name), the 1960's folk-rock musician who was barely known in the U.S. until the documentary "Searching For Sugar Man" came out, doesn't seem like he'd be very likely to have someone influenced by soul and jazz, like Alabama Shakes' Brittany Howard, covering his work, but now she has, along with singer/songwriter Ruby Amanfu. Considering what a soul inflected beat the original song has (slightly reminiscent of John Lennon's "Nobody Told Me"), it's definitely a more fitting choice for a Brittany Howard cover song than, say, the more folk-rock-y, sedate song, "Sugar Man", which could be said to be Rodriguez' other "hit". Towards the middle of Brittany's version of "I Wonder", the song segues into a reggae beat, perhaps simply because she and/or Ruby Amanfu wanted it to sound that way, as there is nothing remotely Marley-esque about any of Rodriguez' music. Another way that this version of "I Wonder" can be distinguished from its more gentle, baroque-ish 1960's counterpart is by its use of fuzzed out, Dan Auerbach-ish blues-garage rock electric guitar sound. One more thing worth mentioning is that this is the second time that Alabama Shakes' lead singer has been associated with an indie flick ("Searching For Sugar Man"), the first being "Silver Linings Playbook", with Alabama Shakes' "Always Alright" being her contribution to that film.


"Just Make It Stop" by Low: Like The Killers, Low are one of the rare indie/alt bands that just happen to be Mormon. Unlike The Killers, Low have never made even the slightest attempt to sound commercial. Low are a band that seem to live up to their name, in a couple ways. Their ranking is probably "low" as far as how well-known they are, and their sound is also pretty "low" (as opposed to upbeat). Yet none of these factors have stopped Low from making music, and thank goodness for that! Their latest song, "Just Make It Stop", sounds like Cowboy Junkies' Margo Timmins singing lead vocals for a Bon Iver song. It is never made quite clear what "it" is in "Just Make It Stop", but it probably refers to depression or some other negative emotion, considering how detached both the music and the vocals sound for this song. In spite of its gloomy nature, though, "Just Make It Stop" is actually a catchy song, in its own, weird way, and it is also written in major key. Perhaps that's why it's getting more attention than most of Low's other material.


"Love Has Come For You" by Edie Brickell and Steve Martin: Did you ever think it was possible for a wisecracking goofball like Steve Martin to have a chance with a more artfully minded, reserved person like Edie Brickell?! I'm guessing you probably thought it was about as likely as Jim Carrey doing a project with Natalie Merchant. That's what I thought, until I heard this song! For those who forgot (or simply didn't know), Steve Martin once had a bluegrass band called The Steep Canyon Rangers, which is probably why his (and Edie's) song, "Love Has Come For You" sounds like something that came straight from the "O Brother, Where Art Thou?" soundtrack! While bluegrass music is nothing new for Steve Martin, "Love Has Come For You" marks what is perhaps the first time since his late '70s novelty hit, "King Tut", that he has had a specific song that has gotten noticed by certain radio stations. As for Edie Brickell, jumping from folk-rock (even that of a more jazzy, "alternative" nature, like "What I Am") to bluegrass really isn't that far of a stretch if you stop and think about it!


"Love to Get Used" by matt pond PA: Yet another indie rock tale about love gone wrong. Matt pond (whose first and last name are both lowercase, like k.d. lang and e.e. cummings) has been writing songs like this long before it became a trend in indie music, though. There are also certain ways matt tries to keep it real in this song, too, from what I can see. For instance, the chorus of the song mentions the names of birds (blackbirds and hawks, specifically), but it is unknown as to why the birds' names are being evoked in the song, which gives the listener a lot more to think about when hearing the song than just pontificating over lovelorn emotions. Also, the two verses of the song both open with the words, "in Athabasca", the name of a Canadian university, which brings matt closer to the ranks of bands like Vampire Weekend, who name dropped Oxford in their "Oxford Comma" (though that is probably a much better known university than Athabasca, at least here in the U.S. it is).


"99 Shades of Crazy" by JJ Grey and Mofro: 99 shades of crazy?! That's almost twice the amount of shades of grey (and a whole heck of a lotta crazy, too!!) JJ Grey and Mofro have always had a thing for blues and jazz music, but this song pushes them slightly closer to rock 'n' roll, with its driving beat, chunky guitars, and its almost Stones-y take on organ driven R & B music. I'm thinking that the kind of "crazy" mentioned in the song might the kind of "cool" crazy one hears of in beatnik poetry and jazz music, especially considering that JJ is referring to HIMSELF (as opposed to an object of his affections) as "99 Shades of Crazy". Now that I think of it, this song could be as many shades of crazy as it is shades of rock 'n' roll! I already mentioned the Stones influence in this song, but I can also detect some Jimi Hendrix and Janis Joplin influence (another review I read of this song even brought up how the song sounds like it could have been from 1970's rock group, Grand Funk Railroad). Well that's four shades of "crazy" right there. Maybe I'll let you know what the other 95 are when I have time to figure 'em out!!


"Nothing Arrived" by Villagers: An "existential indie rock quandary" might be a good way to describe this song. The oddly worded but curious chorus of the song states that The Villagers' lead singer, "waited for something, and something died", so his solution was to "wait for nothing, and nothing arrived". Almost seems like what you'd get if you mixed Radiohead's "Karma Police" with Samuel Beckett's "Waiting For Godot". Radiohead's Mr. Yorke and literature's Mr. Beckett might seem like they're worlds apart, but I think that, in their own way, they were both philosophers of their time, and music can be a philosophical medium, so it's not much of a surprise, really, that the seemingly distant lands of rock music and philosophy met up with each other in The Villagers' "Nothing Arrived". It's still quite a cosmic, profound meeting of the minds though, I must say!


