here they are:
"Love Is Everywhere (Beware)" by Wilco: So it's official. Now both the end of the 2000's AND the end of the 2010's have a Wilco song (and album to go along with it). Wilco's eclectic musical pallet, which is at once both sweet and sardonic, has made them one of the most appealing and enduring bands of the indie scene. A major difference between the end of the '00s and the end of the 2010's is how much political turmoil we have sadly had to face during the latter (perhaps even more so when it comes to how much indie and folk musicians have had to endure as a result). "Love Is Everywhere (Beware)" is a song of reassurance that Jeff Tweedy and co have offered us during these troubled times. Jeff is not a complete optimist, though, in spite of what he suggests in both the title and the sound of this song. If you're wondering just what to make of this song, perhaps the best thing to do is just to get swept up in its mellow vibes and focus more on the message of the song's title than that of the song itself.
"Stay High" by Brittany Howard: Well, sadly, "History Repeats" didn't do as well as I thought it would on adult alt radio, but Alabama Shakes' lead singer has decided to release a second single about three weeks later with "Stay High". The song is unusual for a Brittany Howard song in that it focuses on acoustic guitar more than it does on electric. Given Brittany's rock and roll reputation, the phrase "stay high" might refer to drugs on the surface, but the lyrics are actually quite sweet otherwise, much like the song itself. The song is hardly about drugs (from what I can tell), the sex aspects are replaced by pure love, and it's not really a rock and roll song either so much as it is folk-rock. The song is basically an expression of pure love, whichever way you choose to look at it.
Wednesday, July 24, 2019
Wednesday, July 17, 2019
New songs for July 17th 2019
here they are:
"Fighter" by Joseph: The somewhat ironically named all-girl trio, Joseph, graced adult alt radio in 2016 and 2017 with their harmonious, bittersweet brand of indie-folk with songs like "White Flag" and "S.O.S. (Overboard)". The success must have paid off well for the three of them because summer 2019 marks their return to adult alt radio with "Fighter". The song is a bit of a departure from the acoustic guitar driven sound of their previous songs, as it doesn't seem to feature guitar much at all. However, the mood of "Fighter" is pure Joseph. Like their biggest hit to date, "White Flag", "Fighter" is all about never giving up. It touches on a more personal level than "White Flag" did, though. "Fighter" is actually a song that almost didn't even come into existence due to personal strife within the band, but Natalie, Allison, and Megan took that tension, made it into a song, and as a result, have landed the biggest new adult alt radio hit of the week! Way to go, girls!
"Heat of the Summer" by Young the Giant: In the mood for a summer song to make a splash on alt and adult alt radio?! Then wait no more! Young the Giant might just have what you're looking for with "Heat of the Summer". The song is actually a clever mix of the traditional fun summer song and the more contemporary type of "summer boredom" song. Lead singer, Sameer Gadhia, expresses his boredom with summer during the verses, which are accompanied by sparse bass sounds, and the richer, guitar laden sounds of the chorus complement its more joyful lyrics quite nicely.
"Rylan" by The National: Who is Rylan? Furthermore, what kind of a NAME is Rylan?! I've heard of (and met) people named Ryan, but adding an "L" into the middle of their names just seems odd. Anyway, as to the question of who Rylan is, it's a bit of a mystery. From the context of the song, he seems to be a neglected, sad child who rarely speaks. Beneath Rylan's quiet lies a troubled boy, as Matt Berninger switches between saying that he "reminds him of everyone" during the first part of the song, to saying that "there's a little bit of hell in everyone" towards the end of it. "Everyone", to Matt Berninger, is flawed in some way. Rylan, therefore, reminds Matt of just how imperfect the human race truly is. The National have often talked about alienation in their music, but rarely at a level that cuts as deep as this one does.
"See You Through My Eyes" by The Head and The Heart: Although The Head and The Heart's previous hit, "Missed Connection", was a significant departure from the folk-rock sound they started out with, it ended up becoming one of the biggest hits of the first half of 2019. We have now arrived at the second half of the year, and The Head and The Heart's move from folk-rock to soft alt-pop still hasn't waned with their latest song, "See You Through My Eyes", which looks poised to become one of the year's biggest hits as well. Musically, it's pretty much the major key version of "Missed Connection". Lyrically, it touches on more positive themes as well, focusing primarily on learning to love yourself.
