here they are:
"All We Ever Knew" by The Head and The Heart: Well, this isn't ALL we ever knew about The Head and The Heart, that's for sure! Their signature piano sound is still the centerpiece of their latest track, "All We Ever Knew", but the roots-y down-homy-ness that the band has been known for seems like it's vanished from their work in this song. Instead, we get a clap-heavy, brightly colored sing-along punctuated by "la-la's" in between that seems like Josiah, Chris, Charity, and co's attempt at gaining a hit on the pop airwaves. There's a bit of salvation for old school Head & The Heart fans during the middle and end of the song where a violin sound appears, but for the most part, this song just doesn't seem the same as the others by the happy-with-their-sound band I saw about two summers ago at the Hollywood Bowl. I guess one thing the band IS starting to pick up on that I hadn't noticed in their other songs is lyrical dissonance. Witness, for instance, when Josiah sings, "You don't see why your world has no love to give? Well, what goes around comes around." Very cutting lyrics for such a happy song, dont'cha think?!
"Grand Canyon" by The Wind and The Wave: A song that opens with the lyrics, "Down to your skivvies at the watering hole, gonna get you wet, gonna save your soul" just gets you in the mood for summertime, doesn't it?! (Not to mention that upbeat acoustic guitar based sound before the lyrics come in). The title of the song as well, "Grand Canyon", also evokes summery images. Guy-girl folk-rock duo, The Wind and The Wave, sure know how to release a song at the right time of year, don't they?! The title of the song comes from lead vocalist Patricia Lynn Drew's insistence in the song that "You haven't lived until you've gone to the Grand Canyon". The fun, free spirited vibe of the song's rhythm is just as fun and free spirited as its lyrics and the delivery in which they're sung. Next stop, the beach!
"Low Life" by X Ambassadors (featuring Jamie N Commons): Despite Jamie N Commons' "Rumble And Sway" becoming one of the most played songs of 2013 on adult alt stations, not a lot of people seem to know who Jamie N Commons is, and he hasn't had a hit since then (until now, that is). As for X Ambassadors?! Who DOESN'T know "Renegades"?! The song was all over the radio and commercials in summer of last year, and their followup hit, the more melancholy but still memorable "Unsteady", was almost as inescapable. "Low Life" is what happens when alt-pop superstars join forces with a blues-y jazzy one-hit wonder, a combination that no one was probably anticipating, but a good one nonetheless. This is by far the blues-iest and jazziest song that X Ambassadors have had so far, and perhaps a song that could gain them a new audience in the process. Lead vocalist Sam Harris repeatedly claims he's "nothing but a low life" in this song, but he sure doesn't SOUND like a low life. He sounds like anything but, as a matter of fact!
"Never Gonna See Me Cry" by Good Old War: GOW are a good band, to be sure, but I'm just not feelin' it with the songs on their latest album. Their previous hit, "Tell Me What You Want From Me" just seemed to have way too much shiny, clean pop production, but at least it had the band's trademark folk-y guitar sound. In "Never Gonna See Me Cry", there isn't even a hint of acoustic guitar. Judging from the solo of the song, GOW seem to want to be going the other way around, actually, though it's mostly just a plain ol' pop song as far as I can tell. You're never gonna see me cry with this song, but you are gonna see me disappointed. It's not terrible, though.
"Opening Statement" by Hard Working Americans: Roots-rock supergroup Hard Working Americans are already releasing their sophomore album! It seemed like their debut was more recent than that, but it was actually from December 2013. Anyway, the slow burning roots-rock sound of HWA's "Opening Statement" is kinda similar to their debut single, "Down to the Well". Todd Snider's vocals are also similar to how they were on "Down to the Well". Nothing exactly remarkable about "Opening Statement", but it's still worth listening to on days when you just want to laze about and not have to worry about anything, 'cause it just gives off that kinda vibe.
