New songs for July 21st, 2021

here they are:


"Ain't Lookin'" by Wild Feathers: After a brief detour into indie-folk and power pop with their last album, Wild Feathers have returned to their country-rock roots with "Ain't Lookin'." Well...kind of. In addition to the country and roots-rock influences, "Ain't Lookin'" appears to be influenced by blues-rock as well! Fans of other blues-country hybrids such as Sturgill Simpson and Chris Stapleton might enjoy this song. The imagery the song has of traveling out on the road also seems fitting for a blues/country-rock song.


"Amoeba" by Clairo: If the chord progression of this song sounds like a modern-day lounge-pop version of Todd Rundgren's "I Saw the Light," which itself was largely influenced by Carole King, that's probably intentional on Clairo's part here. Carole, along with other early 1970's female singer/songwriter icons such as Joni Mitchell and Karen Carpenter, all inspired Clairo's latest song, "Amoeba." Even Blossom Dearie, the woman who lent her voice to such Schoolhouse Rock classics from that same era, as "Figure Eight" and "Unpack Your Adjectives," apparently inspired Clairo's latest tune as well. Its buoyant sound combined with its jazz-pop chord progressions make for a breath of fresh air compared to the monotony of most of what comprises "alternative" music today. For someone who is only 22 years old, Clairo sure has a vast appreciation for the songwriting chanteuses of the early 1970's! Taking on a truly "indie" aesthetic, Clairo weds these delightful, wistful melodies to lyrics about an abusive relationship. She sure knows how to make lemons out of lemonade, doesn't she?!

"Galacticana" by Strand of Oaks: The intriguingly named "Galacticana" continues in the soothing folk-rock direction that Indiana group, Strand of Oaks, started really honing in on their 2019 ballad, "Ruby." I don't know what "Galacticana" even means, and since it's mentioned nowhere in the song's lyrics, it's not very likely I will know, but going by the song's nostalgic, bittersweet lyrics, perhaps it refers to...wait, I STILL don't know what it refers to! Anyway, in "Galacticana," Strand of Oaks' lead singer Timothy Showalter recounts experiences of his childhood (and perhaps his teenhood as well) that he shares with his listeners to offer an escape from the world today. When he says "I believe that ecstasy happens when we all get together" in the beginning of the song, I don't think he's referring to the drug ecstasy, but to actual ecstasy - that which happens when people share a moment together to create a more understanding bond with one another.

"Poor Boy a Long Way From Home" by The Black Keys: The Black Keys' latest album seems to have offered us their blues-iest sound yet! The scorching, fiery, slow-burning blues-rock of "Crawling Kingsnake" was a great way to kick off the year, and now, midway through it, we have the fast, shuffling blues-rock of "Poor Boy a Long Way From Home." A blues-y rhythm and riff present in songs ranging from John Lee Hooker's "Boom Boom" to Muddy Waters' "Baby Please Don't Go" to ZZ Top's "La Grange" and George Thorogood's "One Bourbon, One Scotch, One Beer" can be heard here. Like "Crawling Kingsnake," "Poor Boy a Long Way From Home" is a cover of a blues tune, this time one from blues musician R.L. Burnside from 1978, though it sounds like it came from a much earlier era. 

"Wrecked" by Imagine Dragons: From the title, you might gather that this is one of Imagine Dragons' more angst-ridden songs. It's really more of a melancholy one that still manages to have a pleasant, pop-y sound like most of their material. In contrast to their spring '21 hit, "Follow You," "Wrecked" is in minor key and is not a love song so much as it is a breakup song, or perhaps just a song about emotional disorder in general. Not a breakup song of the "good riddance" variety either, but more of an "I can't live without you" sort of tune. Dan Reynolds conveys anguish throughout the song, but especially in the middle where he says, "These days, I'm becoming everything that I hate/Wishing you were around now, but it's too late/My mind is a place that I can't escape your ghost." Sometimes, the relationships we might have thought we had given up long ago continue to haunt us. This is a perfect song for those sorts of situations!

New songs for St. Patrick's Day 2021!

 Today's songs are the same amount of leaves you would count on a four-leaf clover (plus one!) Enjoy! Here they are:


"Be Sweet" by Japanese Breakfast: No, "Japanese Breakfast" is not the name of some obscure anime, and nor was it just a completely random name. The lead singer of the band IS Asian. However, she is from Korea, not Japan. She had chosen "Japanese" as the nationality for her band name since Japan is a better-known country to the Western world than Korea is. Their latest song, "Be Sweet," is exactly what its title suggests it is. It's a sweet song, with funky guitar riffs and a synthpop sound that sounds like it time traveled from "Back to the Future" into the actual future. More specifically, it is a very yearning song, in which lead singer, Michelle Zauner, states in a bubbly, irresistible singing voice that she "wants to believe" in the subject of the song after telling them to "be sweet." 

"Follow You" by Imagine Dragons: You should know by now that if Imagine Dragons come out with a new song, it's going to explode into popularity at some point or another. The sweet, chill sound of their latest song, "Follow You," is probably no exception to this category. Dan Reynolds and co also seem to know that not everyone who knows them likes them, the aspect of which is highlighted in the intro to "Follow You"'s self-deprecating music video, in which a young adult male is excited that his girlfriend has gotten The Killers to perform on his birthday...except, oops! She actually got Imagine Dragons, HER favorite band, to perform on his birthday instead. "I don't wanna hear these guys," her boyfriend states unenthusiastically, before Imagine Dragons launch into their latest hit song. While the song may be a bit lackluster to those who want "alternative rock" to actually sound alternative and rockin' again, at least those who aren't fans of the band's music can enjoy their humor! The video can be viewed at the following link: https://www.youtube.com/watch?v=k3zimSRKqNw

"Open Up the Heavens" by Jade Bird: Probably the hardest-rockin' Jade Bird song so far, but certainly not her longest (ALL of her songs seem to clock in under three minutes). Many of the best-known and best loved women in rock, such as Stevie Nicks, Chrissie Hynde, and Patti Smith, seem to have inspired Jade in her latest song, "Open Up the Heavens," perhaps her first song not to have a hint of acoustic guitar at the forefront. Despite briefly resolving to major key and bright instrumentation during the chorus, "Open Up the Heavens" is a pretty angst-ridden song overall, typical of Jade's material. It's a bit more direct than most of her songs, though, confronting the subject of the song and asking them how it feels to be stood up by someone. The title of the song is only mentioned once, during the middle part of it, as a plea requesting the subject of the song to change their mind, while Jade is also fully aware that she will probably not get what she wants. 

