Showing posts with label Caroline Rose. Show all posts
Showing posts with label Caroline Rose. Show all posts

Wednesday, August 19, 2020

New songs for August 19th, 2020

 here they are:


"AUATC" by Bon Iver: The title of this song is short for "Ate Up All Their Cake". Mmm...cake! The song itself doesn't have much to do with cake, though, so what gives?! Well, it's probably an extended metaphor referring to those who "have their cake and eat it too." Bon Iver's Justin Vernon, along with an eclectic roster of guests ranging from rock legend Bruce Springsteen to millennial indie-pop star Jenny Lewis, are urging people everywhere to rebuild society in a way that's less greedy and more inclusive. Why Justin Vernon sounds like Alvin and The Chipmunks reaching puberty in this song is anyone's guess, as he doesn't normally sound like that, but the song's message is a good one to heed nonetheless. "AUATC" is an odd song for Bon Iver (and company). It could be described as a quirky Bruce Hornsby soundalike that's trying to work on a millennial update of "We Are the World". 


"Do You Think We'll Last Forever?" by Caroline Rose: The title of this funky, Prince-esque song by indie-pop diva, Caroline Rose, might sound like a lovesick, romantic plea, but it actually isn't. It is actually a song fueled by Caroline's inner anxiety when it comes to matters of the heart. She is not asking, "Do you think we'll last forever?" in a doe-eyed way in the manner one might expect from a pop performer, but rather in a way that conveys potential doubt, as in, "Do you THINK we'll last forever...or will this just be another brief, meaningless fling?" I hear ya, Caroline. Romance can be very trying and hard to figure out sometimes! While the music seems to have a "look how super cool I am" kind of boastfulness to it, the lyrics reveal a deeper, more emotional meaning.


"Don't Walk Away" by The Heavy Hours: The Heavy Hours are anything but heavy. They're really more of a laid-back kind of group that combines folk, country, and rock with a little bit of soul, at least in this song. The song seems to be one of assurance, in spite of its urgent title. The song seems like one to listen to when you're in need of a "breather" during the day, but that's about all it seems to have going for it. Surprised that The Black Keys' Dan Auerbach produced this one, as it doesn't seem to have his typical sense of energy and rawness.


"High Feeling" by Cordovas: This song is yet another that was produced by a member of a fellow band I've reviewed on this website, Black Pumas' Adrian Quesada. Where The Black Keys have been around for over a decade now (and so it would make sense that their sound might slowly be wearing thin by now), Black Pumas just debuted two years ago, and their sense of soulfulness sounds very fresh on "High Feeling", the debut single from Cordovas. The guitar on the song is Adrian's, which makes sense given both how rhythmic and how blues-y it sounds. The vocals are from country-rock musician, Joe Firstman, who has had hits on adult alt radio before, but so far, none of them have sounded quite as powerful as this one has! As the chorus of this song states, you'll "never wanna come down" after listening to this song!


"Ocean Bed" by Darlingside: Folk-rock group, Darlingside, came during the wake of the neo-folk-rock boom in 2012, the same year that bands like The Lumineers and Of Monsters & Men were first getting attention. However, Darlingside failed to make the impact that those two groups made on the music world. I had known Darlingside previously for their bouncy, quirky, folks-y cover of the classic Smashing Pumpkins tune, "1979". Come 2020, and it seems like Darlingside still haven't broken out of the early 2010's neo-folk-rock sound. Darlingside's "Ocean Bed" seems lined with gentle clapping, lovely harmonies, and lush string instrumentation everywhere. That sound just hasn't been on the airwaves in awhile, perhaps largely because many of the bands who originated it went on to experiment with other kinds of sounds, but Darlingside's "Ocean Bed" has a sound as calming and buoyant as the ocean itself, tucked away in a snug corner of the radio airwaves!


"Preach" by Saint Motel: To date, Saint Motel have had three singles on adult alt radio, and they all have something in common with one another - they all make you wanna dance! Their fourth Triple A radio single, "Preach", is no exception to the rule! From the moment that the blaring, funky horns in the opening of the song take charge, "Preach" is a non-stop dance fest! Even the lyrics center around dancing in this song! For instance, the last two lines of the second verse are, "A hip's gotta sway/So shake it like your mama and seven-day pray." So what are you waiting for?! Get down with your bad self and boogie!