"Wow" by Beck". Wow! Just...wow! That's all I gotta say about this one! OK, so it's not THAT impressive, but this IS Beck we're talkin' about here, so the title fits the song at least somewhat. Like his 2015 song, "Dreams", "Wow" is a single-only song that takes on the form of neo-psychedelic dance-pop. "Wow" actually hearkens back to Beck's early days with its zonked out hip-hop influenced rhythm. The chorus only contains two phrases, "It's like 'wow'" and "It's like right now", but they stick in your head like glue from dawn 'till dusk once you hear "Wow" for the first time. The self-proclaimed "loser" does it again, folks!
Showing posts with label Jamie N Commons. Show all posts
Showing posts with label Jamie N Commons. Show all posts
Wednesday, June 8, 2016
Wednesday, April 3, 2013
New songs for April 3rd, 2013
here they are:
"If I Loved You" by Delta Rae and Lindsey Buckingham: As was once said in the title of a Fleetwood Mac song, "Heroes Are Hard to Find". For contemporary folk-rock group, Delta Rae, the opposite is true, their hero was easy to find, and he just happened to be a Fleetwood Mac member as well! Delta Rae's second big song, "If I Loved You", lacks the Adele-meets-Odetta-ish intensity and depth of "Bottom of the River", but it is still worth listening to nonetheless. It is a much lighter affair than that, musically, and lyrically, it seems like an in-and-out-of-love song, in contrast to the hymn-gone-dark vibe of "Bottom of the River". "If I Loved You" could be easily dismissed as a light, fluffy song in Delta Rae's catalog, but I don't want to make judgments too soon on this one (after all, this is only the second song I've come to know by Delta Rae).
"If So" by Atlas Genius: It was only late spring/early summer of last year that Atlas Genius started making waves with their song, "Trojans", which was equal parts folk-rock and new wave. That being said, I'm surprised that their second major effort, "If So", is from an entirely different album of theirs that was only released about a month ago! Time sure does fly, doesn't it?! Anyway, "If So" is more a push towards new wave than folk-rock for Atlas Genius. There is not even a hint of strummed acoustic guitars in the background for "If So", but it still manages to have the catchy factor that "Trojans" did (in fact, it seems like the two songs could be in competition with each other at the moment!) With its thumping bass, high hat percussion, central synth sound, and pulsating, funky guitars, it's probably quite surprising to realize that, if you listen closely enough to the lyrics of "If So", that it's about the perks of being a nightclub "wallflower", as opposed to being nightclub superstars!
"Red Hands" by Walk Off the Earth: So, do the people behind the infamous YouTube cover of Gotye's "Somebody That I Used to Know" that featured five people playing one guitar (sometimes simultaneously) have what it takes to make good music of their own?! Well, honestly, I'm still trying to figure out if they do! Their first major original effort, "Red Hands", somehow manages to sound as fresh as it does generic! On one hand, the song attempts to be an alt-pop song centered around acoustic guitar, which I normally can't go wrong with, but on the other hand, both the instruments and the vocals of this song sound so studio produced that they seem like the audio equivalent of a typical fast food restaurant. The song never makes any significant deviations from its F, C, A minor, G chord progression either, which makes me wonder if Walk Off the Earth even planned this song to sound original, or if it was just a desperate attempt to win more fans than they already had. Perhaps this is one band that is better at covers than they are at originals. Not bad for a first try, though.
"Rumble And Sway" by Jamie N Commons: If you put the catchy, jazzy, retro rock of Brian Setzer, the world-weary country/blues-rock of John Hiatt, and the ghostly, haunting vibe of some of the darker Tom Waits songs, you'd probably have a good idea of how adult alt newcomer Jamie N Commons sounds! In a sultry, steamy melting pot of jazz, blues, country, and rock, Commons really knows how to make his song, "Rumble And Sway", live up to its name! It both sizzles and swivels, much like its title suggests it would! It seems like the kind of song that would probably be played during a bar scene in a movie or TV show, though it would work equally well as a fight song or an initial romance song. Some mean sax playin' on this song, too!
