Showing posts with label Adia Victoria. Show all posts
Showing posts with label Adia Victoria. Show all posts

Wednesday, April 6, 2022

New songs for April 6th 2022

 here they are:


"Ain't Killed Me Yet" by Adia Victoria: As a contemporary R & B musician attempting to bring the "B" (blues) back into R & B, blues has always been a part of Adia Victoria's sound, but it's never come out quite as strong as it has on her latest track, "Ain't Killed Me Yet"! A slow-churning yet catchy track with a John Lee Hooker styled beat, "Ain't Killed Me Yet" is a punchy, unapologetic blues-rock song that was loosely inspired by "Won't You Celebrate With Me?" by poet Lucille Clifton. Clifton's themes of racial and sexual injustice in "Won't You Celebrate With Me?" spoke to Adia, who is both a racial and sexual minority herself, although Adia seems more to be taking that sense of angst and directing it towards today's harsh sociopolitical climate, finding solace only in the fact that such heinous acts and sentiments "ain't killed (her) yet"!


"Synchronize" by Milky Chance: German indie-pop duo, Milky Chance, continue to do what they do best on their latest song, "Synchronize," combining folk-y acoustic guitars with hip-hop beats and techno synths. This eclectic sound combination is nothing new for Milky Chance, although the song's lyrics seem to have more of an idealistic hippie vibe than their previous songs did. The title of the song comes from the "synchronicity" of all emotions and that, when it boils down to one's emotional essence, the only thing people really feel in the end is love. 

Wednesday, August 11, 2021

New songs for August 11th, 2021

 here they are:


"Chaise Longue" by Wet Leg: The execution of Wet Leg's debut song, "Chaise Longue" is somewhat similar to the band Cake, albeit without the in-your-face use of brass that they were known for. The formula for "Chaise Longue" recalls Cake's penchant for deadpan "sing-speak" vocal delivery, heavy use of the bass, and bizarre lyrics. The opening lyrics of "Chaise Longue," for instance, refer to graduating from college, but for reasons unknown to anyone but the band themselves, the lead singer of Wet Leg claims that her friends call "degrees" the "Big D." Less than a minute into the song, after the part that talks about college, it immediately slips into innuendo territory ("Is your muffin buttered?") Apparently, these lyrics are being addressed to someone "on the chaise longue in (their) underwear." To add to the "quirky" factor, the phrase "on the chaise longue all day long" (and variations of it) is repeated 13 times until the song ends. You've never heard a song like this one, and you probably never will!


"Las Vegas" by Houndmouth: Along with many folk-rock influenced acts of the early and mid-2010's, Houndmouth was a band in which guys and girls shared equal vocal time. That is, until backing vocalist Katie Toupin left the band in 2016. Their first album without her had the synth-pop-y and largely forgettable song, "This Party," so I didn't think Houndmouth would do so well without her. But with their newest song, "Las Vegas, " I get the feeling I might have been wrong about that! Katie is still not in the band, but Houndmouth have gone back to the roots-rock sound they originally became known for in "Las Vegas"! Probably the hardest-rocking song they've recorded so far, but at least they're back to BEING a rock band! Lead singer Matt Myers triumphantly proclaims during the chorus of the song that he "believes in Las Vegas." I'm not sure what it is specifically about Las Vegas that he believes in, but my belief in Houndmouth themselves has certainly been restored by this song!


"Magnolia Blues" by Adia Victoria: Adia Victoria gave us a catchy blues-rock number in 2019 with "Different Kind of Love." "Magnolia Blues" is a slower, more sensuous, and more acoustic based song than that one was. There's a reason for the more delicate sound of this song as compared to her last major effort on adult alt radio. The song is actually about her identity as an African-American citizen, and how she wants to rightfully reclaim that citizenship amidst a world of people who mistreat others simply because of their race. Although the history of violence against black men and women has unfortunately being going on for a very long time, it reached a significant apex in summer of last year with the deaths of George Floyd and Breonna Taylor. There is no doubt in my mind that Adia felt negatively affected by that, as many people have, regardless of what race they are, but it probably hit her twice as hard given her ethnic background. "Magnolia Blues" is a sad song that comments on a sad reality that many have faced and that many have been affected by, but sometimes we need to wake up and know what's going on in order to right the wrongs of the world, as well as to sympathize with the plights of others. 








Wednesday, March 27, 2019

New songs for March 27th 2019

here they are:


"Change" by Mavis Staples: Perhaps the most active "old school" R & B musician of the 2010's, Mavis has practically reinvented herself through the course of the 2010's while still keeping her old sound intact. Her latest, and perhaps last, song of the 2010's, "Change", has her close the decade the same way she started it, with a straight up blues-rock number! She kicked off the 2010's with a cover of Creedence Clearwater Revival's "Wrote A Song For Everyone". "Change", however, is an original Mavis number, urging people to improve their actions and their lives through a simple but catchy blues riff in E major. Here's hoping people will listen to the song's message and do what it says!


"Different Kind of Love" by Adia Victoria: Our only other song of the week also happens to be from a black female blues-rock musician. Unlike Mavis, though, Adia Victoria has only been in the music scene for a few years. Adia's breakthrough song, "Different Kind of Love", seamlessly mixes blues, pop, and rock into a single vernacular, in a similar manner to Elle King's "Ex's And Oh's" from a few years earlier. Adia playfully teases the listener throughout with her persistent "Who do you love?" The answer, of course, is Adia herself, but the answer is only hinted at and never revealed. Adia not only breaks down the walls between rock and soul on "Different Kind of Love", she also does so with a secret weapon known as temptation!