The punny title comes from how both song titles for this week begin with the letter "G" (and you can't have the word "goofy" without the "G", right?!) Anyway, here they are:
"Get Out" by Frightened Rabbit: Probably the closest to a pure rock and roll sound (albeit with techno beats) that Frightened Rabbit have come to so far would be their latest song, "Get Out". The normally folk-rock-y Scottish group amps it up a bit for this song, which has quite interesting lyrical metaphors for love. These include lines like, "I'm a worshiper, a zealot king, cursed, a devotee of the heady golden dance she does", and "She's an uncut drug. Find the vein and pulse". Strange yet somewhat insightful and clever lyrics, if I do say so myself. If Scott Hutchinson's girl is an "uncut drug" then I guess sooner or later he's gonna have to face that he's addicted to love!
"Gimme the Love" by Jake Bugg: Yet another former folk-rocker trying to get away from the sound he's become known for. Jake Bugg actually has had some pretty hard rocking songs before, like "What Doesn't Kill You", the sound of which bore slight resemblance to bands like Green Day. Normally, though, Jake is like a slightly edgier Mumford and Sons. "Gimme the Love" sounds like neither Mumford nor Green Day. Instead, it sounds like an outtake from U2's "Achtung Baby", fusing rock and techno into one fluid musical movement.
Showing posts with label Frightened Rabbit. Show all posts
Showing posts with label Frightened Rabbit. Show all posts
Wednesday, March 16, 2016
Wednesday, January 16, 2013
New songs for the New Year Part 2 - Brand new for January 2013!!
And NOW comes the fun part!! The songs that are brand new for the New Year!! Here goes:
"A New Life" by Jim James (from My Morning Jacket): Jim's latest album is called "Regions of Light and Sounds of God". His newest song, "A New Life", SOUNDS like it came from God within a region of light!! There's something heavenly, in the most authentic sense of the term, about "A New Life". It doesn't sound like the Grateful Dead-meets-Flaming Lips type sound that MMJ became known for in their later years, but more like the gentle, breezy folk-rock of their debut song, "Golden". In fact, "A New Life" is even MORE gentle and breezy than "Golden" was. It's absolutely exhilarating how "A New Life" climaxes! It starts off with Jim's vocals behind a lightly strummed acoustic guitar, then the guitar gets strummed more clearly, and from there, new instruments get added in gradually, starting with a tinkly piano, then a string section, drums, and finally a...saxophone?! Well, it fits in this song!! I don't know how it does, but it does! I feel like I just died and went to heaven. Therefore, I think "A New Life" is a very fitting title for such an ethereal, other-worldly song!!
"Bigger Than Love" by Benjamin Gibbard (from Death Cab for Cutie), featuring Aimee Mann: Although Ben has done better material with Death Cab, there are a couple things I really like about his latest song, "Bigger Than Love". First of all, it features power pop chanteuse Aimee Mann, which is great, not only because I love her music, but also because she just put out an album of her own in summer of 2012, so she's quite a busy woman! It's also really neat that the song has gotten popularity among YouTube viewers because of its performance on "The Colbert Report". The best thing about "Bigger Than Love", though, to me, is how it was inspired by the love letters that were written between F. Scott Fitzgerald, and his wife, Zelda. Actually, that's quite fitting, considering that there's supposed to be a "Great Gatsby" movie coming out soon. Wonder if this song will be featured on the soundtrack?!
"Come Unto Me" by The Mavericks: I thought I knew The Mavericks from their bouncy country-pop/rock song, "I Wanna Know", but this song sounds different from that (and much better!!) "Come Unto Me" is more than just country-rock. There seems to be a sort of Mexican flavor to it, as well as an exotic, gypsy-ish chord progression in the middle of the song. This song could easily be mistaken for a Los Lobos song, and they are a great band! Who knew that one of the first songs of 2013 would also be one of the spiciest?! I didn't, but I'm sure glad I heard it!!
