here they are:
"Lifeguard" by Nahko and Medicine for the People: Nahko and Medicine for the People are quite an eclectic ensemble who last impacted adult alt radio back in 2016 with the surprisingly catchy "San Quentin". "Lifeguard" isn't as catchy, but its buoyant sense of calm is a breath of fresh air for these troubled times! "Lifeguard" was written many years before our present crisis, though. It's actually been around nearly as long as this blog has! However, it was just a few months ago that Nahko and Medicine for the People decided to record it. Nahko wrote it after he almost drowned in the ocean. "Lifeguard" is, in a word, a three-and-a-half minute prayer for safety. We all need one of those right now!
"Persona Non Grata" by Bright Eyes: Bright Eyes' Conor Oberst is one of many alt/indie artists who could be likened to a modern-day Leonard Cohen. The Cohen comparison really shows on Bright Eyes' latest tune, "Persona Non Grata", which sounds rhythmically and sonically similar to the late Canadian singer/songwriter's "Famous Blue Raincoat". The cryptic lyrics with their darkly religious imagery also seem to be taken straight out of the Cohen handbook. And what exactly IS a "persona non grata", you may ask? It simply means "unwelcome person". Oberst must think that's what we've all become now: personae non grata, and knowing him, he probably includes himself in that category. Welcome to the 2020's, folks...
Showing posts with label Nahko and Medicine for the People. Show all posts
Showing posts with label Nahko and Medicine for the People. Show all posts
Wednesday, April 8, 2020
Wednesday, July 20, 2016
New songs for July 20th 2016
here they are:
"I'm Not the One" by Pete Yorn: The three main chords of this song, F, G, and A minor, make this song very similar to what an indie-pop version of Fleetwood Mac's "Dreams" might be like, though the chorus is different in this song in that it resolves in C major. "I'm Not the One" does indulge itself in the same sort of melancholia that "Dreams" did, but instead of being a revenge song disguised as something bittersweet, "I'm Not the One" really is bittersweet. No blaming or finger pointing in this song, just a simple way of saying "I'm sorry, but you're not what I'm looking for" in 3 and a half minutes. Simple premise, but still an effective song.
"Numb" by OJR: The sound of this song is strange, but kinda cool. It takes the sound of the typical "unplugged" Nirvana song and makes it sound like roots-y country-rock. How that's possible is anyone's guess, but it actually manages to flow pretty well here. The lyrical mood of the typical Nirvana song seems to prevail on "Numb" as well, telling the story of a man who just feels tired of his life and how much people are pushing him around. And what does "OJR" stand for, you ask? The singer's initials, Oliver John Rodgers, that's what!
"San Quentin" by Nahko and Medicine for the People: Nahko and Medicine for the People?! Now THERE's a cool name if I ever heard one!! The song itself is just as cool! "San Quentin" is a song in which jazz, Latin, blues, world music, and rock fuse into a single genre! And that's not all, folks. On NAMFTP's YouTube page for "San Quentin" is a description for what the song is about. Apparently it is about a trip Nahko made to the titular city to meet the man who killed his father. Pretty daring move, there, but if you can get a song as catchy and meaningful as this one out of it, I guess anything's possible!
"The Changing Man/While It Still Beats" by Ray LaMontagne: By far the strangest and most adventurous track of the week, "The Changing Man/While It Still Beats" is one part psychedelic rock, one part prog-rock, and in all, is a song that just doesn't seem to know which direction it's going in! I'd expect something like this from Tame Impala, but not Ray LaMontagne! The former folk-rocker has now gone OFF his rocker in this song! There hasn't been a song quite like this so far in 2016, and I doubt there will be for a long time!
"I'm Not the One" by Pete Yorn: The three main chords of this song, F, G, and A minor, make this song very similar to what an indie-pop version of Fleetwood Mac's "Dreams" might be like, though the chorus is different in this song in that it resolves in C major. "I'm Not the One" does indulge itself in the same sort of melancholia that "Dreams" did, but instead of being a revenge song disguised as something bittersweet, "I'm Not the One" really is bittersweet. No blaming or finger pointing in this song, just a simple way of saying "I'm sorry, but you're not what I'm looking for" in 3 and a half minutes. Simple premise, but still an effective song.
"Numb" by OJR: The sound of this song is strange, but kinda cool. It takes the sound of the typical "unplugged" Nirvana song and makes it sound like roots-y country-rock. How that's possible is anyone's guess, but it actually manages to flow pretty well here. The lyrical mood of the typical Nirvana song seems to prevail on "Numb" as well, telling the story of a man who just feels tired of his life and how much people are pushing him around. And what does "OJR" stand for, you ask? The singer's initials, Oliver John Rodgers, that's what!
"San Quentin" by Nahko and Medicine for the People: Nahko and Medicine for the People?! Now THERE's a cool name if I ever heard one!! The song itself is just as cool! "San Quentin" is a song in which jazz, Latin, blues, world music, and rock fuse into a single genre! And that's not all, folks. On NAMFTP's YouTube page for "San Quentin" is a description for what the song is about. Apparently it is about a trip Nahko made to the titular city to meet the man who killed his father. Pretty daring move, there, but if you can get a song as catchy and meaningful as this one out of it, I guess anything's possible!
"The Changing Man/While It Still Beats" by Ray LaMontagne: By far the strangest and most adventurous track of the week, "The Changing Man/While It Still Beats" is one part psychedelic rock, one part prog-rock, and in all, is a song that just doesn't seem to know which direction it's going in! I'd expect something like this from Tame Impala, but not Ray LaMontagne! The former folk-rocker has now gone OFF his rocker in this song! There hasn't been a song quite like this so far in 2016, and I doubt there will be for a long time!
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