"The Last Man on Earth" by Wolf Alice: The latest song from British alt-pop quartet, Wolf Alice, finds lead singer Ellie Roswell contemplating the selfish side of human nature, and why we feel this need to project our own experiences onto everything we see, feel, think, etc. Initially inspired by the Kurt Vonnegut quote, "Peculiar travel suggestions are dancing lessons from God," Roswell alludes to the quote in the first verse of "The Last Man on Earth," and uses it as a springboard for the rest of the song to suggest that not everything is a "lesson from God" or whatever else you might think sounds profound or meaningful. Over a bittersweet piano ballad, Ellie achingly croons a brokenhearted melody which is actually trying to warn us NOT to see ourselves in her song, or to try to identify everything with our own experiences. Sounds challenging, doesn't it?!

"You Saw Me Coming" by Tom Petty: Petty's posthumously released "Leave Virginia Alone" from last fall was only a taste of the outtakes from his 1994 album, "Wildflowers." Where "Leave Virginia Alone" could be described as a laid back rocker, "You Saw Me Coming" is a more poignant song. Ex-Heartbreaker Benmont Tench even thought it was the perfect song to close out Wildflowers, with its sense of wistful longing. The original release of Wildflowers did close with a similarly bittersweet song called "Wake Up Time," but it hasn't been until now, almost half a decade after Tom Petty's departure from Earth, that we've been able to hear his underrated '94 masterpiece of an album the way it was supposed to. Better late than never, Tom!

New songs for February 13th 2019

here they are:


"Bad Liar" by Imagine Dragons: What a song for the day before Valentine's Day! This is a song that reflects on those moments where you want to confess your love for someone (or lack thereof) but your instincts tell you to do the opposite. Sound-wise, this is one of the most pop sounding Imagine Dragons songs yet, but lyrically it goes pretty deep. The depth of the lyrics is especially relevant when Dan Reynolds claims in the first verse that he has "three fears: integrity, faith, and crocodile tears". In other words, he's afraid of the good things (integrity and faith) as much as he is of bad things (crocodile tears - a slang term for false sadness). A bit like the part in David Bowie's "Ashes to Ashes" where Bowie says, "I've never done good things. I've never done bad things." I guess there's really no comparison to an immortal like Bowie when discussing relative newbies like Imagine Dragons, but hey, at least they're trying!


"Feels Alright" by The Nude Party: There's probably a good reason these guys decided to call themselves "The Nude Party". After all, this is pretty much party music that might make you wanna run around naked due to all the wild, uninhibited freedom it gives off! Their debut song, "Feels Alright", is pretty much glam rock for the 21st century! With a sound that combines T. Rex's "Bang A Gong (Get It On)" and Mott the Hoople's "All the Way From Memphis", "Feels Alright" does just that. It feels alright. Well, no, MORE than alright! THIS is a song that will unleash your inner frat boy or sorority girl! Wham, bam, thank ya, mam!


"GotItBad" by St. Paul and The Broken Bones: Much like St. Paul and The Broken Bones' adult alt summer smash, "Apollo", "GotItBad" is yet another song that moves Paul "St. Paul" Janeway and the gang from '60s soul to '70s funk. There's even a bit of a disco element to "GotItBad" with its backing orchestra adding a sublime flavor to its funky bass and chunky keyboards. Lyrically, this song puts the "St." in "St. Paul". You probably wouldn't expect lyrics about preachers, God, and Jesus beneath the smokin' hot sound of "GotItBad", but that is what lurks beneath this fine tune. "GotItBad" is basically a Catholic confession turned into a funk soul session!


"I Get No Joy" by Jade Bird: I stand by the comparison I made during the time I reviewed Jade Bird's "Uh Huh", during which I said that she is pretty much the 21st century Alanis Morissette. Like Alanis, Jade takes folk-rock, filters it through an "alternative" lens, and adds angst-y lyrics to it, with an equally angst ridden delivery. Jade gets especially feisty and wordy during the chorus of the song, shouting the song's title with jaded (no pun intended) frustration, and speaking the rest of the words of the chorus faster than the speed of light! The song can also be viewed as a calmer parallel to Courtney Barnett's "Pedestrian At Best", as both songs make use of clever wordplay with near-rhyming words in succession during some of the verses to describe an alienating situation. Jade, your lack of joy gives us an excess of it!


"Sisyphus" by Andrew Bird: After attempting to get "edgy" on songs like "Eyeoneye" and "Capsized", Andrew Bird (no relation to Jade Bird) returns to his roots combining folk-rock with orchestral arrangements on "Sisyphus". The song takes its name from a character in Greek mythology who tried to outwit the Greek gods and cheat death. Of course, this didn't work in Sisyphus' favor, and this is exactly what Andrew Bird is trying to illustrate in this song. It is about becoming addicted to one's own pain, and the consequences it can lead to. Perhaps this is yet another song from 2019 that serves as a metaphor for the downfall of contemporary Western society.


"Song For Winners" by Nick Waterhouse: Nick's trademark merging of surf and rockabilly is still intact on his latest song, "Song For Winners". However, there is something noticeably different about it in comparison to his other material. It is not only done in a minor key, but its lyrics are somewhat melancholy as well. "Your strange innocence has ended", he says of his former lover, preceded by, "I hear no fearlessness, only fear". What kind of "winners" was this song intended for anyhow?! The song seems more like it's about losers than it is about winners!

New songs for August 15th, 2018

here they are:


"Jumbo" by Punch Brothers: Ever since Donald Trump got elected president, I had thoughts that harder edged rock groups would be doing protest songs against him, the way Green Day did with their "American Idiot" record in response to George W. Bush's presidency during the 2000's. Hard rock, however, has become a thing of the past (for the most part) during the 2010's, so instead we have softer rock groups like Punch Brothers doing songs about him - or rather, Donald Trump's SON, Donald Trump, Jr. Yes, that's what "Jumbo" is about. Though his name is never mentioned, many articles about the bluegrass-rock group's latest song have already come out, and they all point to Trump Jr. as the song's villain, nicknamed "Jumbo" in the song. Punch Brothers have had enough hits on adult alt radio to count on a single hand, but even with the few songs I know by them, I can still tell that this is the first time the group have gotten political on one of their albums. I never thought I'd see so many soft and middle-of-the-road rock groups (Arcade Fire would fit the latter category) doing songs against our current president. I thought it would be mostly hard rock (and possibly punk rock), like how it was during the Vietnam War, the Cold War, and the Bush presidency. The times, they are a changin'!