"Unpromised Land" by Bob Schneider: A hard rocking Bob Schneider song?! Sounds unlikely, coming from the guy who did such sentimental indie-pop songs like "40 Dogs (Like Romeo And Juliet)" and "Let the Light In". Well, it's not exactly "hard rock", but for Schneider, it's the closest he's gotten! He even swears twice in the second verse of the song, and not exactly with "light" swears either ("They can f**k right off", he angrily sings in one line - wow, Bob...just, wow!! How atypical of you!) This song, for Bob Schneider, is like what the crunchy, indie-hard-rock of "Hands Open" was for Snow Patrol. Perhaps deep down inside, though, what Bob Schneider wants is a bigger audience. An artist needs to experiment and take chances, right?! The beginning of this song sounds like it wants to be an Everclear song, but goes into more Wallflowers-ish territory with the roots-y organs added into the song later on. "Father of Mine" meets "One Headlight"?! Sounds like a weird combination at first, but it manages to work here. Also, can't go wrong with "Unpromised Land"'s '90s rock influenced sound!!
"Your Life, Your Call" by Junip: One might not expect a song from a band led by a man who was influenced by the stark, acoustic guitar based sound of musicians like Elliott Smith and Nick Drake to have a techno sound starting it off, but perhaps many aren't aware that post-punk musicians, Joy Division, are just as admired by Jose Gonzalez as Nick and Elliott are. In fact, two of Jose's best-known songs, "Heartbeats" and "Crosses", have techno connections; the former was a cover of a song by techno group, The Knife, and the latter was made into a "trip-hop" song shortly after its release. Jose even does a fine cover of Joy Division's most famous song, "Love Will Tear Us Apart" (albeit with acoustic guitar only, and no electronic instruments, for his version). Anyway, Jose's love of techno and his love of folk music merge into one on his latest song with Junip, "Your Life, Your Call". Despite the clear use of synthesizers on "Your Life, Your Call", it still manages to be as soothing as most of Jose's material tends to be. Even the dry, detached manner in which he sings the chorus of the song ("It's your life, your call, stand up and enjoy your fall"), is closer to Ian Curtis than it is Nick Drake. Though I much prefer Jose's folk-ier side, his techno-pop side isn't that bad either.
"If I Loved You" by Delta Rae and Lindsey Buckingham: As was once said in the title of a Fleetwood Mac song, "Heroes Are Hard to Find". For contemporary folk-rock group, Delta Rae, the opposite is true, their hero was easy to find, and he just happened to be a Fleetwood Mac member as well! Delta Rae's second big song, "If I Loved You", lacks the Adele-meets-Odetta-ish intensity and depth of "Bottom of the River", but it is still worth listening to nonetheless. It is a much lighter affair than that, musically, and lyrically, it seems like an in-and-out-of-love song, in contrast to the hymn-gone-dark vibe of "Bottom of the River". "If I Loved You" could be easily dismissed as a light, fluffy song in Delta Rae's catalog, but I don't want to make judgments too soon on this one (after all, this is only the second song I've come to know by Delta Rae).
"If So" by Atlas Genius: It was only late spring/early summer of last year that Atlas Genius started making waves with their song, "Trojans", which was equal parts folk-rock and new wave. That being said, I'm surprised that their second major effort, "If So", is from an entirely different album of theirs that was only released about a month ago! Time sure does fly, doesn't it?! Anyway, "If So" is more a push towards new wave than folk-rock for Atlas Genius. There is not even a hint of strummed acoustic guitars in the background for "If So", but it still manages to have the catchy factor that "Trojans" did (in fact, it seems like the two songs could be in competition with each other at the moment!) With its thumping bass, high hat percussion, central synth sound, and pulsating, funky guitars, it's probably quite surprising to realize that, if you listen closely enough to the lyrics of "If So", that it's about the perks of being a nightclub "wallflower", as opposed to being nightclub superstars!
