Showing posts with label Son Volt. Show all posts
Showing posts with label Son Volt. Show all posts

Wednesday, May 26, 2021

New songs for May 26th 2021

 Here they are:


"Famous Son" by Belle Mt.: With a mix of a crisp, acoustic, folk-pop sound and staccato guitar riffs and pulsating synths forming a new wave influenced sound, Belle Mt's "Famous Son" doesn't really add anything new under the sun, but it's a pleasant song to kick back to nonetheless (we've been needing some of those lately). The real charm of this song, though, is probably more within its lyrics. The title of the song is not mentioned until towards the end, when the lead singer sums up the song's the theme, which is that his father warned him not to be "famous, son." Too bad! With this song being an up-and-comer on adult alt radio stations, Belle Mt. ARE getting famous to a degree.


"I Need Some of That" by Weezer: Weezer first hit the airwaves in the '90s, but in "I Need Some of That," they set the dials back one decade earlier. Recalling big '80s rock hits like Asia's "Heat of the Moment," and just about any early Bryan Adams or Cars song, "I Need Some of That" indulges unashamedly in nostalgia for a decade during which I was only a baby! The song itself is about nostalgia, not only in sound, but in lyric as well! Rivers Cuomo even opens the song with, "Summertime. I press rewind," and we are transported back to a past when Back to the Future ruled the movie theaters. As if the song didn't have enough of a hammy '80s classic rock sound, Rivers even mentions listening to Aerosmith as part of the lyrics. Party on, Weezer!


"Like I Used To" by Sharon Van Etten and Angel Olsen: Two of the most progressive female singer/songwriters of the 2010's come together for the first time with a song that is bound to please anyone who enjoys melancholy indie-folk music! Like our previous entry, "Like I Used To" has a jones for nostalgia, but not of the same type. This nostalgia does not take place in a specific decade, but just any time in someone's life when they might have felt like the past was a simpler time than the present. The title of the song already makes this apparent, but listening to both the words they use to accompany the title ("falling in love like I used to," "lighting one up like I used to," etc.) and the sultry yet sad way the lyrics are delivered really drives the point home. Judging from the things they miss doing in the context of the song, Sharon and Angel probably want to go back to when they were either teens or very young adults, pining away for when sex, drugs, and...folk 'n' roll...held a mysterious allure, as opposed to a harmful aftertaste.


"Missing Piece" by Vance Joy: Contemporary folk-rocker, Vance Joy, tends to be popular among both alternative and adult alt radio stations whenever he releases something, but the use of his latest song, "Missing Piece," on Grey's Anatomy seemed to contribute to his most recent wave of success within just a matter of days! Though I've never been a fan of medical dramas (or most dramas, for that matter), I must say that someone who works on the show must be pretty cool if they selected his music to be on the show! Onto the song itself, though, it's a very yearning one, as per usual for Vance, but in a way he hasn't really done so before. Instead of a "Woe is me. Where did my love go wrong?" song, we get a song about how he misses the one he loves. I suspect that part of this could have been in response to separation he might have experienced during the pandemic (if so, he released this song RIGHT in the nick of time). There's a hopeful side to this song as well, as Vance's "missing piece" is something he is positive will be FOUND once he rejoins his romantic partner. Thanks for getting us all through these hard times, Vance!


"Reverie" by Son Volt: '90s country-rock group, Son Volt, continued to soldier on into the new millennium with sparser and sparser appearances as the years went by. By the time the 2010's rolled around, they made only two memorable appearances, both of which had a bittersweet folk-rock sound in comparison to the more gritty stuff they originally became known for. With "Reverie," it seems as though Son Volt have found a comfortable middle ground. It has a more solid rock sound, veering slightly towards a light Southern rock variant, than most of their more recent material, but it retains the earthy, roots-y quality of their early stuff. This song also may serve as an answer as to why Son Volt retreated from the limelight in late 2016. The entire reign of terror of a certain person who shall not be named took place RIGHT at that time, climaxing in both physical and emotional separation as the current generation has never experienced before. With the recurring line, "We won't know where we stand 'till December," "Reverie" could be a way of summing up both last year AND this year. We didn't know where we would stand politically last year until about a month prior to December, and this year, it'll probably take until the end of it to find out where we are regarding if we can see each other again without fear of anyone we hang out with being contagious. A smart and timely song of both idealism and realism!


"Stop Making It Hurt" by Bleachers: In spite of the happy, bouncy sound of this song, there is most definitely a palpable undercurrent of hurt behind" Stop Making This Hurt." The song came about when the seemingly irrepressible Jack Antonoff came to the realization during the coronavirus pandemic that he wouldn't be able to perform face to face in front of his fans like he used to for a long time! The song details the angst, chaos, and disappointment of family life during the pandemic. The kids are complaining, Mom wants to break loose from the Garden State, and Dad has gotten to the point of not even recognizing where he is anymore. Nothing is fine. But sometimes, that's what we need to hear in a song! We need to KNOW that we're not the only ones going through what we are. "Stop Making This Hurt" might just be the spoonful of sugar we need to make the tiresome medicine of our vaccines go down!