"The Let Go" by Elle King: For awhile, it seemed like all Elle King could do was energetic, catchy songs. There's nothing wrong with this, of course, as one of those songs, "Ex's and Oh's", ended up becoming one of the biggest hits of the 2010's! However, Elle's latest song, "The Let Go", shows a more sensitive side to the singer who brought a blues-y growl and swagger to the alterna-pop world of the 2010's. Only the chorus hints even slightly at something energetic. The rest of the song showcases a vulnerable, sensitive side to Elle as she tells of a relationship that left her wounded. This is also the first Elle King song I've heard with no drums in the background, only guitar (though it is electric guitar, not acoustic). Elle certainly lets go in this song by releasing her inner demons like she never has before! 










Wednesday, January 15, 2020

New songs for January 15th, 2020

here they are:


"And It's Still Alright" by Nathaniel Rateliff: Nathaniel Rateliff, along with his backing group, The Night Sweats, have brought us numerous adult alt and alt radio hits with a distinctly soulful flavor, like "S.O.B." and "You Worry Me". This song, which also happens to be the first song released IN 2020 that I'm reviewing in 2020, marks Nathaniel's first significant appearance on his own without The Night Sweats. That song, "And It's Still Alright", plays out like a slightly countrified version of Van Morrison's "Into the Mystic". Not exactly what I would have expected from the normally fiery Nathaniel Rateliff, but perhaps part of the reason it sounds the way it does is because Nathaniel does not have his backing group with him this time. It's a pleasant and bittersweet song, though, so I do like it. Not Nathaniel's best, but it is a good one...and it's still alright.


"Black Madonna" by Cage the Elephant: The title of this song refers to the "Madonna and Child" painting when people depict the titular woman with dark skin instead of lighter skin, proving Cage the Elephant to be both more spiritual and more knowledgable than I previously thought they were. Beneath the surface, though, the song "Black Madonna" seems to be about someone who is not ready to have a relationship. Given the themes of rocky relationships in other recent CTE tunes, like "Ready to Let Go", I would say this is an accurate conclusion to arrive at. The song goes in line with the spaced-out new wave sound CTE have been going for on their latest album, and like the other three songs that have been released from it so far as singles, "Black Madonna" is in a minor key. The overall darkness of the song seems to be offset by its title, as well as the "hallelujah" in the chorus, both indicating reverential undertones in a song that otherwise seems bleak and despairing.


"Dirt In My Eyes" by Cold War Kids: Much like their 2019 summer smash, "Complainer", Cold War Kids' "Dirt In My Eyes" is also a funky, catchy song in the CWK catalog. Where "Complainer", in spite of its title, was uplifting, "Dirt In My Eyes" seems to BE a complaint, probably against a former lover. "You just keep on kickin' dirt in my eyes", Nathan Willett sings in a Michael Jackson-esque falsetto during the chorus, "and I just keep on actin', actin' surprised", he continues. Those sound like the words of a man who's been pushed around for far too long. However, instead of making the song moody, he makes it funky! Go figure, eh?!


"Feel the Way I Want" by Caroline Rose: What is there to say about Caroline Rose except that she knows how to make great danceable tunes out of alternative pop/rock music? In 2018, she released the fun, sassy, booty shakin' "Soul No. 5". Where "Soul No. 5" was largely rock oriented, Caroline's latest, "Feel the Way I Want", seems more rooted in the eccentric funk stylings of Prince, and it also sounds a bit like the works of Funkadelic's Bootsy Collins. If not for Caroline's distinct vocal stylings, this song could be mistaken for a Lizzo song! "Feel the Way I Want" is a largely celebratory anthem that lives up to its title. Let's start this decade/year right, folks. We've gotta feel the way we want to!


