here they are:
"Blue Moon" by Beck: As the title alone indicates, "Blue Moon" is a sad song. Beck has been quite the busy man as of the past couple years, having had one single each (so far) between 2012 and 2014. All three of those songs were melancholy, and Beck's pining vocals, doleful lyrics, and swaying acoustic guitars definitely make "Blue Moon" a tearjerker. Over the past 20 years, he's proven he's far more than just a guy with a penchant for rap-rock hybrid songs with lyrical nonsense in their content. His worth as a more fragile musician seems to have come full circle with "Blue Moon", and there will probably be more to come in the near future for the '90s greatest musical chameleon!
"Coming of Age" by Foster the People: Foster the People are yet another band who never seemed to follow trends, yet wound up making big hits anyway! During the height of the success of their biggest hit to date, "Pumped Up Kicks", most alt-pop songs used guitars, and Foster the People used mostly synths (until the last minute and a half of the song). Now, it seems as though the tables have been turned for FTP. Many alt-pop songs now tend to rely more on synths than guitars, so Foster the People now have a "guitar song" on their hands with "Coming of Age". From its spacey David Bowie-ish intro to its INXS-ish guitar hooks, "Coming of Age" seems to gather its musical influences from many of the finest classic alternative-rock-meets-dance-pop musicians. "Coming of Age" also seems like it has a more consistent blend of deep in thought lyrics and progressive sound, unlike "Pumped Up Kicks", whose bouncy melody belied dark lyrics.
"Happy" by Pharrell Williams: Many of the best movies to have a song or two from their soundtrack hit the adult alt airwaves are usually ones like "Juno", "Garden State", or "Into the Wild". They aren't usually from feel-good family movies like "Despicable Me 2", which Pharrell Williams' "Happy" just happens to be from! Why this song was released to radio a little over 6 months after its initial release, I have no idea, but at least it IS getting airplay. The song "Happy" accompanies one of the most memorable scenes in "Despicable Me 2", during which the main character, Gru, has just admitted that he is head over heels in love with feisty, quirky redhead, Lucy Wilde. Naturally, this makes him, well, "happy", and the mood of the song itself is just irresistible!! You won't be able to get this song out of your head! Perhaps that's a good thing, though, considering what emotion it is intended to bring out in people!
"This Is A Game" by Nick Waterhouse: Ummmm...why is Chubby Checker spilling out of my radio all of a sudden?! And why is he playing surf guitars that sound like they might fit in well with the 1960's "Batman" theme song?! Well, I don't know, but man, I sure like this song!! It almost reminds me of the "Mermaidman And Barnacle Boy" theme song from "Spongebob Squarepants" (which itself is supposed to be a spoof of the "Batman" theme). The manic energy of this song wraps up in a matter of merely three minutes with a jazzed up howl!! Now why isn't it surfin' weather yet?! This song sure makes me wanna do something like that!!
"We're All In This Together" by Sam Roberts: The guitars seem kinda Black Keys-ish, but the piano here is in Sam's own style! In his native Canada, Sam is incredibly well known, but here in the U.S., he remains an "underground" artist. Are us Americans afraid of a little variety?! I can't really see any other reason Sam Roberts isn't a well known musician in the States, personally. None of his songs sound quite like the other, but a lot of them are pretty catchy nonetheless. He really seems to let out his inner rocker in this song. This song has apparently been compared to that of many legendary rockers, ranging from The Who to Jane's Addiction!