"I'm In, I'm Out, And I'm Gone" by Ben Harper and Charlie Musselwhite: This song starts out with a riff that has been used in countless rock and roll songs, from The Yardbirds' "I'm A Man" to The Black Keys' "Howlin' For You". "I'm In, I'm Out, And I'm Gone" rarely strays from its two chord vamp used in the verses (in fact, the only other chord used in the song comes in during the chorus). This isn't progressive rock, classical, or jazz, though, this is the blues, and blues chords are supposed to have a simple progression!! Some killer harmonica solos on this song, too, so great, that they probably have the power to make the spirit of Muddy Waters come out and groove to the music!
"Ramona" by Night Beds: The bittersweet vocals of this song, which sound halfway between Rufus Wainwright and Ryan Adams, as well as its swooning, swaying guitars, make "Ramona" quite a fitting song from the wintertime. Lyrically, "Ramona" is quite a sad song as well, about the titular girl's separation from both her family and herself, and the anxiety that results from her trying to deal with such situations. It seems as though lead singer Winston Yellen is frustrated, too, as he urges Ramona to "f**k what they taught ya" ("they" probably referring to her family, or perhaps society in general) in the song. Now is the winter of our discontent!!
"The Woodpile" by Frightened Rabbit: This is a good song, but a bit of a letdown for me as far as Frightened Rabbit's material is concerned. I first heard about the Scottish folk-rock group, Frightened Rabbit, in March 2010, when they released "Swim Until You Can't See Land", a gentle, bittersweet song that I have come to love ever since! "The Woodpile" is different than that. It's a bit more plain old bitter than it is bittersweet (though it is still melodic), and the acoustic/electric guitar melding I got used to hearing from "Swim Until You Can't See Land" is now completely electric, with a sound that is somewhat similar to Death Cab for Cutie's earlier material. Even the opening lyrics of "The Woodpile" suggest an all new getup for Frightened Rabbit, mentioning "electric floors", "red meat markets", and "fire doors", all conjuring up vivid yet provocative imagery. I guess Frightened Rabbit aren't so frightened anymore!! They are now the ones facing their fears and taking action!
"Where Are We Now?" by David Bowie: Last, but certainly not least, is the most anticipated new song (so far) of 2013, from none other than the Thin White Duke himself!! It's not one of Bowie's most rockin' numbers, but it doesn't need to be, because...ummm...oh yeah, he's DAVID BOWIE!! He can do anything, and it's bound to impress someone! "Where Are We Now?" is one of the most impressive songs Bowie has ever done!! It is almost like a "crooner" song for someone like him, but it is far more philosophical than it is a love song. It's great to see that, after more than 60 years into his life, David Bowie is still contemplating deep thoughts. What can I say, Bowie is like a fine wine. He only gets better as time goes on!!
"A New Life" by Jim James (from My Morning Jacket): Jim's latest album is called "Regions of Light and Sounds of God". His newest song, "A New Life", SOUNDS like it came from God within a region of light!! There's something heavenly, in the most authentic sense of the term, about "A New Life". It doesn't sound like the Grateful Dead-meets-Flaming Lips type sound that MMJ became known for in their later years, but more like the gentle, breezy folk-rock of their debut song, "Golden". In fact, "A New Life" is even MORE gentle and breezy than "Golden" was. It's absolutely exhilarating how "A New Life" climaxes! It starts off with Jim's vocals behind a lightly strummed acoustic guitar, then the guitar gets strummed more clearly, and from there, new instruments get added in gradually, starting with a tinkly piano, then a string section, drums, and finally a...saxophone?! Well, it fits in this song!! I don't know how it does, but it does! I feel like I just died and went to heaven. Therefore, I think "A New Life" is a very fitting title for such an ethereal, other-worldly song!!
