Showing posts with label Belle Mt.. Show all posts
Showing posts with label Belle Mt.. Show all posts

Wednesday, May 26, 2021

New songs for May 26th 2021

 Here they are:


"Famous Son" by Belle Mt.: With a mix of a crisp, acoustic, folk-pop sound and staccato guitar riffs and pulsating synths forming a new wave influenced sound, Belle Mt's "Famous Son" doesn't really add anything new under the sun, but it's a pleasant song to kick back to nonetheless (we've been needing some of those lately). The real charm of this song, though, is probably more within its lyrics. The title of the song is not mentioned until towards the end, when the lead singer sums up the song's the theme, which is that his father warned him not to be "famous, son." Too bad! With this song being an up-and-comer on adult alt radio stations, Belle Mt. ARE getting famous to a degree.


"I Need Some of That" by Weezer: Weezer first hit the airwaves in the '90s, but in "I Need Some of That," they set the dials back one decade earlier. Recalling big '80s rock hits like Asia's "Heat of the Moment," and just about any early Bryan Adams or Cars song, "I Need Some of That" indulges unashamedly in nostalgia for a decade during which I was only a baby! The song itself is about nostalgia, not only in sound, but in lyric as well! Rivers Cuomo even opens the song with, "Summertime. I press rewind," and we are transported back to a past when Back to the Future ruled the movie theaters. As if the song didn't have enough of a hammy '80s classic rock sound, Rivers even mentions listening to Aerosmith as part of the lyrics. Party on, Weezer!


"Like I Used To" by Sharon Van Etten and Angel Olsen: Two of the most progressive female singer/songwriters of the 2010's come together for the first time with a song that is bound to please anyone who enjoys melancholy indie-folk music! Like our previous entry, "Like I Used To" has a jones for nostalgia, but not of the same type. This nostalgia does not take place in a specific decade, but just any time in someone's life when they might have felt like the past was a simpler time than the present. The title of the song already makes this apparent, but listening to both the words they use to accompany the title ("falling in love like I used to," "lighting one up like I used to," etc.) and the sultry yet sad way the lyrics are delivered really drives the point home. Judging from the things they miss doing in the context of the song, Sharon and Angel probably want to go back to when they were either teens or very young adults, pining away for when sex, drugs, and...folk 'n' roll...held a mysterious allure, as opposed to a harmful aftertaste.


"Missing Piece" by Vance Joy: Contemporary folk-rocker, Vance Joy, tends to be popular among both alternative and adult alt radio stations whenever he releases something, but the use of his latest song, "Missing Piece," on Grey's Anatomy seemed to contribute to his most recent wave of success within just a matter of days! Though I've never been a fan of medical dramas (or most dramas, for that matter), I must say that someone who works on the show must be pretty cool if they selected his music to be on the show! Onto the song itself, though, it's a very yearning one, as per usual for Vance, but in a way he hasn't really done so before. Instead of a "Woe is me. Where did my love go wrong?" song, we get a song about how he misses the one he loves. I suspect that part of this could have been in response to separation he might have experienced during the pandemic (if so, he released this song RIGHT in the nick of time). There's a hopeful side to this song as well, as Vance's "missing piece" is something he is positive will be FOUND once he rejoins his romantic partner. Thanks for getting us all through these hard times, Vance!


"Reverie" by Son Volt: '90s country-rock group, Son Volt, continued to soldier on into the new millennium with sparser and sparser appearances as the years went by. By the time the 2010's rolled around, they made only two memorable appearances, both of which had a bittersweet folk-rock sound in comparison to the more gritty stuff they originally became known for. With "Reverie," it seems as though Son Volt have found a comfortable middle ground. It has a more solid rock sound, veering slightly towards a light Southern rock variant, than most of their more recent material, but it retains the earthy, roots-y quality of their early stuff. This song also may serve as an answer as to why Son Volt retreated from the limelight in late 2016. The entire reign of terror of a certain person who shall not be named took place RIGHT at that time, climaxing in both physical and emotional separation as the current generation has never experienced before. With the recurring line, "We won't know where we stand 'till December," "Reverie" could be a way of summing up both last year AND this year. We didn't know where we would stand politically last year until about a month prior to December, and this year, it'll probably take until the end of it to find out where we are regarding if we can see each other again without fear of anyone we hang out with being contagious. A smart and timely song of both idealism and realism!


"Stop Making It Hurt" by Bleachers: In spite of the happy, bouncy sound of this song, there is most definitely a palpable undercurrent of hurt behind" Stop Making This Hurt." The song came about when the seemingly irrepressible Jack Antonoff came to the realization during the coronavirus pandemic that he wouldn't be able to perform face to face in front of his fans like he used to for a long time! The song details the angst, chaos, and disappointment of family life during the pandemic. The kids are complaining, Mom wants to break loose from the Garden State, and Dad has gotten to the point of not even recognizing where he is anymore. Nothing is fine. But sometimes, that's what we need to hear in a song! We need to KNOW that we're not the only ones going through what we are. "Stop Making This Hurt" might just be the spoonful of sugar we need to make the tiresome medicine of our vaccines go down!