"Strangers" by City and Colour: If you first found out about City and Colour through their 2009 folk-rock song, "Sleeping Sickness", then you might be in for a surprise to learn that lead singer Dallas Green's previous band was a hard-edged emo band called Alexisonfire. C & C's latest song, "Strangers", seems to be an attempt at combining the sweetness and harmonies of City and Colour with the chord progressions and energy of Alexisonfire. The song has a sound that is both sweet and moody, probably the moodiest that C & C have recorded so far. Its title, "Strangers", gives it an air of mystery to match its moodiness. As for the lyrics ("we are strangers in this land with so much left to discover"), they almost make the song seem vulnerable. Any way you look at it, this song is packed full of emotion!
"Wasted Youth" by Jenny Lewis: According to the YouTube comments on this song, I'm not the only one who thought of Carole King when I first heard this song on my local radio station, KCSN, a few weeks ago. Jenny has emulated quite a few of the women who have helped to shape rock and alternative music, from Joni Mitchell to Patti Smith, but I have not heard her try to take on Carole's style yet. Carole has an almost nostalgic, childlike quality to her music, something that Jenny offers somewhat on the surface, often interspersed with world weary, sarcastic lyrics underneath. There is no sarcasm in "Wasted Youth", though. If anything, the song offers up bittersweet truths that lament her own drug addictions and deaths that have occurred in her family. The song is basically "It's Too Late" for millennials. Something inside has indeed died within Jenny, and she makes no attempts to hide or fake it either!
"Fighter" by Joseph: The somewhat ironically named all-girl trio, Joseph, graced adult alt radio in 2016 and 2017 with their harmonious, bittersweet brand of indie-folk with songs like "White Flag" and "S.O.S. (Overboard)". The success must have paid off well for the three of them because summer 2019 marks their return to adult alt radio with "Fighter". The song is a bit of a departure from the acoustic guitar driven sound of their previous songs, as it doesn't seem to feature guitar much at all. However, the mood of "Fighter" is pure Joseph. Like their biggest hit to date, "White Flag", "Fighter" is all about never giving up. It touches on a more personal level than "White Flag" did, though. "Fighter" is actually a song that almost didn't even come into existence due to personal strife within the band, but Natalie, Allison, and Megan took that tension, made it into a song, and as a result, have landed the biggest new adult alt radio hit of the week! Way to go, girls!
"Heat of the Summer" by Young the Giant: In the mood for a summer song to make a splash on alt and adult alt radio?! Then wait no more! Young the Giant might just have what you're looking for with "Heat of the Summer". The song is actually a clever mix of the traditional fun summer song and the more contemporary type of "summer boredom" song. Lead singer, Sameer Gadhia, expresses his boredom with summer during the verses, which are accompanied by sparse bass sounds, and the richer, guitar laden sounds of the chorus complement its more joyful lyrics quite nicely.
"Rylan" by The National: Who is Rylan? Furthermore, what kind of a NAME is Rylan?! I've heard of (and met) people named Ryan, but adding an "L" into the middle of their names just seems odd. Anyway, as to the question of who Rylan is, it's a bit of a mystery. From the context of the song, he seems to be a neglected, sad child who rarely speaks. Beneath Rylan's quiet lies a troubled boy, as Matt Berninger switches between saying that he "reminds him of everyone" during the first part of the song, to saying that "there's a little bit of hell in everyone" towards the end of it. "Everyone", to Matt Berninger, is flawed in some way. Rylan, therefore, reminds Matt of just how imperfect the human race truly is. The National have often talked about alienation in their music, but rarely at a level that cuts as deep as this one does.
"See You Through My Eyes" by The Head and The Heart: Although The Head and The Heart's previous hit, "Missed Connection", was a significant departure from the folk-rock sound they started out with, it ended up becoming one of the biggest hits of the first half of 2019. We have now arrived at the second half of the year, and The Head and The Heart's move from folk-rock to soft alt-pop still hasn't waned with their latest song, "See You Through My Eyes", which looks poised to become one of the year's biggest hits as well. Musically, it's pretty much the major key version of "Missed Connection". Lyrically, it touches on more positive themes as well, focusing primarily on learning to love yourself.
"Strangers" by City and Colour: If you first found out about City and Colour through their 2009 folk-rock song, "Sleeping Sickness", then you might be in for a surprise to learn that lead singer Dallas Green's previous band was a hard-edged emo band called Alexisonfire. C & C's latest song, "Strangers", seems to be an attempt at combining the sweetness and harmonies of City and Colour with the chord progressions and energy of Alexisonfire. The song has a sound that is both sweet and moody, probably the moodiest that C & C have recorded so far. Its title, "Strangers", gives it an air of mystery to match its moodiness. As for the lyrics ("we are strangers in this land with so much left to discover"), they almost make the song seem vulnerable. Any way you look at it, this song is packed full of emotion!