"Last Lion of Albion" by Neko Case: Our next song is a protest song as well, although not necessarily a political one. Neko Case's "Last Lion of Albion" is a protest song against none other than mankind itself, and the many (mostly unsuccessful) ways it tries to "tame" nature. With a melancholy, pessimistic sound that seems halfway between Alanis Morissette and Lissie, Neko Case weaves a chilling parable about how natural resources are exploited by human beings in ways they weren't meant to be used that ultimately become detrimental to how we live. More specifically, the song targets Britain, since the nation often uses lions to symbolize their power. "You'll feel extinction", warns Case, during the chorus, "when you see their face on your money." There is no need for guns and war when you can use the greatest weapon of all against those who won't listen to you - music!


"Natural" by Imagine Dragons: Thus far on this week's blog, we have seen two acts use quiet music to express loud feelings of distress. That's not the way Imagine Dragons like to do things. If Dan Reynolds and co want their desires and ideas to be known to others, they SHOUT it! This is exactly what they do on "Natural", particularly during the chorus, which sounds like the type of song that would be used when two rivaling sports teams are facing off against one another. In today's competitive world, you need things to build you up and make you stay strong and alert. That's pretty much what bands like Imagine Dragons are there for, especially on songs like this one!


"Shame" by Elle King: The blonde "Ex's And Oh's" bombshell is back with yet another song to motivate strong female empowerment with "Shame". The song doesn't have quite the rock-meets-jazz swing that "Ex's" did, but it still manages to be a catchy tune. Mixing the beat of Joe Jackson's "Is She Really Going Out With Him?" with the darkly seductive pop/rock techniques of musicians like Lorde, "Shame" is a song just screaming to be the next summer anthem of the year. Though she might not be as rockin' on this song as she was back in 2014, Elle still maintains her sense of lyrical talent by being as deliciously scathing as she has been on her other songs. After repeating the title of the song four times, she burns and traps a former lover of hers by saying, "Mama doesn't know who every night you go to." "King" is not Elle's real last name, but she sure has a lot of kingly (or rather, queenly) power on this song!


"Something Human" by Muse: After almost 15 years, I've finally gotten on the Muse bandwagon that many friends of mine have been on ever since they broke through to the mainstream in the mid 2000's. Their song "Starlight" was kinda cool, as it sounded like a slightly harder rocking Coldplay tune, but the rest of their stuff I dunno about. They always seemed like a cross between Queen and Depeche Mode to me, which was like peanut butter and hot dogs to me (In other words, both good, but not together). With "Something Human", this has all changed. The song has given Muse a dimension that's more...well...human! Instead of being all bombastic and arena rock-y, "Something Human" is a more calming song that combines acoustic guitar instrumentation with electronic beats and synthesizer in the background. The song is almost spiritual in a way, like a U2 song, with Muse searching for something more significant in life than how life appears to be, throughout the song.

new songs for November 15th 2017

here they are:


"I Just Wasn't Made For These Times" by Jim James: The Beach Boys' "Pet Sounds" is widely considered to be one of the greatest rock albums of all time (despite getting virtually no airplay on today's "rock" stations). There's a good reason it is, though. The album, along with The Beatles' "Rubber Soul", which it was inspired by, were some of the first albums to showcase rock as an emotionally diverse art form. With the news spreading that My Morning Jacket's Jim James was going to be covering one of my favorite songs from that album, "I Just Wasn't Made For These Times", my first thoughts were, "You can't top a classic!" As much as I love Jim and MMJ, it's a hard feat to pull off trying to cover the sweet but troubled genius work of Brian Wilson. However, I'll still give Jim credit where credit is due. He doesn't drastically change the song in any way, and he tries his best to stay faithful to the bittersweet, sympathetic tone of the original. He alters the melody of the chorus a bit, and he also adds in some brass instruments where they aren't needed, but other than that it's a pretty decent cover!


"Losing All Sense" by Grizzly Bear: As if by coincidence, our next song is inspired by "Pet Sounds" as well! However, it is not a cover of a song from the album. The ultra eclectic, artsy indie quartet, Grizzly Bear, have always tried experimenting with different sounds on each of their albums. Their latest song, "Losing All Sense", sounds similar to "Two Weeks", the song that first made Grizzly Bear popular among indie fans, and it also contains a brief "slow" section like their song "Sleeping Ute" did. Its happy, piano and orchestra based sound seems like it might be derived from Beach Boys songs like "I Know There's An Answer". "Losing All Sense"'s spacey, psychedelic lyrics (for instance, "Like a rogue wave, you wash right over me") seem like they'd fit right in with some of the best '60s rock songs.


"Motion Sickness" by Phoebe Bridgers: You might not have heard of Phoebe Bridgers yet, but other musicians you might like have heard of her. Her debut record was released under Ryan Adams record label, and she has toured with Conor Oberst from Bright Eyes. Fans of Adams and Oberst would probably be fans of Phoebe Bridgers as well, as she evokes a similar sense of pathos and sensitivity to such musicians. The "motion sickness" she mentions, as she states in the song, is an emotional one. The song is basically Phoebe's sad but sweet sounding attempt to try to right all the wrongs in her life. Between the hushed but weary vocals and the sighing of the instruments in the song, it's pretty easy to tell what's going on here!


"Plastic Soul" by Mondo Cozmo: Mondo Cozmo are a rarity in this decade. On their first album alone they've gone through folk-rock with "Shine" and Beck-ish attempts at blending hip-hop with alternative pop with "Automatic". Their third hit, "Plastic Soul", does not sound like either one of those songs. Instead, it has a piano based '60s R & B sound that samples from an actual '60s R & B song, "Piece of My Heart" by Aretha Franklin's older sister, Erma (yes, this was the same "Piece of My Heart" that Janis Joplin later made famous - Erma did it first). "Plastic Soul" is very soulful, but it sure ain't plastic! This is the real deal, folks!


"Run For Cover" by The Killers: With all the people who have been accused of sexual abuse lately, I'm sure glad The Killers aren't one of 'em! Why am I bringing this up in my review for this song? Because "Run For Cover" is actually a song that speaks out against those who have been sexually abused. In this song, the beat of which is reminiscent of INXS's "Don't Change", Brandon Flowers points a finger at all the carnally depraved men out there, perhaps one in particular, given such lines as, "Are your excuses any better than your senator's?", "It's even harder when the dirtbag's famous", and even a brief mention of "fake news". I don't think it's too hard to figure out who this might be about, but it's ultimately up to your imagination to figure that one out!