"Bigger Than Love" by Benjamin Gibbard (from Death Cab for Cutie), featuring Aimee Mann: Although Ben has done better material with Death Cab, there are a couple things I really like about his latest song, "Bigger Than Love". First of all, it features power pop chanteuse Aimee Mann, which is great, not only because I love her music, but also because she just put out an album of her own in summer of 2012, so she's quite a busy woman! It's also really neat that the song has gotten popularity among YouTube viewers because of its performance on "The Colbert Report". The best thing about "Bigger Than Love", though, to me, is how it was inspired by the love letters that were written between F. Scott Fitzgerald, and his wife, Zelda. Actually, that's quite fitting, considering that there's supposed to be a "Great Gatsby" movie coming out soon. Wonder if this song will be featured on the soundtrack?!
"Come Unto Me" by The Mavericks: I thought I knew The Mavericks from their bouncy country-pop/rock song, "I Wanna Know", but this song sounds different from that (and much better!!) "Come Unto Me" is more than just country-rock. There seems to be a sort of Mexican flavor to it, as well as an exotic, gypsy-ish chord progression in the middle of the song. This song could easily be mistaken for a Los Lobos song, and they are a great band! Who knew that one of the first songs of 2013 would also be one of the spiciest?! I didn't, but I'm sure glad I heard it!!
"I'm In, I'm Out, And I'm Gone" by Ben Harper and Charlie Musselwhite: This song starts out with a riff that has been used in countless rock and roll songs, from The Yardbirds' "I'm A Man" to The Black Keys' "Howlin' For You". "I'm In, I'm Out, And I'm Gone" rarely strays from its two chord vamp used in the verses (in fact, the only other chord used in the song comes in during the chorus). This isn't progressive rock, classical, or jazz, though, this is the blues, and blues chords are supposed to have a simple progression!! Some killer harmonica solos on this song, too, so great, that they probably have the power to make the spirit of Muddy Waters come out and groove to the music!
"Ramona" by Night Beds: The bittersweet vocals of this song, which sound halfway between Rufus Wainwright and Ryan Adams, as well as its swooning, swaying guitars, make "Ramona" quite a fitting song from the wintertime. Lyrically, "Ramona" is quite a sad song as well, about the titular girl's separation from both her family and herself, and the anxiety that results from her trying to deal with such situations. It seems as though lead singer Winston Yellen is frustrated, too, as he urges Ramona to "f**k what they taught ya" ("they" probably referring to her family, or perhaps society in general) in the song. Now is the winter of our discontent!!
"The Woodpile" by Frightened Rabbit: This is a good song, but a bit of a letdown for me as far as Frightened Rabbit's material is concerned. I first heard about the Scottish folk-rock group, Frightened Rabbit, in March 2010, when they released "Swim Until You Can't See Land", a gentle, bittersweet song that I have come to love ever since! "The Woodpile" is different than that. It's a bit more plain old bitter than it is bittersweet (though it is still melodic), and the acoustic/electric guitar melding I got used to hearing from "Swim Until You Can't See Land" is now completely electric, with a sound that is somewhat similar to Death Cab for Cutie's earlier material. Even the opening lyrics of "The Woodpile" suggest an all new getup for Frightened Rabbit, mentioning "electric floors", "red meat markets", and "fire doors", all conjuring up vivid yet provocative imagery. I guess Frightened Rabbit aren't so frightened anymore!! They are now the ones facing their fears and taking action!
"Where Are We Now?" by David Bowie: Last, but certainly not least, is the most anticipated new song (so far) of 2013, from none other than the Thin White Duke himself!! It's not one of Bowie's most rockin' numbers, but it doesn't need to be, because...ummm...oh yeah, he's DAVID BOWIE!! He can do anything, and it's bound to impress someone! "Where Are We Now?" is one of the most impressive songs Bowie has ever done!! It is almost like a "crooner" song for someone like him, but it is far more philosophical than it is a love song. It's great to see that, after more than 60 years into his life, David Bowie is still contemplating deep thoughts. What can I say, Bowie is like a fine wine. He only gets better as time goes on!!
Wednesday, March 10, 2010
5 newbies!!
This week was a great week for new releases!! Here they are!