"Wasted Youth" by Jenny Lewis: According to the YouTube comments on this song, I'm not the only one who thought of Carole King when I first heard this song on my local radio station, KCSN, a few weeks ago. Jenny has emulated quite a few of the women who have helped to shape rock and alternative music, from Joni Mitchell to Patti Smith, but I have not heard her try to take on Carole's style yet. Carole has an almost nostalgic, childlike quality to her music, something that Jenny offers somewhat on the surface, often interspersed with world weary, sarcastic lyrics underneath. There is no sarcasm in "Wasted Youth", though. If anything, the song offers up bittersweet truths that lament her own drug addictions and deaths that have occurred in her family. The song is basically "It's Too Late" for millennials. Something inside has indeed died within Jenny, and she makes no attempts to hide or fake it either!
Wednesday, July 10, 2019
New songs for July 10th, 2019
here they are:
"Complainer" by Cold War Kids: Most of what passes for "rock" these days seems to come in either a folk-y flavor or a funky one. Cold War Kids' "Complainer" definitely falls into the latter category. Contrary to its title, "Complainer" is not about complaints. It's actually about going against those who complain about things. The central line of the song is probably the first words of its chorus: "You say you want to change the world, but do you really believe in magic?" This line is probably about how people who say they want to "change the world" don't usually do anything aside from complaining about how bad the world is. Nathan Willett isn't having any of that, and that's basically how he was able to turn a song with a negative title into a more positive song overall.
"History Repeats" by Brittany Howard (from Alabama Shakes): The only other song for this week is also funk influenced. Instead of going for the pop-funk sound of Michael Jackson like Cold War Kids opted for in the previous entry, Alabama Shakes' lead singer goes more for the more eccentric, subversive funk of the '80s other leading soul man, Prince. Another thing this song shares in common with Prince is how clever it is lyrically. The name of the song is "History Repeats", and...well...that's exactly what it does during the second half of the song (in a song that's only around 3 minutes to begin with)!! It repeats the same words over and over at this point, but I feel like Brittany Howard meant to do this. She's TRYING to mess with our heads when she says this line! She states in the beginning of the song that she doesn't want to go back to where she was again, yet that's exactly what she does. Now if you'll excuse me, I have to make sure I don't repeat myself. Now if you'll excuse me, I have to make sure I don't repeat myself. (See what I did there?!)
"Complainer" by Cold War Kids: Most of what passes for "rock" these days seems to come in either a folk-y flavor or a funky one. Cold War Kids' "Complainer" definitely falls into the latter category. Contrary to its title, "Complainer" is not about complaints. It's actually about going against those who complain about things. The central line of the song is probably the first words of its chorus: "You say you want to change the world, but do you really believe in magic?" This line is probably about how people who say they want to "change the world" don't usually do anything aside from complaining about how bad the world is. Nathan Willett isn't having any of that, and that's basically how he was able to turn a song with a negative title into a more positive song overall.
"History Repeats" by Brittany Howard (from Alabama Shakes): The only other song for this week is also funk influenced. Instead of going for the pop-funk sound of Michael Jackson like Cold War Kids opted for in the previous entry, Alabama Shakes' lead singer goes more for the more eccentric, subversive funk of the '80s other leading soul man, Prince. Another thing this song shares in common with Prince is how clever it is lyrically. The name of the song is "History Repeats", and...well...that's exactly what it does during the second half of the song (in a song that's only around 3 minutes to begin with)!! It repeats the same words over and over at this point, but I feel like Brittany Howard meant to do this. She's TRYING to mess with our heads when she says this line! She states in the beginning of the song that she doesn't want to go back to where she was again, yet that's exactly what she does. Now if you'll excuse me, I have to make sure I don't repeat myself. Now if you'll excuse me, I have to make sure I don't repeat myself. (See what I did there?!)
Wednesday, June 26, 2019
New songs for June 26th 2019
here they are:
“No Bullets Spent” by Spoon: A best of collection from Spoon?! Seems kinda weird for a band who never had a single major chart hit, but they’ve become well loved by listeners of adult alternative radio stations, and 10 of the 12 songs on their "best of" collection that show up before their latest song, “No Bullets Spent”, does, have all become significant adult alt radio hits to a degree. So how does “No Bullets Spent” hold up in comparison to the other 12 songs on Spoon’s upcoming best of collection? Somewhere in the middle, I’d say. While it doesn’t have quite the appeal of enduring Spoon “classics” (if they can be called that yet) like “The Way We Get By” and “The Underdog”, “No Bullets Spent” still has a charm all its own. The song sounds more like the post-punk and new wave sound that Britt Daniel and co have cultivated during the 2010’s than it does like the more quirky and whimsical power pop and folk-rock they started out with in the 2000’s. Lyrically, Spoon continue their streak as a modern-day Steely Dan, as they have been for a long time, spouting wry, cynical political observations over catchy beats and sweet melodies.