"Safe And Sound" by Capital Cities: Mixing electronica and rock has become somewhat of a trend in indie rock music, especially in bands like Phoenix, The Postal Service, and Foster the People. There doesn't seem to be a "rock" element in Capital Cities' "Safe And Sound", though, it just seems to be pure electronica, which I ordinarily do not like. Yet SOMETHING has me drawn to this song! What, though?! Perhaps part of it is how it has a soothing sound, in spite of its artificial beats and pulsating synths. Another thing I like about it is how a brass instrument gets thrown into the mix seemingly at random, yet it actually fits in with the rest of the song! It almost sounds like what it would be like if The Human League's "Don't You Want Me?" got a British dance hall makeover! Not too fond of any of those sorts of things either, so, again, I must ask myself, why DO I like this song?! I guess I'll never know!!

First blog of the new year!!!

And it's eclectic as ever!! Neo-folk-rockers Iron & Wine, a classic rock comeback from Gregg Allman of The Allman Brothers Band, and blues-rock/neo-soul group JJ Grey and Mofro. Here goes!!

"Hide And Seek" by JJ Grey and Mofro: JJ Grey and Mofro are one of those self-consciously "retro" acts, but the last two tracks I heard from them ("Orange Blossoms" and "The Sweetest Thing") seemed to evoke mid '60s soul with a touch of blues guitar. "Hide And Seek" progresses forward another decade to the '70s with its funk influences. Perhaps the highlight of this song is the keyboard (?) solo in the middle, this side of "Superfreak"! All in all, this is a sleek, funky track to start out the new year!

"Just Another Rider" by Gregg Allman: For those expecting another "Whipping Post", you'll probably be let down. However, this isn't the mellow-ish country-rock Gregg Allman of "Melissa" and "Blue Sky" fame, either. Instead this is more of a jazzy, soul-inflected tune with blues/rock guitar solos in between. This song would probably be perfect to those who like blues with a jazzy flavor (or vice versa), with its minor chord chorus, and its blues-y sounding lyrics ("just another rider on the train to nowhere"). Never would have expected one of The Allman Brothers to come out with one of the first good tracks of the new year, but I guess that means 2011 will have some good stuff up ahead!

"Tree By the River" by Iron & Wine: When I heard earlier on that IAW were going to be "going electric", I expected to hear influences a la Neil Young's "Down By the River". Thankfully, Sam Beam and co have kept the mellow in their music, despite the absence of (fronting) acoustic guitars in "Tree By the River". "Tree" evokes the more calming side of the "psychedelic" era (think early Moody Blues, "Pet Sounds" era Beach Boys, etc.) This being IAW, as well as a fine piece of "neo-folk-rock", "Tree By the River" is probably my fave release so far of the new year!

new songs for Sept. 1st, 2010

four of 'em this time - enjoy!!

"Dead American Writers" by Tired Pony: What do you get when you mix Snow Patrol, R.E.M., and Belle and Sebastian in a blender (with Snow Patrol's Gary Lightbody in the lead)? You get indie rock supergroup Tired Pony!! This is a group that combines alumni of the three aforementioned bands, and kinda sounds like all three of them as well! Their first single, "Dead American Writers" takes the typical "twangy" guitar sound of fellow rock supergroup Traveling Wilburys and combines it with bittersweet minor key indie/alt instrumentation. All in all, this song is like an indie rock fruit salad - it combines the best flavors of bands with many different approaches to music with delightful results!

"If It Wasn't For Bad" by Elton John and Leon Russell: Never thought Sir Elton would make a grand comeback to rock 'n' roll after the mid-'70s, but after many years, he has! Well, kind of. It still has the trademark piano sound Elton has become known for, but with Leon Russell on board, Elton's latest track gets jazzed up a bit (and even has a brief guitar solo!) With their combined musical efforts, "If It Wasn't For Bad" ends up sounding more like Van Morrison, Joe Cocker, The Band, and Jackson Browne than it does Billy Joel or James Taylor like one might expect at first. Anyone who liked the more upbeat performances on "The Last Waltz" would probably dig this song! I know I did.

"People Say" by Portugal. The Man: OK, first of all, to clear up any confusion you might have, the name of this band IS, in fact, "Portugal. The Man" (complete with the period and the capital "T" in "The"). With a name as quirky as this, I figured that Portugal. The Man, were an indie group, and I was right. However, they are not a folk-rock-y indie like most of the acts that get classified under such a label. In fact, hardcore punk bands like Suicidal Tendencies and Fugazi are some of their biggest influences! However, "People Say" is NOT a hardcore punk song. Instead, it's almost like R & B-inflected indie, with chords that seem to echo The Beatles' "Let It Be" (think of a more laid-back version of Gnarls Barkley). If I had to sum up "People Say" in just a couple words, I'd say that it adds a more unique, almost gospel-influence flavor to the ever expanding world of indie rock!

"The Sweetest Thing" by JJ Grey and Mofro: Much like their '08 adult alt. radio hit, "Orange Blossoms", "The Sweetest Thing" once again showcases the unique brand of R & B, jazz, and blues influence JJ Grey and Mofro have (probably) made trademark in their music. For adult alt. radio stations themselves, "The Sweetest Thing" is like a breath of fresh air! It has a vigorous, youthful toe-tapping energy that the mostly wistful and melancholy lineup of such stations seem to lack (for the most part, at least). Sometimes us R.E.M. and Snow Patrol fans need something to get up and boogie down to to shake off our blues! Songs like "The Sweetest Thing" give us a perfect opportunity to do so!