"Good Morning (The Future)" by Rogue Wave:
Gone are the days of the Rogue Wave with the hauntingly beautiful folk-rock tunes (like "Lake Michigan" and "Chicago X12"). However, this does not mean I dislike "Good Morning". In fact it kinda seems like Rogue Wave have taken a queue from Phoenix in terms of the way this song sounds, in that it combines techno-influenced guitar hooks with lush harmonies and melodies. Much like how "Lake Michigan" was an environmental lament, "Good Morning (The Future)" seems to be a lament on how screwed up life has become for some of us, like the main hook of the song says ("the future...isn't what it used to be").
"Sweet Disposition" by The Temper Trap:
Someone listen to this song and tell me they DON'T hear U2's "Where the Streets Have No Name" in it!! The main hook is practically the same except it's played on a lower fret. "Sweet Disposition" and The Airborne Toxic Event's "Sometime Around Midnight" could go head to head in a musical battle for which song sounds the most like "Where the Streets Have No Name", and "Sweet Disposition" would win, hands down!! But wait! This does not mean I dislike "Sweet Disposition". For one of the many alt and indie bands to follow in U2's footsteps, The Temper Trap are actually pretty sincere and heartfelt compared to some bands (*cough cough, Coldplay, cough cough*). "Sweet Disposition" is able to do something to me that most Coldplay songs (from their sophomore album on) can't do to me - it's one of those songs that takes me into a different world when I hear it. And that is what good music is all about!
"Swim Until You Can't See Land" by Frightened Rabbit:
This is probably my fave out of all five of the songs I'm reviewing for this week! When I first heard this song a couple days ago, I instantly fell in love with it! I barely know the lyrics (currently), but sometimes all it takes is an honest, heartfelt melody and harmony for me to find that central quality in a song I always look for. The guitar riffs are echoic of both The Byrds and Nick Drake, and I love how melancholy, but still innocent, both of them sound. Frightened Rabbit have preserved that '60s folk-rock sound pretty well for "Swim Until You Can't See Land", which makes it a surefire winner for me!! From what little I know of the lyrics (the chorus), "Swim Until You Can't See Land" seems like it's about perseverance, which only adds to how much I love this song. Please check this one out if you don't check out any of the others, it's an instant classic!
"The Mystery Zone" by Spoon:
With a name like "Spoon" it's gotta be quirky! And this song is just that. The guitar echoes with each riff that is played (including the brief but worthy guitar solo of the song), and the drums consistently hit on the "3" of the "1, 2, 3, 4" time signature each time. And what exactly IS this "Mystery Zone" they keep mentioning?! My best guess is that it's exactly what it sounds like, a state of confusion (as mentioned, or at least hinted at, in the lyrics, "How come it feels so familiar when you've never been there?") Existential lyrics with a danceable beat? Sounds like a rip-roarin' good time to me!!
"You Must Be Out of Your Mind" by The Magnetic Fields:
This one hasn't gained as much airplay as the other four, but I thought I'd review it anyway since at least three adult alt. stations I know of have added it to their playlist (and also 'cuz it's such a good song!) I had actually known of The Magnetic Fields for quite a long time, and they seem like one of the few bands in the indie crop whose unique brand of folk-rock is more folk than it is rock. "You Must Be Out of Your Mind" continues in that tradition, and it adds in stringed instruments (like the violin), perhaps to make it sound even more like it belongs in another decade. Pretty much every Magnetic Fields song seems to sound more suited to the '60s or early '70s than it does to the 2000's or 2010's. "You Must Be Out of Your Mind" also carries on the lyrical tradition of satire meets sincerity that The Magnetic Fields other songs have had (like "All My Little Words", for instance). Unlike "All My Little Words", however, "You Must Be Out of Your Mind" seems a bit MORE focused on the satirical element. It has a bittersweet melody coupled with a sarcastic chorus ("You think you can leave the past behind/You must be out of your mind"). But musical quirks like these are the reason I love bands like Magnetic Fields, so I strongly suggest that all you irony-lovers out there give this one a good listen!