"Witchoo" by Durand Jones and The Indications: Like fellow neo-soul-ster, Leon Bridges, Durand Jones and The Indications started off imitating '60s soul music and have now dipped their feet into '70s funk! "Witchoo" captures that moment in time when the R in R & B was getting stronger than the B, as the focus of this song is primarily rhythmic, lacking the bluesy pulse that was present in early R & B. We've had so many songs here that want to leave the present moment, and for understandable reasons, but this song seems very in-the-moment, at least lyrically speaking. Though its sound is an obvious throwback to soul music of the mid-1970's, "Witchoo"'s lyrics are basically about traveling on the road and spending time with that special someone. The simple pleasures of life. So what are you waiting for?! Get down with yo' bad self and melt into the auditory dance party that is "Witchoo"!












Wednesday, September 30, 2020

New songs for September 30th, 2020

 here they are:


"Can I Believe You?" by Fleet Foxes: Indie-folk sensations, Fleet Foxes, have switched gears from cynical to hopeful, at least for now. I'm skeptical as to how long their optimism will truly last during this troubled time, but part of the reason for this was because of the sour disposition that colored the outlook of their 2017 album, which was particularly noticeable on their song, "Fool's Errand." A title like "Can I Believe You?" also seems like it would promote skepticism, but during the final part of the song, lead singer Robin Pecknold makes it clear that he WANTS to believe the subject of the song, whoever or whatever that may be. Pecknold has jokingly referred to this song as the "headbanger" of his latest album. Unless you consider groups like The Shins to be heavy metal (which I highly doubt), there's nothing "headbanging" at all about this song. However, it is noticeably more lively and less sparse than most Fleet Foxes songs.


"Can I Call You Tonight?" by Dayglow: Yet another "Can I?" song. Is there a theme here somewhere?! Anyway, there is nothing that really distinguishes this song from other pop-influenced indie and alt tunes from the past 10-ish years, but it does manage to be catchy. Sloan Struble (who is, himself, "Dayglow") croons whisper-y messages over a guitar/drums/synth combo that bears a striking resemblance to groups like Tame Impala, whom Struble claims is one of his main influences in this song, along with Michael Jackson. Other than the fact that this is a danceable pop music tune, I don't quite see the resemblance to MJ, but if you're part of the TikTok generation, it is probably worth listening to, as that was the main source through which "Can I Call You Tonight?" gained popularity. 


"Hollow" by Belle Mt.: Ever since the advent of acts like Imagine Dragons and Avicii circa the mid-2010's, the combo of acoustic guitar and dance/pop influence seems to have gained popularity. In the 2020's, at least the early part of the decade, this combo shows no signs of slowing down. "Hollow" by Belle Mt. is exactly that - a song centered around acoustic guitar and synthetic rhythms. As one might be able to guess from the lyrics, or perhaps just the title by itself, "Hollow" is about Matt Belmont (a.k.a. "Belle Mt.")'s relationship with a girl that he later regretted getting into. The lyrics are somewhat creative regarding this rather typical topic, especially "Lonely is her favorite place to be" during the chorus, but otherwise there's something about "Hollow" that seems...well...hollow! Music these days seems rather melancholy without a lot of substance to it, and this song is evidence of that. Not a bad one, though.


"How Lucky" by Kurt Vile (featuring John Prine): The cynical yet clever indie-folk musician, Kurt Vile, reveals here how he probably got that whole persona in his music in the first place - from John Prine, the recently deceased folk-rock and country-rock musician whose attitude and lyrics often smacked of a clever sense of cynicism and sarcasm ("Illegal Smile" and "In Spite of Ourselves" are both great examples of this.) "How Lucky" was actually originally Prine's song, which Kurt is covering here. Lyrically, the song is sort of like The Beatles' "In My Life" if the lyrics were being questioned by a skeptic. It invokes a sense of both nostalgia and realism. How lucky can one man get? Very lucky, apparently, as Kurt Vile pays tribute to a musician who was both cool enough for punks and mellow enough for hippies (much as Kurt himself has become today)!


"The Great Divide" by The Shins: This song might be a bit more electronica influenced than Shins fans are used to, but lead singer James Mercer is no stranger to the genre, which he experimented with on his side project, Broken Bells. Lyrically, it is one of an ever expanding lineup of songs that attempt to provide its audience with comfort during hard times. The song has an almost New Age-y vibe with lines like, "Now an age has come out of the loneliness." "The Great Divide" might have a negative sounding title with its use of the word "divide", but it aims to invoke emotions that are anything but negative.