Showing posts with label Sam Roberts. Show all posts
Showing posts with label Sam Roberts. Show all posts
Wednesday, January 22, 2014
Wednesday, October 19, 2011
New Songs for October 19th, 2011
here they are:
"Down In the Valley" by The Head and The Heart: Although The Head and The Heart's previous hit, "Lost In My Mind" has been one of the hugest successes so far on adult alt radio of 2011, I had always thought that they would be relegated to "one hit wonder" status. It took about 9 months for The Head and The Heart to prove me wrong about their "one-hit-wonder" status, but it's been worth it! "Down In the Valley" is an amazing song, with vocals and acoustic guitar similar to Iron & Wine's Sam Beam, and a piano sound similar to The Avett Brothers. There's something charming about the folksy-ness and quaint sound of The Head and The Heart's material, and "Down In the Valley" seems to emphasize these qualities. The change in rhythm between the verses and chorus is worth noting about this song, as few songs I know in indie/contemporary alt music tend to have this (Mumford and Sons' "Roll Away Your Stone" and The Avett Brothers' "Head Full of Doubt/Road Full of Promise" are exceptions). Who knows, if they're lucky enough, perhaps The Head and The Heart will perform at the 2012 Grammys, just like Mumford and The Avetts did in 2011. They sure seem to be headed (no pun intended) in that direction!
"Without A Map" by Sam Roberts: Perhaps this song isn't as rollicking or energetic as Sam's song from earlier this year, "The Last Crusade", but "Without A Map" has an equally good (if not better) flavor to it! Unlike the electric guitar dominated sound of "The Last Crusade", "Without A Map" seems to rely more on acoustic guitar (with a "clean" distorted electric during the solo). The best part, for me, about "Without A Map" is its bouncy rhythm and the singalong vibe of its lyrical scheme. Think The Beatles' "Good Day Sunshine" if you want a good idea of how the rhythm sounds. "Without A Map" itself isn't as sunny as "Good Day Sunshine", but it's still a pleasant, benign song to listen to.
"Down In the Valley" by The Head and The Heart: Although The Head and The Heart's previous hit, "Lost In My Mind" has been one of the hugest successes so far on adult alt radio of 2011, I had always thought that they would be relegated to "one hit wonder" status. It took about 9 months for The Head and The Heart to prove me wrong about their "one-hit-wonder" status, but it's been worth it! "Down In the Valley" is an amazing song, with vocals and acoustic guitar similar to Iron & Wine's Sam Beam, and a piano sound similar to The Avett Brothers. There's something charming about the folksy-ness and quaint sound of The Head and The Heart's material, and "Down In the Valley" seems to emphasize these qualities. The change in rhythm between the verses and chorus is worth noting about this song, as few songs I know in indie/contemporary alt music tend to have this (Mumford and Sons' "Roll Away Your Stone" and The Avett Brothers' "Head Full of Doubt/Road Full of Promise" are exceptions). Who knows, if they're lucky enough, perhaps The Head and The Heart will perform at the 2012 Grammys, just like Mumford and The Avetts did in 2011. They sure seem to be headed (no pun intended) in that direction!
"Without A Map" by Sam Roberts: Perhaps this song isn't as rollicking or energetic as Sam's song from earlier this year, "The Last Crusade", but "Without A Map" has an equally good (if not better) flavor to it! Unlike the electric guitar dominated sound of "The Last Crusade", "Without A Map" seems to rely more on acoustic guitar (with a "clean" distorted electric during the solo). The best part, for me, about "Without A Map" is its bouncy rhythm and the singalong vibe of its lyrical scheme. Think The Beatles' "Good Day Sunshine" if you want a good idea of how the rhythm sounds. "Without A Map" itself isn't as sunny as "Good Day Sunshine", but it's still a pleasant, benign song to listen to.
Wednesday, April 27, 2011
New songs for Apr. 27th, 2011
Here they are:
"Pumped Up Kicks" by Foster the People: I've always been somewhat entertained by the idea of "lyrical dissonance" in music, and "Pumped Up Kicks" is one such example of a newer song that uses this technique. The lyrics are very grim, as they are (probably) about someone going on a shooting spree, yet the music suggests something upbeat and danceable (though still with minor chords), slightly similar to Peter, Bjorn, and John's song "Young Folks". The title is also a bit deceiving, as "Pumped Up Kicks" sounds like it should be about dancing (or perhaps one of many strange metaphors for sexual intercourse), but it isn't. Clearly, Foster the People are a clever band if they can manage to come up with material like this!