"Whatever It Takes" by Imagine Dragons: Imagine Dragons aren't what you'd call a "hard rock" band by any means, but some songs of theirs are still softer and more melodic than others. "Whatever It Takes" just happens to be one of the softer songs in Imagine Dragons' catalog. Starting with a pristine piano that gets taken over by artificial percussion, "Whatever It Takes" has a similar sound to Imagine Dragons' other songs, except for in terms of how it is sung (or rather, delivered). Lead singer, Dan Reynolds, does the closest thing he's ever done to a rap during the verses of the song, speaking a bit too fast for anyone to understand him upon the first few listens of this song. The way Dan rhymes in this song could even be compared to people like Eminem (although Dan is far more wholesome in terms of his lyrical content).

New songs for February 8th 2017

here they are:


"Ballad of the Dying Man" by Father John Misty: Father John Misty continues to prove himself to be more indie than indie with each song he releases! This includes his latest song, the Beatle-esque "Ballad of the Dying Man". The chord progression is reminiscent of some of The Beatles' more progressive leaning tunes, such as "A Day In the Life" and "Sexy Sadie". Lyrically, "Ballad of the Dying Man" is also rather progressive, as it is one of the rare modern songs to take on a narrative perspective instead of a more direct one. It's obvious that FJM is trying to make his listeners sympathize with his character from the song's bittersweet lyrics and its equally bittersweet sound. What will he think of next?!


"Believer" by Imagine Dragons: Princess Peach from the "Mario" games is about to have her castle stormed by dragons! Imagine Dragons, that is, and I say this because it was a recent Nintendo ad that propelled Imagine Dragons' latest song, "Believer", on such a quick path to popularity among its listeners! As if that wasn't enough, it was also an ad featured in the Superbowl. Imagine Dragons never fail to excite, and "Believer" is definitely the sort of song to keep you on your feet when you're in the mood for it! As is typical of ID's material, "Believer" is a lively, dynamic song with somewhat sad lyrics behind it (about how "pain makes you a believer"). Given both the song's success in a video game company commercial and the in-your-face arena rock quality of Imagine Dragons' music, perhaps they should consider renaming themselves "Mario's Speedwagon"!


"Love Is Mystical" by Cold War Kids: Here is yet another song that has that indie-pop-cum-arena-rock type of sound! Cold War Kids started out being more straight up indie, but ever since the unexpected success of their song, "First", they seem to have adjusted their sound to be more fitting for a more massive mainstream audience. The song only has three chords, but it certainly makes its central statement known! Love is indeed mystical. It is also energetic and worth celebrating, as the vibe of this song has proven to me!


"Poetry" by Ray Davies: Yes, THAT Ray Davies! The lead singer of the legendary rock group, The Kinks. Those expecting a song like "Lola" or "You Really Got Me" might be a little disappointed, though. This song is more like a modernized update on the sorts of songs that Buffalo Springfield or Crosby, Stills, & Nash might have been likely to do, in terms of its sound. For those who know that alt-country group, The Jayhawks, are backing him up on this song, its Americanized folk-rock sound should come as no surprise. The song is a bittersweet lament on what the world is missing today - poetry! "Where is the poetry?" Ray mournfully inquires during the song's chorus. Ray, you're MAKING poetry just by performing this song and singing it!


"Ran" by Future Islands: There have been quite a few songs called "Run". Vampire Weekend, Collective Soul, Snow Patrol, and Eric Clapton have all done different songs with that same title. Future Islands, on the other hand, have now released what is, to my knowledge, the first song of which the title is the past tense of the word "run", as opposed to its present tense form. During the height of their popularity in summer 2014 with "Seasons (Waiting On You)", I saw them in concert and expected "Seasons" to be the only song they would be known for. "Ran" has proven me wrong. Similar to "Seasons...", "Ran" is a modern-day synth-pop song in the key of B flat major. The yearning, lovelorn lyrics of "Ran", combined with the key it is in, seem to make it serve as a "sequel song" to "Seasons...". In "Seasons...", Sam Herring sang about how he was "waiting on" his loved one for such a long time that it made him ache inside. In "Ran", Sam seems to come to the realization that he was waiting in vain, asking his lover, "What's a song without you, when every song is about you?" Those who will be single this coming Valentine's Day just got one more song to listen to thanks to Future Islands!

New songs for November 11th, 2015

here they are:


"Ditmas" by Mumford and Sons: After the faux-Coldplay sound of "Believe" and the surprisingly rockin' sound of "The Wolf", I now have at least a glimmer of hope that Mumford and Sons haven't QUITE lost their signature sound with their third single of the year, "Ditmas". Essentially, "Ditmas" is a folk-rock tune using electric instruments. Think Kings of Leon trying to do a Decemberists song and you have the blueprint for "Ditmas"' sound. As per usual with Mumford and Sons, lovelorn yet soul searching lyrics dominate "Ditmas"' theme. Perhaps not everyone liked M & S' constant use of banjo for their first two albums, but I did, and I kinda hope they go back to it for their next album if they decide to do one.


"Gone" by Jr. Jr. (formerly known as Dale Earnhardt Jr. Jr.): Although Dale Earnhardt Jr. has no problem with Dale Earnhardt Jr. Jr.'s music, I guess someone closely associated with the single-juniored Dale Earnhardt decided that they didn't like the idea of a double-juniored Dale Earnhardt, so now they are simply known by the more redundant and mysterious moniker, "Jr. Jr." Now that I've gotten that out of the way, "Gone" recalls the punctuated whistling and neo-folk-rock sound of their first big song, "Simple Girl", while incorporating the use of the more electronic instruments that their other songs tend to use. "Gone" is also a bit more bittersweet than most of their material, containing a deeper message as well ("I can't be everything you want me to be"). Jr. Jr. may have lost having a reason for their name, but in the process they have gained more emotional depth. Even if their name one day dwindles down simply to the letter "J", I'll still be looking forward to what they have in store!


"Magnets" by Disclosure (featuring Lorde): Lorde has always had a bit of a mysterious, nocturnal aura about her, but the New Zealand adolescent really makes her inner moonlight shine with her latest tune, "Magnets". The combination of minor key melodies and pulsating dance beats make the song dark yet alluring, as is the song's chorus of "let's embrace the point of no return". The song seems to be about a love affair gone wrong and its vengeful aftermath. Perhaps it is time now to add Lorde to the ever expanding list of young women that Stevie Nicks has influenced with the vengeful romance themes that dominated Fleetwood Mac's "Rumours".