“Oh No” by The Revivalists: It’s not unusual to hear a song by The Revivalists that’s R & B influenced. However, up until this point, they’ve been more about the R (rhythm) than the B (blues). “Oh No” has sort of a “Black Keys lite” sound, a bit unusual for the New Orleans octet. It also has a thicker, heavier, and longer guitar solo than the other Revivalists songs I’ve come to know so far. The song also seems to be a distant cousin of The Heavy’s “What Makes A Good Man?” earning it yet another comparison to an R & B influenced tune that’s more blues than rhythm.
“Social Cues” by Cage the Elephant: Ah yes, social cues. Also known as, “The things I have trouble understanding sometimes from other people.” Haha. As if by coincidence, the song’s sound seems to take influence from David Bowie, a musical icon who probably misunderstood numerous social cues as well. The phrase “social cues” is mentioned nowhere in the song, leaving the listener puzzled as to why the song is called what it is in the first place. Much of the song seems to revel in making fun of the concept of fame, with such clever and somewhat tongue-in-cheek lines as, “I think it’s strange when people say, ‘You’re the next best thing. You’ll never fade’”, and “People always say, ‘Man, at least you’re on the radio.”
“No Bullets Spent” by Spoon: A best of collection from Spoon?! Seems kinda weird for a band who never had a single major chart hit, but they’ve become well loved by listeners of adult alternative radio stations, and 10 of the 12 songs on their "best of" collection that show up before their latest song, “No Bullets Spent”, does, have all become significant adult alt radio hits to a degree. So how does “No Bullets Spent” hold up in comparison to the other 12 songs on Spoon’s upcoming best of collection? Somewhere in the middle, I’d say. While it doesn’t have quite the appeal of enduring Spoon “classics” (if they can be called that yet) like “The Way We Get By” and “The Underdog”, “No Bullets Spent” still has a charm all its own. The song sounds more like the post-punk and new wave sound that Britt Daniel and co have cultivated during the 2010’s than it does like the more quirky and whimsical power pop and folk-rock they started out with in the 2000’s. Lyrically, Spoon continue their streak as a modern-day Steely Dan, as they have been for a long time, spouting wry, cynical political observations over catchy beats and sweet melodies.
“Oh No” by The Revivalists: It’s not unusual to hear a song by The Revivalists that’s R & B influenced. However, up until this point, they’ve been more about the R (rhythm) than the B (blues). “Oh No” has sort of a “Black Keys lite” sound, a bit unusual for the New Orleans octet. It also has a thicker, heavier, and longer guitar solo than the other Revivalists songs I’ve come to know so far. The song also seems to be a distant cousin of The Heavy’s “What Makes A Good Man?” earning it yet another comparison to an R & B influenced tune that’s more blues than rhythm.
“Social Cues” by Cage the Elephant: Ah yes, social cues. Also known as, “The things I have trouble understanding sometimes from other people.” Haha. As if by coincidence, the song’s sound seems to take influence from David Bowie, a musical icon who probably misunderstood numerous social cues as well. The phrase “social cues” is mentioned nowhere in the song, leaving the listener puzzled as to why the song is called what it is in the first place. Much of the song seems to revel in making fun of the concept of fame, with such clever and somewhat tongue-in-cheek lines as, “I think it’s strange when people say, ‘You’re the next best thing. You’ll never fade’”, and “People always say, ‘Man, at least you’re on the radio.”
Wednesday, June 19, 2019
New songs for June 19th 2019
here they are:
"High Steppin'" by The Avett Brothers: If you thought the Avetts departed from their folk/country-rock roots with the slightly more straight ahead rock of "Ain't No Man" and then went back to their original sound afterwards, you'd be wrong! "High Steppin'" is the least Avetts-y Avett Brothers song so far! It is the first song in which Seth and Scott employ (gasp!) a synthesizer. This element by itself seems like it would alienate quite a few members of their original fanbase, but surprisingly, Avett Brothers fans actually seem to like this song. For one thing, the video for the song (https://www.youtube.com/watch?v=iwebrzEldA0) features one of the brothers in a skeleton outfit. No one quite knows the reason for this, but it is entertaining, to say the least! For another, you can still hear a bluegrass-y fiddle in the background in spite of the overall "alternative" sound this song boasts.
"I Need A Teacher" by Hiss Golden Messenger: This song marks yet another instance of a bluegrass influenced folk-rock group opting for a more "alternative" sound. However, there was a very good reason that Hiss Golden Messenger chose to make their latest song a more moody one. "I Need A Teacher" is a political protest song inspired by teachers from North Carolina who railed against the idea of budget cuts to public education a year ago. After hearing about this, HGM thought it was only right to make a song dedicated to all the hard working teachers who have made noble sacrifices for their students and their unions. You'll never look at the phrase "Schoolhouse Rock" the same way again!