"Roll Away Your Stone" by Mumford and Sons: It appears as though London's favorite Irish-sounding indie-folk-rock quartet are back a THIRD time around on the adult alt charts!! I adore the intro of this song, with its rhythm matching that of a typical "Irish jig" (and, also, the rhythm of the "Spongebob Squarepants" theme song), but once the vocals kick in and the rhythm speeds up, I can't help but think that American audiences probably WANTED this to be the third major Mumford and Sons song, as it really just sounds like a combination of the rhythm of "Little Lion Man" and the chords of "The Cave". M & S are really a much more diverse band than that, with the lively, muted-trumpet-dominated sound of "Winter Winds", the melancholy, regretful "White Blank Page", and even a sound that evokes Springsteen's "Nebraska" in "After the Storm". That being said, though, "Roll Away Your Stone" is certainly not a bad song, it just makes me a little afraid that if it gets popular enough that some American audiences will begin complaining that Mumford and Sons' songs all "sound the same", which, if you listen to the examples of the (currently) lesser known M & S songs I listed, you will find that such is not the case!
"The Last Crusade" by Sam Roberts: Canadian rocker Sam Roberts is a very eclectic one from what I've heard in his material so far, which includes the upbeat roots-y indie pop/rock of "Them Kids", and piano-rocker "Detroit '67". So how does his latest song, "The Last Crusade", fare in comparison?! Well, I think it's even better than those songs are, personally!! It seems to come off as a grittier, edgier version of some of the more "jam band"-oriented songs from The Dave Matthews Band (think "What Would You Say?", "Too Much", etc.) It fuses jazz, blues, and rock effortlessly like the typical DMB song, yet the "alternative" vibe that Sam Roberts tends to give off in this song is purely his own! We need more musically diverse songs/bands/artists like this in today's musical climate, I think!
"Pumped Up Kicks" by Foster the People: I've always been somewhat entertained by the idea of "lyrical dissonance" in music, and "Pumped Up Kicks" is one such example of a newer song that uses this technique. The lyrics are very grim, as they are (probably) about someone going on a shooting spree, yet the music suggests something upbeat and danceable (though still with minor chords), slightly similar to Peter, Bjorn, and John's song "Young Folks". The title is also a bit deceiving, as "Pumped Up Kicks" sounds like it should be about dancing (or perhaps one of many strange metaphors for sexual intercourse), but it isn't. Clearly, Foster the People are a clever band if they can manage to come up with material like this!
"Roll Away Your Stone" by Mumford and Sons: It appears as though London's favorite Irish-sounding indie-folk-rock quartet are back a THIRD time around on the adult alt charts!! I adore the intro of this song, with its rhythm matching that of a typical "Irish jig" (and, also, the rhythm of the "Spongebob Squarepants" theme song), but once the vocals kick in and the rhythm speeds up, I can't help but think that American audiences probably WANTED this to be the third major Mumford and Sons song, as it really just sounds like a combination of the rhythm of "Little Lion Man" and the chords of "The Cave". M & S are really a much more diverse band than that, with the lively, muted-trumpet-dominated sound of "Winter Winds", the melancholy, regretful "White Blank Page", and even a sound that evokes Springsteen's "Nebraska" in "After the Storm". That being said, though, "Roll Away Your Stone" is certainly not a bad song, it just makes me a little afraid that if it gets popular enough that some American audiences will begin complaining that Mumford and Sons' songs all "sound the same", which, if you listen to the examples of the (currently) lesser known M & S songs I listed, you will find that such is not the case!
"The Last Crusade" by Sam Roberts: Canadian rocker Sam Roberts is a very eclectic one from what I've heard in his material so far, which includes the upbeat roots-y indie pop/rock of "Them Kids", and piano-rocker "Detroit '67". So how does his latest song, "The Last Crusade", fare in comparison?! Well, I think it's even better than those songs are, personally!! It seems to come off as a grittier, edgier version of some of the more "jam band"-oriented songs from The Dave Matthews Band (think "What Would You Say?", "Too Much", etc.) It fuses jazz, blues, and rock effortlessly like the typical DMB song, yet the "alternative" vibe that Sam Roberts tends to give off in this song is purely his own! We need more musically diverse songs/bands/artists like this in today's musical climate, I think!
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