"Pretty Pimpin'" by Kurt Vile: Can a song be angst-ridden and silly at the same time?! Well, in Kurt Vile's "Pretty Pimpin'", that seems to be just what is happening! The song's theme seems to be about waking up in the morning and not recognizing who you are, as demonstrated by lyrics like "Didn't recognize the man in the mirror, then I laughed and said, 'Oh silly me, it's just me'", and yet again when he refers to himself as "that stupid clown in the bathroom sink" and asks who that "clown" is. Yes, the overall sound of this song is rather brooding, but the song's self-deprecation really wins me over!


"Roots" by Imagine Dragons: There are many Imagine Dragons songs I can name with a synthesizer sound, but "Roots" might just be the first one in which the keyboard sounds a bit more "organic", although the rhythm section in the song sounds more synthetic than usual. All three of the songs from Imagine Dragons' latest album that have become singles (this one, "I Bet My Life", and "Shots") have rather dark themes, but this is one in which the sound actually fits the theme since "Roots" is written in minor key, unlike its predecessors. The lyric in the song that defines it the most is probably "had to lose my way to know which road to take". However, there are some high points about the song, too. First of all, "Roots" is pretty catchy. Second of all, it seems as though quite a few people (myself included) first heard this song in the premiere episode of the new "Muppets" series, so it's not as though Imagine Dragons are lacking in their sense of humor!


"10,000 Emerald Pools" by Borns: Wow, that's a lot of emerald pools! Don't think I've ever seen that many, and I don't know anyone who has, either! Borns had a ridiculously catchy summer hit this year with "Electric Love", and I can see why "10,000 Emerald Pools" is currently following in its footsteps. One thing that draws me immediately into "10,000 Emerald Pools" is the rhythm of the bassline, which has a suspiciously similar sound here to songs like "Gimme Some Lovin'" and "25 Or 6 to 4", both of which can be said to be "jazz-rock" songs (Is that what Borns were trying to do here?!) Apart from the bass, the rhythm of the song seems to be almost reggae driven, and the guitars here seem to transition between background noise, electric, and acoustic. Dive into a swirling neo-psychedelic whirpool of electronic sound with "10,000 Emerald Pools"! Try not to count all the pools, though, you'll be sorely disappointed.


"When, When" by Civil Twilight: "When, When"?! Why, "Now, Now", of course! What better time, time than now, now?! Well, actually, it seems as though Civil Twilight wanted to travel back in time to 1986 here to make an update of Paul Simon's "Graceland" for the indie-pop generation. As interesting and mysterious as the title of "When, When" sounds, it is actually just a question the lead singer asks the object of his affection as to when he's going to see her again. OK, so the theme of this song doesn't even measure up half as much to the deep, soulful themes of the "Graceland" tunes, but it's still pretty neat hearing "Graceland" influenced percussion in this song.

new songs for March 11th, 2015

here they are:


"Believe" by Mumford and Sons: "Believe It Or Not" is more like it!! I have never seen a more split reaction to a Mumford and Sons song than I have for this one! People who like the band tend to think that removing banjos and adding electric guitars and atmospheric synths is a bad move for them, and people who don't like them seem to think that they're doing even worse than they did before! Then there are those fans of the band, such as myself, who still like what they're doing. However, I have to side a bit with the more disappointed section of the fandom here, as I do think this song pretty much smacks of trying too hard to sound like something you're not. Mumford and Sons are not Coldplay, and nor are they Kings of Leon. The first half of "Believe" sounds a lot like a Coldplay song, while the second half does sound a bit like KOL. "I don't even know if I believe anymore", Marcus Mumford states during the chorus of the song. Marcus, at this point, sadly, neither do I. An A for effort, though, and as changes in sound go, this wasn't the worst choice, I just think it could have been a little better.


"Shots" by Imagine Dragons: Though Imagine Dragons are a thousand times more pop oriented than Mumford and Sons, at LEAST Imagine Dragons' sophomore album contains songs that stick to a sound that is suitable for them! One noticeable difference between the first and second Imagine Dragons albums is how their second album has a bit more of an audible guitar sound. The influence by folk music is a bit less obvious on "Shots" than it is on most Imagine Dragons songs, but the mix between dance-pop and rock music is still palpable, and makes it sound a bit like a Killers song to me. The lyrics to "Shots" are a bit remorseful, especially the opening line ("I'm sorry for everything, for everything I've done"), but the fact that they are willing to wed such painful lyrics to such a catchy tune is a winning combination to me!

New songs for November 5th, 2014

here they are:


"I Bet My Life" by Imagine Dragons: Seems like only yesterday Imagine Dragons debuted with their first hit, "It's Time" (which actually happened three Februaries ago). Since that time, they went on to score five hits total from their debut album, which is quite a feat in this day and age, and perhaps even more of one for a band who had hits with that many songs from their debut! Their fresh blend of pop, folk, dance, and rock won the hearts of millions in 2012 and well into 2013 as well. So what are their plans for 2014?! Well, now ID fans can get their first taste of their new sound (which isn't all that different from their old sound, really) with "I Bet My Life", which once again showcases their seamlessly catchy mix of folk, rock, and dance. Its chorus, which sounds slightly like a sped up, arena ready version of "Kumbaya", is perhaps the most memorable part of the song.


"Make You Better" by The Decemberists: The Decemberists have already garnered plenty of comparisons to R.E.M., and R.E.M.'s Peter Buck has even guest starred on two of The Decemberists' songs! "Make You Better" seems more like a tribute to two of Michael Stipe's heroines - Patti Smith and Natalie Merchant. Perhaps the members of The Decemberists wanted to know who their heroes' influences were, and that might have been how "Make You Better" came about. The lyrics of the song read like the quietly brooding poetry that Smith and Merchant became known for, with lines like "I loved you in springtime, I lost you when summer came", and "But we're not so starry-eyed anymore, like the perfect paramour you were in your letters". Could a "Because the Night" cover from The Decemberists be next on their list?!

New songs for October 23rd, 2013

here they are:


"Best Day of My Life" by American Authors: Basically, this song could be likened to an Imagine Dragons song with a banjo in it. The anthemic feel of the song, and even the vocals of it, sound quite similar to Imagine Dragons. There is one thing that differentiates Imagine Dragons and American Authors from each other, though. The themes of Imagine Dragons' music is mostly dark, but it seems like American Authors prefer to focus on happier topics. "Best Day of My Life"'s theme should be pretty obvious from the title of the song, but their other (minor) hit song, "Believer", is also positive, with its lyrics centering around hope. Perhaps American Authors aren't the true "authors" of their music after all, as they seem to take after other bands a bit too much. This song is definitely a good one, though.