"Superbike" by Jay Som: It's a bird! It's a plane! No! It's (fanfare) Superbike!! Wait!! What's a superbike?! No one really knows the answer to that question, but what we do know is that Melina Mae Duterte, better known as Jay Som, is one cool chick! She fuses together the disparate musical worlds of the avant-garde psych-pop of groups like My Bloody Valentine and Cocteau Twins with the bubblegum-y 2010's teen pop of Katy Perry and Carly Rae Jepsen (of "Call Me Maybe" fame). These are such opposite end elements that no one would think a song like this could even exist, especially in the mass-produced, autotune era of the 2010's, yet here it is! It's like if The Velvet Underground tried covering a song like "Yummy Yummy Yummy" or "Sugar Sugar". Unthinkable, yet somehow totally possible. "Superbike", much like Superman, attains to soar to new heights that no one has ever witnessed before!
"High Steppin'" by The Avett Brothers: If you thought the Avetts departed from their folk/country-rock roots with the slightly more straight ahead rock of "Ain't No Man" and then went back to their original sound afterwards, you'd be wrong! "High Steppin'" is the least Avetts-y Avett Brothers song so far! It is the first song in which Seth and Scott employ (gasp!) a synthesizer. This element by itself seems like it would alienate quite a few members of their original fanbase, but surprisingly, Avett Brothers fans actually seem to like this song. For one thing, the video for the song (https://www.youtube.com/watch?v=iwebrzEldA0) features one of the brothers in a skeleton outfit. No one quite knows the reason for this, but it is entertaining, to say the least! For another, you can still hear a bluegrass-y fiddle in the background in spite of the overall "alternative" sound this song boasts.
"I Need A Teacher" by Hiss Golden Messenger: This song marks yet another instance of a bluegrass influenced folk-rock group opting for a more "alternative" sound. However, there was a very good reason that Hiss Golden Messenger chose to make their latest song a more moody one. "I Need A Teacher" is a political protest song inspired by teachers from North Carolina who railed against the idea of budget cuts to public education a year ago. After hearing about this, HGM thought it was only right to make a song dedicated to all the hard working teachers who have made noble sacrifices for their students and their unions. You'll never look at the phrase "Schoolhouse Rock" the same way again!
"Superbike" by Jay Som: It's a bird! It's a plane! No! It's (fanfare) Superbike!! Wait!! What's a superbike?! No one really knows the answer to that question, but what we do know is that Melina Mae Duterte, better known as Jay Som, is one cool chick! She fuses together the disparate musical worlds of the avant-garde psych-pop of groups like My Bloody Valentine and Cocteau Twins with the bubblegum-y 2010's teen pop of Katy Perry and Carly Rae Jepsen (of "Call Me Maybe" fame). These are such opposite end elements that no one would think a song like this could even exist, especially in the mass-produced, autotune era of the 2010's, yet here it is! It's like if The Velvet Underground tried covering a song like "Yummy Yummy Yummy" or "Sugar Sugar". Unthinkable, yet somehow totally possible. "Superbike", much like Superman, attains to soar to new heights that no one has ever witnessed before!
Wednesday, June 12, 2019
New songs for June 12th, 2019
here they are:
"Hold Your Nerve" by Boy and Bear: It seems as though with "Hold Your Nerve", Boy and Bear have finally settled on a sound that's just right for them. It is not the folk-rock from early on in their career, but nor is it the more straight ahead rock oriented sound they had three years ago. "Hold Your Nerve" sounds a bit like Fleet Foxes mixed with The Cure. Its synth laden atmosphere provides an ethereal backdrop for both acoustic and electric guitars melding with lead singer Dave Hosking's harmonic vocals. "Hold Your Nerve" is actually a rather nerve wracking story, lyrically speaking. Ever since Dave's career with Boy and Bear started almost a decade ago, he had known something was wrong with him. Initially, people thought it was something akin to depression and anxiety, but the illness gradually became more physical than it was mental or emotional, until eventually, his doctors found out he had a bacterial infection affecting nervous system. Perhaps that's what he's referring to when he says "hold your nerve" in this song!
"Kill In the Cure" by Jocelyn and Chris Arndt: Jocelyn and Chris Arndt's contemporary take on blues-rock gets a slow, churning spin on their latest song, "Kill In the Cure". The guitars and bass chug along slowly by themselves until the drums kick in midway through the song, giving it a mysterious, "edgy" sound. Now, what exactly does Jocelyn mean when she says she's looking for the "kill in the cure"? To be honest, I have no idea. However, I'm pretty sure it has nothing to do with British alternative rock group, The Cure!