"Witchoo" by Durand Jones and The Indications: Like fellow neo-soul-ster, Leon Bridges, Durand Jones and The Indications started off imitating '60s soul music and have now dipped their feet into '70s funk! "Witchoo" captures that moment in time when the R in R & B was getting stronger than the B, as the focus of this song is primarily rhythmic, lacking the bluesy pulse that was present in early R & B. We've had so many songs here that want to leave the present moment, and for understandable reasons, but this song seems very in-the-moment, at least lyrically speaking. Though its sound is an obvious throwback to soul music of the mid-1970's, "Witchoo"'s lyrics are basically about traveling on the road and spending time with that special someone. The simple pleasures of life. So what are you waiting for?! Get down with yo' bad self and melt into the auditory dance party that is "Witchoo"!












Wednesday, December 14, 2016

New songs for December 14th, 2016

here they are:


"Back Against the Wall" by Son Volt: Son Volt have come a long way from their days in the mid '90s as a rowdier country-rock group with their minor alt-rock radio song, "Drown". They've become a lot quieter and sadder since then. "Back Against the Wall" is probably one of the most bittersweet songs Son Volt have recorded. Perhaps it should come as no surprise, then, that the album it's from is called "Notes of Blue". Maybe we'll get an entire album of bittersweet ballads from the alt-country quintet! "Back Against the Wall" is not without clues of the band's rock 'n' roll past, though, as it does contain a ragged, Neil Young-esque guitar solo towards the middle and end of it.


"Do You Still Love Me?" by Ryan Adams: It's not often that one of the most heavily anticipated songs of the year comes in December, yet Ryan Adams' latest song is now getting airplay on 25 adult alt stations, and it only took less than a week of the song's existence for people to fall head over heels in love with it! Why is this, you ask?! Well, it's because "Do You Still Love Me?" is one of those songs that just grabs you by the neck and proclaims its power right on the spot as soon as you hear it! The song is performed in an arena-rock-cum-roots-rock style, not unlike certain songs by Bruce Springsteen, Tom Petty, and John Mellencamp, and it has one of the most boastful guitar solos ever known in a Ryan Adams tune! Do we still love you, Ryan?! You bet we do! Keep coming out with songs like this one and we'll only love you more!


"Painting (Masterpiece)" by Lewis del Mar: Lewis del Mar is not one person, but two people, in spite of how their moniker might sound at first. Their debut song, "Painting (Masterpiece)", is as colorful as its title makes it sound, both musically and lyrically. The thumping C sharp bass note in the beginning of the song makes it sound a little similar to Everclear's "Father of Mine", albeit a lot less grungy and a lot more...ummm...indie...tronic?! (It's hard to come up with a term to describe what their music sounds like, haha). The lyrics of "Painting (Masterpiece)" use a lot of color related imagery, particularly during the chorus. To this, I can only say that although it might not be easy to be green, I don't feel blue about it. As a matter of fact, I'm tickled pink!


"Radio Kids" by Strand of Oaks: Strand of Oaks sure are radio kids, too! Their breakthrough song, "Goshen '97", talked about "singing Pumpkins" (as in Smashing) "in the mirror". In "Radio Kids", the arena rock of the '80s collides with a chord progression that sounds similar to "Morning Glory" by Oasis from the '90s. Strand of Oaks really know their stuff, clearly. "Play it, play it, loud on the radio!" lead singer Timothy Showalter pleads urgently during the chorus of "Radio Kids". Don't worry, Tim. We'll be blasting this song from our radios loud and clear for the next few months, at least! Thus ends this year's blog posts (besides the yearly Top 20) with a big, loud, rock 'n' roll BANG!! See ya next year, all you crazy music lovers!














Thursday, February 28, 2013

Spencer Griffin's New Music...THURSDAYS?! Day Late, Dollar Short

The site I usually check on to update me for new material was a day late for some reason. Anyway I DO have some new songs now (though not very many). Here they are:


"All the Time" by The Strokes: When I think of music by The Strokes, "mellow" is not usually the first word that comes to mind! They're best known for their 21st century take on garage rock, like "Last Nite" and "Reptilia", the latter of which has elements of new wave in it as well. Well it seems as though new wave is what The Strokes want to concentrate on now. They have gone from being the new Velvet Underground to being more like the new Cars. "All the Time" shouldn't be a total letdown to longtime fans of the band, though, as there are still plenty of juicy guitar hooks and catchy beats putting energy into the song, but it lacks an "in-your-face" quality like most of their songs do. "All the Time" might be a turn in another direction for The Strokes, but at least it has a "stroke" of genius in there somewhere, hardy-har-har!


"Hearts And Minds" by Son Volt: It's another of many bluegrass tinged rock tunes for the 2010's, but Son Volt have been at that sorta game since the mid 1990's, so they've been doing it longer than most of 'em have! Son Volt usually have a "meaty" sound with a slightly twang-y electric guitar reminiscent of groups like The Old '97s, but their latest song, "Hearts And Minds", has a more subdued sound, like The Avett Brothers or The Civil Wars. Perhaps "Hearts And Minds" goes a step further from being called "bluegrass-rock", as it is more like a bluegrass WALTZ, if you listen closely to the rhythm of the song. "Hearts And Minds" makes for a nice "road song", but more like the kind you'd want to hear when you're heading back from a vacation at dusk, as opposed to the hot, blazing, "Born to Be Wild"-ish sound one might think of first when the term "road song" is mentioned.