"On Top of the World" by Imagine Dragons: What a coincidence! A comparison to Imagine Dragons in the previous entry, and now an actual song of theirs! "On Top of the World" pretty much describes what Imagine Dragons are at this point in their career! It's also an appropriate title for what could just be the happiest Imagine Dragons song I've heard so far! It almost sounds like Jack Johnson collaborating on a song with fun., although it's better than both of them if you ask me! Who knew these guys had some pep in their step?! I sure didn't, but they pull it off pretty well!


"Pumpin' Blood" by Nonono: Nonono?! As in, "the opposite of The Yeah Yeah Yeahs"?! Wouldn't it be funny if those two bands toured together!! Their debut song, "Pumpin' Blood", seems like one of those songs that will end up defining the 2010's. It is done by a band whose main members consist of one female and one male, and its sound is halfway between electronica and rock, while managing to sound somewhat more pleasant than most songs of either genre. Nothing remarkable here, but it's still got that sound of become accustomed to hearing in the 2010's, so I thought I'd give it a go and review it. Not much else to say about this song, though.


"The Walker" by Fitz and The Tantrums: "Napoleon Dynamite" meets "Batman: The Dark Knight"?! This is NOT the direction I thought alt-pop's answer to Motown would go in, but their music video for "The Walker" (www.youtube.com/watch?v=nGBLlFMn9Xc) certainly seems that way! It centers around a man who seems to be suffering from a dramatized version of some sort of psychosis at first, but during the chorus, he does a strange but memorable dance that reminds me of the one from "Napoleon Dynamite"! Go figure!! As for the song, it's pretty catchy, like most of FATT's material tends to be. Don't think it is? Well then just try to get that whistling they do in the song out of your head!


"What Doesn't Kill You" by Jake Bugg: You know how The Goo Goo Dolls originally did more punk-ish material (like "Long Way Down") before they had more acoustic guitar centered songs?! Well U.K. folk-rocker Jake Bugg is doing the exact opposite on his latest song, "What Doesn't Kill You"! The man behind the Dylan-esque adult alt mega-hit "Lightning Bolt" has now decided to go for a blazing, almost Ramones-esque rocker in "What Doesn't Kill You". Like most of The Ramones' material, "What Doesn't Kill You" has only three or so chords, is 3 minutes long, is defiant as it is catchy, and doesn't contain any complicated guitar solos. Ladies and gentlemen, please welcome to the stage, Jakey Ramone!!

New songs for the day before the 4th of July

here they are:


"Most People" by Dawes: Taylor Goldsmith and his roots-y indie-folk-rock band, Dawes, recently performed their newest song, "Most People", live, with folk-rock legend, Bob Dylan. The sound of "Most People" is closer to Jakob Dylan than Bob, though. "Most People" adheres to the typical sort of folk-rock sound that Dawes have, but between this song and their previous adult alt smash hit, "From A Window Seat", I can tell that Dawes are shaping up their sound to be more dynamic and energetic than it was when they debuted at the end of the '00s. Some hints of Springsteen and Mellencamp type influence in this song, too. With their endless fascination for the roots-y, heartland side of classic rock, Dawes are well on their way to becoming the Black Crowes of 21st century rock music!


"New Constellation" by Toad the Wet Sprocket: And now, a new song from a group of guys who really ARE classic rock (or at least classic alt) by today's standards!! Toad the Wet Sprocket, a folk-pop/rock quartet from Santa Barbara who named themselves after a "Monty Python" skit, have not released a new album in 16 years!! Quite a long time gone for a band who made some of the biggest hits of the '90s! So how does their new song, "New Constellation", hold up in comparison to Toad standards like "All I Want" and "Walk On the Ocean"?! Well, I'm sorry to disappoint, but it doesn't hold a candle to those songs. However, "New Constellation"'s catchy, indie-pop influenced sound seems to indicate that Toad are not behind the times, and that they have a good ear for what sounds good now just as they did about a decade and a half ago. As for the lyrical direction of the song, lines like "write your name in a new constellation" might sound poetic, but it almost seems like Toad were struggling for lyrics to fit with this bouncy song. A three star effort from a four star band. Not bad, though, by any means.


"Radioactive" by Imagine Dragons: This song has already become a hit on...hmmmm...let's see...alternative rock stations, pop stations, and for some weird reason, even hard rock stations at this point, and it has been so roughly since fall of last year. So what took adult alt radio stations so long to catch up with this song, esp. since "It's Time" and "Demons" have already become hits on Triple A radio stations?! Perhaps one reason why is because "Radioactive" is considerably darker than most of the more ethereal alt-pop that Imagine Dragons have become known for. It is written in a minor key, unlike "Demons" and "It's Time", and it also has somewhat of a mood whiplash about 30 seconds into the song. "Radioactive" starts out with rather heavenly sounding instruments before going into a rather grim (by pop standards, at least) techno influenced sound for the verses. Interestingly, the chorus of the song brings back the shimmery guitars from the beginning of the song. "Radioactive" is also a rather defiant song for Imagine Dragons, as Dan Reynolds repeatedly chants "welcome to the new age" during the chorus, as though the words are supposed to signify some sort of "this is the way it is, so get used to it" kind of attitude.

New songs for January 23rd, 2013

here they are:


"A Memo" by Robert Cray: The man behind the mid-'80s blues-rock song, "Smoking Gun", is back again. He gave us a similar song to "Smoking Gun" ("Won't Be Coming Home") last summer. His latest song, "A Memo", still has that "clean polished" blues-rock vibe behind it, but somehow it feels more like an authentic brand of blues than "(Won't Be) Coming Home" did. Plenty of tasty blues-y guitar licks to be found in "A Memo", as well as its organs backing it up to give it that "vintage soul" flavor. A title like "A Memo" makes it sound like an urgent song, but it's actually a love song. Dunno where Robert Cray came up with the title for this song, but at least the song itself is decent material.