"Hold Your Nerve" by Boy and Bear: It seems as though with "Hold Your Nerve", Boy and Bear have finally settled on a sound that's just right for them. It is not the folk-rock from early on in their career, but nor is it the more straight ahead rock oriented sound they had three years ago. "Hold Your Nerve" sounds a bit like Fleet Foxes mixed with The Cure. Its synth laden atmosphere provides an ethereal backdrop for both acoustic and electric guitars melding with lead singer Dave Hosking's harmonic vocals. "Hold Your Nerve" is actually a rather nerve wracking story, lyrically speaking. Ever since Dave's career with Boy and Bear started almost a decade ago, he had known something was wrong with him. Initially, people thought it was something akin to depression and anxiety, but the illness gradually became more physical than it was mental or emotional, until eventually, his doctors found out he had a bacterial infection affecting nervous system. Perhaps that's what he's referring to when he says "hold your nerve" in this song!
"Kill In the Cure" by Jocelyn and Chris Arndt: Jocelyn and Chris Arndt's contemporary take on blues-rock gets a slow, churning spin on their latest song, "Kill In the Cure". The guitars and bass chug along slowly by themselves until the drums kick in midway through the song, giving it a mysterious, "edgy" sound. Now, what exactly does Jocelyn mean when she says she's looking for the "kill in the cure"? To be honest, I have no idea. However, I'm pretty sure it has nothing to do with British alternative rock group, The Cure!
Wednesday, June 5, 2019
New songs for June 5th 2019
here they are:
"Calm Down" by Pete Yorn: Pete Yorn released an album in 2009 that yielded three adult alt radio hits with "Don't Wanna Cry", "Last Summer", and "Paradise Cove". I would not have anticipated that exactly one decade later he'd still be doin' stuff in the music biz. Yorn's career has gone on for almost 20 years now, and his latest song, "Calm Down" seems to combine the best of the moody, introspective folk-rock he went for in the 2000's with the more indie-pop direction he seemed to take in the 2010's. The keyboards in "Calm Down" give it a pop-y aspect, but the melancholy folk-rock guitars remind me of why I fell in love with Pete Yorn's music way back in 2001 when he debuted! I loved the bittersweet flavor of his breakthrough song, "Strange Condition", and it looks like with "Calm Down", Pete has finally found his way back to doing what he was so great at doing in the first place. Welcome back, Pete!
"Chevrolet Van" by The Nude Party: This song is not as glam-rock as their debut single, "Feels Alright", but it still sounds retro. This time, The Nude Party are going for a Bob Dylan sound, circa the mid '60s when Dylan "went electric". Much like Dylan, the lyrics to "Chevrolet Van" seem oblique yet somewhat caustic as well. Hard to believe this is the same band who did "Feels Alright", one of the hardest rocking songs of 2019 to hit the adult alt airwaves. "Chevrolet Van" is a much more mellow song, but still one that feels like it might still have some edge in terms of its lyrical content.
"Gotta Get to Know Ya" by Seratones: For those who like a bit of sass in their rock and soul songs, "Gotta Get to Know Ya" might just be for you! The song seems a bit like what The Black Keys might be like if their lead singer was a black female, as opposed to a white male. That singer's name is AJ Haynes, and boy, does she deliver in this track! You know AJ means business when she says, "I know what I'm doin', baby, so don't f**k with me!" Wowzer! I guess I won't mess around with her! But still, she makes some mighty fine music that will keep both rock and roll and R & B chugging on into the next decade!
"Help Me Stranger" by The Raconteurs: Earlier this year, The Raconteurs pulled off a rare feat of getting two hit singles to hit the adult alt airwaves within a single day! A little less than half a year later, The Rac's are back with "Help Me Stranger". The song's vibe is much like their previous songs, with a blues-rock sound that's both roots-y and punchy, and equally blues-y lyrics like, "Help me, stranger. Brother can you spare the time?" being repeated many times during the song. "These 16 strings we're strumming will back up every line" might just be the best line in the song for a few reasons. For one, does this mean that Jack White and Brendan Benson are each playing guitars with EIGHT strings instead of six?! If so, I wanna see those! Second off, note the alliteration of "sixteen", "strings", and "strumming". Last but not least, the line does exactly what the band members are doing at that very moment. The action of the lyrics describe guitar playing accompanying the lyrics, and...well...that's exactly what they're doing!