"Red Hands" by Walk Off the Earth: So, do the people behind the infamous YouTube cover of Gotye's "Somebody That I Used to Know" that featured five people playing one guitar (sometimes simultaneously) have what it takes to make good music of their own?! Well, honestly, I'm still trying to figure out if they do! Their first major original effort, "Red Hands", somehow manages to sound as fresh as it does generic! On one hand, the song attempts to be an alt-pop song centered around acoustic guitar, which I normally can't go wrong with, but on the other hand, both the instruments and the vocals of this song sound so studio produced that they seem like the audio equivalent of a typical fast food restaurant. The song never makes any significant deviations from its F, C, A minor, G chord progression either, which makes me wonder if Walk Off the Earth even planned this song to sound original, or if it was just a desperate attempt to win more fans than they already had. Perhaps this is one band that is better at covers than they are at originals. Not bad for a first try, though.
"Rumble And Sway" by Jamie N Commons: If you put the catchy, jazzy, retro rock of Brian Setzer, the world-weary country/blues-rock of John Hiatt, and the ghostly, haunting vibe of some of the darker Tom Waits songs, you'd probably have a good idea of how adult alt newcomer Jamie N Commons sounds! In a sultry, steamy melting pot of jazz, blues, country, and rock, Commons really knows how to make his song, "Rumble And Sway", live up to its name! It both sizzles and swivels, much like its title suggests it would! It seems like the kind of song that would probably be played during a bar scene in a movie or TV show, though it would work equally well as a fight song or an initial romance song. Some mean sax playin' on this song, too!
"Unpromised Land" by Bob Schneider: A hard rocking Bob Schneider song?! Sounds unlikely, coming from the guy who did such sentimental indie-pop songs like "40 Dogs (Like Romeo And Juliet)" and "Let the Light In". Well, it's not exactly "hard rock", but for Schneider, it's the closest he's gotten! He even swears twice in the second verse of the song, and not exactly with "light" swears either ("They can f**k right off", he angrily sings in one line - wow, Bob...just, wow!! How atypical of you!) This song, for Bob Schneider, is like what the crunchy, indie-hard-rock of "Hands Open" was for Snow Patrol. Perhaps deep down inside, though, what Bob Schneider wants is a bigger audience. An artist needs to experiment and take chances, right?! The beginning of this song sounds like it wants to be an Everclear song, but goes into more Wallflowers-ish territory with the roots-y organs added into the song later on. "Father of Mine" meets "One Headlight"?! Sounds like a weird combination at first, but it manages to work here. Also, can't go wrong with "Unpromised Land"'s '90s rock influenced sound!!
"Your Life, Your Call" by Junip: One might not expect a song from a band led by a man who was influenced by the stark, acoustic guitar based sound of musicians like Elliott Smith and Nick Drake to have a techno sound starting it off, but perhaps many aren't aware that post-punk musicians, Joy Division, are just as admired by Jose Gonzalez as Nick and Elliott are. In fact, two of Jose's best-known songs, "Heartbeats" and "Crosses", have techno connections; the former was a cover of a song by techno group, The Knife, and the latter was made into a "trip-hop" song shortly after its release. Jose even does a fine cover of Joy Division's most famous song, "Love Will Tear Us Apart" (albeit with acoustic guitar only, and no electronic instruments, for his version). Anyway, Jose's love of techno and his love of folk music merge into one on his latest song with Junip, "Your Life, Your Call". Despite the clear use of synthesizers on "Your Life, Your Call", it still manages to be as soothing as most of Jose's material tends to be. Even the dry, detached manner in which he sings the chorus of the song ("It's your life, your call, stand up and enjoy your fall"), is closer to Ian Curtis than it is Nick Drake. Though I much prefer Jose's folk-ier side, his techno-pop side isn't that bad either.
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