"Demons" by Imagine Dragons: One of the most major (and unexpected) smashes of 2012 came from Imagine Dragons, in the form of the transcendental sounding alt-pop song, "It's Time". Since then, I've heard quite a few more songs from the oddly named Imagine Dragons ("Radioactive", "Amsterdam", "Round and Round"), yet only one other song of theirs (so far) has made it on to the adult alt airwaves, and that is their song "Demons". It honestly puzzles me to think that "Demons" is only ID's second adult alt radio hit, since the other songs I named are equally compelling ("Radioactive" has even become a hit on regular alt stations). The title alone of "Demons" indicates it's kind of a downer song, lyrically, and it certainly turns out to be that upon listening to it (especially with such cynical lyrics as, "No matter what we breed, we are still made of greed"). A far cry from the "I'm never changing who I am", positive atmosphere of "It's Time", but still a great song!


"Good Things Happen to Bad People" by Richard Thompson: Richard Thompson is, in some ways, like Neil Young's lesser-known counterpart from the British isles. He doesn't usually rock as hard as Neil does, but he does tend to drift between doing acoustic and electric guitar songs (interestingly, Thompson's newest album is even CALLED "Electric"). "Good Things Happen to Bad People" has a sound that's closer to acoustic than electric, though (except during the solo, which is somewhat Neil Young-ish), despite its album's title. Richard's songs usually have engaging, creative narratives (one of his best being "1952 Vincent Black Lightning", about an ill-fated romance that occurs because of the mutual love that the song's characters share for a vintage motorcycle). "Good Things Happen to Bad People", just from its title, seems like it would have an interesting narrative as well, and it does. The song is basically composed of fictional vignettes that all relate to jealousy. Thompson has always been clever and inventive in terms of both his music and his lyrics, and it's great to see he still has the talent for both!


"Heavy Feet" by Local Natives: When Local Natives released "Breakers" as the first single from their latest album, I was a bit disappointed. Instead of the dreamy, psychedelic neo-folk that Local Natives are known for, I got something that sounded a bit more modern and techno influenced. Thankfully, with "Heavy Feet", the second song off The Natives' latest CD, the band redeems themselves, and I get exactly what I would expect out of them, ultra mellow neo-psychedelia. I have adored the unique style of Local Natives ever since they came out around 2010, but "Heavy Feet" marks the first time I've heard them on adult alt radio. Not sure why it took 'em this long to get there, but at least they're there now! Though "Heavy Feet" is written in a major key, the sighing heave in both the vocals and the guitar of the song suggest a more lonesome, dreary emotional quality that major key songs don't often have. The chorus of the song ("After everything/Left in the sun/Shivering") only confirms the desolate nature of it. Yet, as I often say, sad songs make me happy (perhaps its the therapeutic, soothing vibe they give off?!) So "Heavy Feet" is a winner for me!


"Party Kids" by Sallie Ford and The Sound Outside: And now, we move from a sad song to a more upbeat one, and a really gritty, blues-y one, too! Previously, I only knew Sallie for being the singer that Black Prairie's lead singer did a duet with on their Christmas song, "(Everybody's Waiting For) The Man With the Bag". "Party Kids", of course, is no Christmas song, but with its bouncy, energetic sound, it sure feels like a holiday just listening to it! To add to the spicy flavor of the instrumentation of "Party Kids" are the lyrics, which gave me the impression that "party" referred to one involving alcohol and rebellion, as opposed to just an innocent, "fun" party. Then again, with the gutsy vocals of Sallie Ford, and the upfront attitude of the song, what else would you expect?!


"Running For Cover" by Ivan & Alyosha: Although Ivan and Alyosha are probably the actual names of the members of the band, it seems like even their NAME makes them sound "indie" (perhaps part of the reason why is because of the incredibly unusual name "Alyosha"). It turned out my guessing that Ivan & Alyosha were an indie band was correct, and they're a darn good one, at that! More specifically, Ivan & Alyosha are an indie-folk band, with acoustic guitar, light percussion, and an electric guitar in the background as the main instruments. The song's harmonies and acoustic guitar based sound convey a sense of sweetness, while its melody and lyrics are more fragile than that. Somehow, though, the combination of sweetness and fragility in "Running For Cover" manage to be quite a winning one!


"Upstarts" by Johnny Marr: "Upstarts" is a word that one might use to describe Johnny Marr's ex-bandmate, Morrissey, from The Smiths, who was known for being both pretentious and cynical. In the music world, Morrissey is both the ultimate deadpan snarker and the ultimate pessimist, so I was expecting something similar from Johnny Marr. What I got, though, was something completely different! "Upstarts" sounds more upbeat than most Smiths/Morrissey songs, suggesting more of a garage-rock/punk-pop flavor than the gloomy alt-pop that Morrissey typically did. If Morrissey's ultra-low baritone could be considered a male version of The Velvet Underground's Nico (which I'm sure it could), then Johnny Marr is like The Smiths' equivalent to Lou Reed. Johnny has more attitude in both his music and vocals than Morrissey, much like how Lou Reed has more of said qualities in comparison to Nico. Since Johnny was The Smiths' guitarist, it's not a rare opportunity to hear him play guitar, but it's incredibly rare to hear him sing. Having heard his voice for the first time on "Upstarts", I must say that he's pretty good at it!

New songs for February 22nd, 2012

here they are:


“Hallways” by Islands: Islands are an indie band that has been around for a long time, but haven’t gotten much attention for any particular song of theirs until now. Considering how maudlin Islands usually are, “Hallways” comes as a breath of fresh air, and that’s probably why it’s ending up being their “breakthrough” track so far. With its jaunty, piano-based sound, and a rhythm and chord progression that both seem somewhat derived from Creedence Clearwater Revival’s similarly carefree “Lookin’ Out My Back Door”, “Hallways” is not only a catchy song, but also one in which the title of it makes sense in hindsight, in that the rhythm and mood of it leave you wanting to skip and dance merrily through the “hallways”!

“Ho Hey” by Lumineers: “Lumineers” doesn’t exactly sound like the name of a part bluegrass/part indie-pop trio consisting of two men and one woman, but that’s what they are. The Lumineers manage to squeeze essential song elements like harmony, an infectious gets-stuck-in-your-head chorus (“I belong with you, you belong with me, you’re my sweet-ha-art”), and a catchy rhythm section into just two and half minutes in “Ho Hey”, which also boasts some of the most jovial, rockin’ banjos I’ve ever heard! If this song doesn’t put a smile on your face, I don’t know what will!