"Good Morning (The Future)" by Rogue Wave:
Gone are the days of the Rogue Wave with the hauntingly beautiful folk-rock tunes (like "Lake Michigan" and "Chicago X12"). However, this does not mean I dislike "Good Morning". In fact it kinda seems like Rogue Wave have taken a queue from Phoenix in terms of the way this song sounds, in that it combines techno-influenced guitar hooks with lush harmonies and melodies. Much like how "Lake Michigan" was an environmental lament, "Good Morning (The Future)" seems to be a lament on how screwed up life has become for some of us, like the main hook of the song says ("the future...isn't what it used to be").
"Sweet Disposition" by The Temper Trap:
Someone listen to this song and tell me they DON'T hear U2's "Where the Streets Have No Name" in it!! The main hook is practically the same except it's played on a lower fret. "Sweet Disposition" and The Airborne Toxic Event's "Sometime Around Midnight" could go head to head in a musical battle for which song sounds the most like "Where the Streets Have No Name", and "Sweet Disposition" would win, hands down!! But wait! This does not mean I dislike "Sweet Disposition". For one of the many alt and indie bands to follow in U2's footsteps, The Temper Trap are actually pretty sincere and heartfelt compared to some bands (*cough cough, Coldplay, cough cough*). "Sweet Disposition" is able to do something to me that most Coldplay songs (from their sophomore album on) can't do to me - it's one of those songs that takes me into a different world when I hear it. And that is what good music is all about!
"Swim Until You Can't See Land" by Frightened Rabbit:
This is probably my fave out of all five of the songs I'm reviewing for this week! When I first heard this song a couple days ago, I instantly fell in love with it! I barely know the lyrics (currently), but sometimes all it takes is an honest, heartfelt melody and harmony for me to find that central quality in a song I always look for. The guitar riffs are echoic of both The Byrds and Nick Drake, and I love how melancholy, but still innocent, both of them sound. Frightened Rabbit have preserved that '60s folk-rock sound pretty well for "Swim Until You Can't See Land", which makes it a surefire winner for me!! From what little I know of the lyrics (the chorus), "Swim Until You Can't See Land" seems like it's about perseverance, which only adds to how much I love this song. Please check this one out if you don't check out any of the others, it's an instant classic!
"The Mystery Zone" by Spoon:
With a name like "Spoon" it's gotta be quirky! And this song is just that. The guitar echoes with each riff that is played (including the brief but worthy guitar solo of the song), and the drums consistently hit on the "3" of the "1, 2, 3, 4" time signature each time. And what exactly IS this "Mystery Zone" they keep mentioning?! My best guess is that it's exactly what it sounds like, a state of confusion (as mentioned, or at least hinted at, in the lyrics, "How come it feels so familiar when you've never been there?") Existential lyrics with a danceable beat? Sounds like a rip-roarin' good time to me!!
"You Must Be Out of Your Mind" by The Magnetic Fields:
This one hasn't gained as much airplay as the other four, but I thought I'd review it anyway since at least three adult alt. stations I know of have added it to their playlist (and also 'cuz it's such a good song!) I had actually known of The Magnetic Fields for quite a long time, and they seem like one of the few bands in the indie crop whose unique brand of folk-rock is more folk than it is rock. "You Must Be Out of Your Mind" continues in that tradition, and it adds in stringed instruments (like the violin), perhaps to make it sound even more like it belongs in another decade. Pretty much every Magnetic Fields song seems to sound more suited to the '60s or early '70s than it does to the 2000's or 2010's. "You Must Be Out of Your Mind" also carries on the lyrical tradition of satire meets sincerity that The Magnetic Fields other songs have had (like "All My Little Words", for instance). Unlike "All My Little Words", however, "You Must Be Out of Your Mind" seems a bit MORE focused on the satirical element. It has a bittersweet melody coupled with a sarcastic chorus ("You think you can leave the past behind/You must be out of your mind"). But musical quirks like these are the reason I love bands like Magnetic Fields, so I strongly suggest that all you irony-lovers out there give this one a good listen!
Subscribe to:
Posts (Atom)