"Hurry On Home" by Sleater-Kinney: The piercing electric guitar attack of indie darlings, Sleater-Kinney, is normally a lot more vicious and gritty than it is on their latest song, "Hurry On Home". However, rest assured, the song still has an edge of its own that will probably please their longtime fanbase. Instead of taking from punk rock like The Sex Pistols and Patti Smith, "Hurry On Home" takes more from post-punk like Siouxsie and The Banshees and Joy Division. Joy Division particularly comes to mind here with "Hurry On Home"'s combination of techno beats and angry, brooding guitars that never spiral out of control yet still seem on edge. Lead singer Corin Tucker's voice quakes with urgency as she sings the words of the song's title, as though she's expecting someone to clean up her emotional mess. One also senses both jealousy and spite when she claims she's "unlovable" and "unf**kable" midway through the song. (That's the second time I've used a word that I don't normally use in real life on this blog this week. How weird! Well, for me, that is...)
"Live Wire" by Sheryl Crow (featuring Bonnie Raitt and Mavis Staples): I get the sense that Sheryl has tired from the folk-pop/rock image that songs like "Soak Up the Sun" and just about every other song she did during the first 10 years of the millennium gave her. Within the past three or so years she's tried to escape that by getting back to her blues-rock roots with Gary Clark Jr., as well as her "alternative" roots with St. Vincent. "Live Wire" is yet another attempt, and quite a successful one, at that, for Sheryl to get in touch with her blues-rock roots, enlisting the help of legendary blues-y women who inspired her like Bonnie Raitt and Mavis Staples. The song has a very Bonnie Raitt-ish vibe to it, and since she is one of the three people featured on the track, it's not hard to see why. In addition to a theme of femininity, a theme of motherhood might also be present on "Live Wire". Sheryl has been greatly inspired by Bonnie Raitt, and Bonnie has been greatly inspired by Mavis, thus uniting three generations of blues and country inspired rock together. Sheryl has been a mother for quite some time now, so this might just be her way of passing down the wonderful gift of music to her own children!
"Losing Battles" by Josh Ritter: Much like "Old Black Magic" from earlier this year, "Losing Battles" is yet another Josh Ritter song that moves away from his folk-rock roots and goes more into scorching Southern rock territory. The lyrics to this one evoke Southern rock and roots-rock here as well. In "Losing Battles", Josh mentions Colorado and Tennessee. A lot of "road trip" rock songs, such as The Grateful Dead's "Truckin'", use names of states and cities to give their songs a distinctly roots-y feel, and it looks like that's what Josh is going for here on "Losing Battles". I mean, don't lyrics like, "Drifted down to Tennessee/Lost my girl to a heart of silver" sound like they wouldn't be too out of place in a song by a group like The Allman Brothers or The Black Crowes?! Well I'd say they do!
"When We Drive" by Death Cab for Cutie: Death Cab's latest album seems to be a trip back in time across alternative rock history. Their previous single, "Northern Lights", evoked both The Smiths and R.E.M. Death Cab's latest song, "When We Drive", seems somewhat inspired, musically, by David Bowie's "Heroes", with its spacey, pulsating guitar and synth combo droning dreamily in D major. This seems like the perfect song to listen to when you just want to stare out into space at the stars with your loved one, imagining you and that special someone drifting into outer space and uniting in the cosmos!
"Calm Down" by Pete Yorn: Pete Yorn released an album in 2009 that yielded three adult alt radio hits with "Don't Wanna Cry", "Last Summer", and "Paradise Cove". I would not have anticipated that exactly one decade later he'd still be doin' stuff in the music biz. Yorn's career has gone on for almost 20 years now, and his latest song, "Calm Down" seems to combine the best of the moody, introspective folk-rock he went for in the 2000's with the more indie-pop direction he seemed to take in the 2010's. The keyboards in "Calm Down" give it a pop-y aspect, but the melancholy folk-rock guitars remind me of why I fell in love with Pete Yorn's music way back in 2001 when he debuted! I loved the bittersweet flavor of his breakthrough song, "Strange Condition", and it looks like with "Calm Down", Pete has finally found his way back to doing what he was so great at doing in the first place. Welcome back, Pete!
"Chevrolet Van" by The Nude Party: This song is not as glam-rock as their debut single, "Feels Alright", but it still sounds retro. This time, The Nude Party are going for a Bob Dylan sound, circa the mid '60s when Dylan "went electric". Much like Dylan, the lyrics to "Chevrolet Van" seem oblique yet somewhat caustic as well. Hard to believe this is the same band who did "Feels Alright", one of the hardest rocking songs of 2019 to hit the adult alt airwaves. "Chevrolet Van" is a much more mellow song, but still one that feels like it might still have some edge in terms of its lyrical content.