“It’s Time” by Imagine Dragons: Between the name of this band, and My Pet Dragon from earlier this year, I think I can officially declare that any indie/alt-pop band with the word “Dragon” in their name is pretty cool! The sound of “It’s Time” is absolutely phenomenal, especially during the verses, which seem to combine world music influenced string instrumentation with a marching band type rhythm! It sounds a bit more like a regular alt-pop song during the chorus, but by that time, the listener will probably be hooked on the song enough that it will just blend in with the rest of the song. That’s how “It’s Time” worked out for me, anyway!

“Origins” by Tennis: Along with Hockey (whose “Song Away” was one of the most successful indie/alt songs of 2010), Tennis are one of the few bands I’ve ever known to name themselves after a sport. Unlike Hockey, who had a rather Cars-ish new wave-y sound, Tennis draw inspiration more from bands of the ‘60s, like Jefferson Airplane, The Velvet Underground, and The Zombies (whose “Tell Her No” Tennis do an excellent job at covering) The lead singer of Tennis just happens to be a female with somewhat smoky, detached vocals, which makes them stand out among most contemporary bands. Even the instrumentation of this song is strikingly different, adding in a vintage ‘60s-ish organ sound and a lower than low sounding sax along with the more typical guitar/bass/drums sound. Are there any more good things about “Origins”? Yes, plenty! The lyrics are self-conscious and doubting, but written from an earnest point of view. Oh, and did I mention that lead singer Alaina Moore looks a little like Stevie Nicks?! Think we might just have a new babe in the music biz to talk about!!

“Save the Hammer For the Man” – The Nightwatchman (featuring Ben Harper): While perhaps not quite as unique in sound as the artist formerly known as Tom Morello’s “Black Spartacus Heart Attack Machine” (from late summer of last year), “Save the Hammer For the Man” is still a powerful song. Or at least it tries to be. Musically, the sound of it falls somewhat flat (until the guitar solo, that is) in comparison to Tom Morello’s material both with and without Rage Against the Machine. For Ben Harper, it’s a “somewhere in the middle” song. Ben didn’t seem to get too much into exploring the deeper, darker side of blues and rock until about 3 years ago, but he’s been remarkable at doing so. In “Save the Hammer For the Man”, Ben Harper delivers his vocals quite powerfully and convincingly, but musically, it sounds like this could have been just another pre-Relentless 7 Ben Harper song. This is definitely not a bad song, though. Once the guitar solo comes in, “Save the Hammer For the Man” picks up, not just because of the guitar solo either. It carries through stronger afterwards, both musically and vocally. And lyrically, as always, Tom Morello drives home a challenging political statement that is still well worth listening to.

“See It For Yourself” by Sugar and The Hi-Lows: Another cute female indie vocalist?! Could it be?!? Yes, it could!! “Sugar” definitely seems like a good (nick)name for the lead vocalist of this band, not only because of how she looks, but also because of how she delivers the lines of this catchy, blues-y indie rock tune, with vocals that are as sweet and honey voiced as they are sexy! The lyrics of the song almost recall the “there’s no place like home” part of “The Wizard of Oz”, with their “it was right there in front of you all along” theme. Sugar and The Hi-Lows are a pretty new band, so I don’t know the name of the lead singer (or any members) yet, but what I DO know is that she can take my ruby red slippers into the Land of Oz anytime she wants to! Yes, that was a weird attempt at innuendo, wasn’t it?! :P

“Shiny Things” by Fanfarlo: Fan WHAT now?! Well, some of you might be familiar with the song “Harold T. Wilkins” (the one that goes “They sail the same STRAIT! They sail the same STRAIT!” towards the end of it), and Fanfarlo were the ones who did that one. “Shiny Things” comes from Fanfarlo’s second record so far, and its sound is a bit of a departure from the folk-rock sound of “Harold T. Wilkins”, as it goes for more of an icy new wave type sound instead. The sound of “Shiny Things”, combined with how detached the lead singer’s voice sounds, might as well be described as “Joy Division lite”, for while the song comes nowhere near close to the intensity of the late Ian Curtis’s gloomy post-punk band, one can still detect a Joy Division type influence in this song. The video for “Shiny Things”, with its surreal, somewhat disturbing images of people getting swallowed up by gold, also sounds like an idea that’s not too far off from the typical Joy Division song. Unbelievable that the same band who did the bouncy “Harold T. Wilkins” could come up with a more cynical, cold hearted song like “Shiny Things”, but perhaps that means I could expect something different from either of those two songs from Fanfarlo sometime in the future!

“Staircase” by Radiohead: And speaking of bands with a reputation for being icy and detached, Radiohead are probably one of the first bands that come to mind when describing such a musical mood! Truth be told, Radiohead are really much more diverse than that, but, as if by coincidence (from the last song I reviewed), “Staircase” could also be said to be somewhat of a Joy Division sound-alike (though it would probably garner comparisons just as easily to bands like Depeche Mode, New Order, and Kraftwerk). In typically clever Radiohead fashion, the lyrics to “Staircase” READ like a “staircase”, in that they wind up and down continuously. Though a return to folk-rock-y Radiohead (like they did on most of “In Rainbows”) would be nice, “Staircase” isn’t bad as far as the “weirder” songs in their catalog are concerned. Only one question remains. Why did they decide to release a new song in February of THIS year, when they already did so February of LAST year?! I guess we’ll never know, will we?!?

“Untitled (Love Song)” by Counting Crows: Untitled (Love Song) is an Interesting (Piece of Music), and it’s also a Cover (Of an Obscure Indie Song). Though Counting Crows released various songs on and off throughout the 2000’s, none of them came close to what they did in the ‘90s (especially not the mucky pop version they did of the classic Joni Mitchell song, “Big Yellow Taxi”, that should have been a forgotten version of the song, but which instead comes back to haunt me in grocery stores, fast food places, and everywhere else adult cotemporary stations are played). Someone must have talked to Adam Duritz and co and convinced them to crank up the electric guitars on their latest song (which, as mentioned before, isn’t actually theirs), because it sounds closer to the gritty indie-rock sound of Ryan Adams and My Morning Jacket (with a bit of Matthew Sweet influence thrown in for good measure) than it does the folk-y post-grunge of bands like The Wallflowers and The Dave Matthews Band (both of whom were frequently compared to Counting Crows). Not only do Counting Crows have their rock ‘n’ roll groove back on “Untitled (Love Song)”, but their organ player Charlie Gillingham delivers a forceful, dynamic Hammond solo, followed in a verse or two by some of the most Neil Young-ish guitar playing Dan Vickrey has done since the ‘90s!! Welcome back guys! A million other Counting Crows fans and I have really missed the way things used to be with you guys!