"Gotta Get to Know Ya" by Seratones: For those who like a bit of sass in their rock and soul songs, "Gotta Get to Know Ya" might just be for you! The song seems a bit like what The Black Keys might be like if their lead singer was a black female, as opposed to a white male. That singer's name is AJ Haynes, and boy, does she deliver in this track! You know AJ means business when she says, "I know what I'm doin', baby, so don't f**k with me!" Wowzer! I guess I won't mess around with her! But still, she makes some mighty fine music that will keep both rock and roll and R & B chugging on into the next decade!
"Help Me Stranger" by The Raconteurs: Earlier this year, The Raconteurs pulled off a rare feat of getting two hit singles to hit the adult alt airwaves within a single day! A little less than half a year later, The Rac's are back with "Help Me Stranger". The song's vibe is much like their previous songs, with a blues-rock sound that's both roots-y and punchy, and equally blues-y lyrics like, "Help me, stranger. Brother can you spare the time?" being repeated many times during the song. "These 16 strings we're strumming will back up every line" might just be the best line in the song for a few reasons. For one, does this mean that Jack White and Brendan Benson are each playing guitars with EIGHT strings instead of six?! If so, I wanna see those! Second off, note the alliteration of "sixteen", "strings", and "strumming". Last but not least, the line does exactly what the band members are doing at that very moment. The action of the lyrics describe guitar playing accompanying the lyrics, and...well...that's exactly what they're doing!
"Hurry On Home" by Sleater-Kinney: The piercing electric guitar attack of indie darlings, Sleater-Kinney, is normally a lot more vicious and gritty than it is on their latest song, "Hurry On Home". However, rest assured, the song still has an edge of its own that will probably please their longtime fanbase. Instead of taking from punk rock like The Sex Pistols and Patti Smith, "Hurry On Home" takes more from post-punk like Siouxsie and The Banshees and Joy Division. Joy Division particularly comes to mind here with "Hurry On Home"'s combination of techno beats and angry, brooding guitars that never spiral out of control yet still seem on edge. Lead singer Corin Tucker's voice quakes with urgency as she sings the words of the song's title, as though she's expecting someone to clean up her emotional mess. One also senses both jealousy and spite when she claims she's "unlovable" and "unf**kable" midway through the song. (That's the second time I've used a word that I don't normally use in real life on this blog this week. How weird! Well, for me, that is...)
"Live Wire" by Sheryl Crow (featuring Bonnie Raitt and Mavis Staples): I get the sense that Sheryl has tired from the folk-pop/rock image that songs like "Soak Up the Sun" and just about every other song she did during the first 10 years of the millennium gave her. Within the past three or so years she's tried to escape that by getting back to her blues-rock roots with Gary Clark Jr., as well as her "alternative" roots with St. Vincent. "Live Wire" is yet another attempt, and quite a successful one, at that, for Sheryl to get in touch with her blues-rock roots, enlisting the help of legendary blues-y women who inspired her like Bonnie Raitt and Mavis Staples. The song has a very Bonnie Raitt-ish vibe to it, and since she is one of the three people featured on the track, it's not hard to see why. In addition to a theme of femininity, a theme of motherhood might also be present on "Live Wire". Sheryl has been greatly inspired by Bonnie Raitt, and Bonnie has been greatly inspired by Mavis, thus uniting three generations of blues and country inspired rock together. Sheryl has been a mother for quite some time now, so this might just be her way of passing down the wonderful gift of music to her own children!
"Losing Battles" by Josh Ritter: Much like "Old Black Magic" from earlier this year, "Losing Battles" is yet another Josh Ritter song that moves away from his folk-rock roots and goes more into scorching Southern rock territory. The lyrics to this one evoke Southern rock and roots-rock here as well. In "Losing Battles", Josh mentions Colorado and Tennessee. A lot of "road trip" rock songs, such as The Grateful Dead's "Truckin'", use names of states and cities to give their songs a distinctly roots-y feel, and it looks like that's what Josh is going for here on "Losing Battles". I mean, don't lyrics like, "Drifted down to Tennessee/Lost my girl to a heart of silver" sound like they wouldn't be too out of place in a song by a group like The Allman Brothers or The Black Crowes?! Well I'd say they do!
"When We Drive" by Death Cab for Cutie: Death Cab's latest album seems to be a trip back in time across alternative rock history. Their previous single, "Northern Lights", evoked both The Smiths and R.E.M. Death Cab's latest song, "When We Drive", seems somewhat inspired, musically, by David Bowie's "Heroes", with its spacey, pulsating guitar and synth combo droning dreamily in D major. This seems like the perfect song to listen to when you just want to stare out into space at the stars with your loved one, imagining you and that special someone drifting into outer space and uniting in the cosmos!
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