"Hand Over My Heart" by The Secret Sisters: The only other song I've heard so far from The Secret Sisters was the bittersweet, yearning folk-rock song, "He's Fine", from about four years ago. "Hand Over My Heart", in contrast, is more sweet than bittersweet and more indie-pop with folky undertones than it is folk-rock. According to lead singer, Laura Rogers, the reason "Hand Over My Heart" sounds the way it does is because The Secret Sisters wanted to go in a direction that was more musically and lyrically positive. Lovelorn ballads have long been their typical style, but in the dawning of this new era, they've chosen love and kindness over loss and heartache. The resulting song is a sweet, bubbly song that is sure to put a smile on any indie-folk fan!


"I Don't Wanna Lie" by Yola: One of many blues-y R & B revivalists of the 2010's, Yola debuted at the end of the decade. Come the early 2020's, she has finally gotten the recognition she's deserved on adult alt radio with the Dan Auerbach (Black Keys) produced song, "I Don't Wanna Lie"! The guitars in the intro sound pretty Auerbach-ian, but cue the piano, string section, and drums, and "I Don't Wanna Lie" becomes its own song, evoking the sultry magic of early 1970's soul music. The song is a bold and funky declaration of love and honesty in the tradition of many of Yola's soulful forebears. This song is pretty somethin'! I mean I don't wanna lie and say it's not!


"Lost In Yesterday" by Tame Impala: The icy, stark new wave sound of Tame Impala's latest song, combined with its rhythm, made me think of "Everybody Wants to Rule the World" by Tears for Fears. However, "Lost In Yesterday" differs greatly in its lyrics from the mostly pessimistic TFF song. As its title implies, "Lost In Yesterday" is about getting lost inside a memory. Lead singer Kevin Parker never makes it clear in the song whether this is a good thing or a bad thing. Perhaps his opinion can best be summed up in the verse where he says, "If they call you, embrace them. If they hold you, erase them". In other words, happy memories are great to get lost in, but if a memory holds you back from enjoying the present, get rid of it. Memories are an important part of my life and an important part of who I am overall. Thanks for speaking to my subconscious and empowering it, Kevin!


"Texas Sun" by Khruangbin (pronounced KRUNG-bin), featuring Leon Bridges: There is a good reason this song is about Texas. Post-psychedelic indie-rock group, Khruangbin, and soul revivalist, Leon Bridges, are both Texas natives. Of course, many other musicians are Texans as well, so why did these two choose one another? They seem like quite an unlikely pair! Somehow, though, it manages to work here. Trippy guitars and soulful vocals and rhythm join forces here without one offsetting the other. The result is something that is both strange and beautiful.














Wednesday, May 30, 2018

New songs for May 30th 2018

here they are:


"Happy Man" by Jungle: This is not the first time Jungle have had a hit, but it is the first time that adult alt radio stations are starting to take notice of them. The British alt-dance septet create synthetic funk for the modern age with their latest song, "Happy Man". This track is an interesting one, with philosophical lyrics questioning whether "living the dream" is really worth it in the end. Also, although the song is called "Happy Man", the opening lyrics are, "I'm a troubled man". The narrator wants to FIND happiness, in spite of what the title indicates.


"No Expectations" by Bahamas: Accidental pregnancy was a common subject for rock and alternative songs of the 1990's. "The Freshmen" by The Verve Pipe, "Slide" by The Goo Goo Dolls, and "Brick" by Ben Folds Five all revolved around the subject. The topic hasn't been near as popular since then, but it seems like Bahamas are attempting to bring it back with "No Expectations". The narrator of this song seems to want to lure his lover back into his life, but she feels like she's made a mistake with him. Though it's not entirely clear whether this song is actually about unplanned pregnancy, there are hints to it in lyrics like, "A life that's worth livin' is just some mouth to feed", and "you carried a baby". Bahamas' lead singer follows up the latter with the phrase, "that baby was me", which is a bit of a weird lyric, but he then follows that up with, "I'm carrying a baby. One you'll never mean." The bite and sting of alternative rock from the '90s is nowhere near what this song sounds like, but there does appear to be similarity between the lyrics of such songs and this one.


"Soul No. 5" by Caroline Rose: Most of Caroline Rose's songs are country-rock, but not this one! "Soul No. 5" combines sassy attitude, tongue-in-cheek lyrics, and catchy indie rock beats made fresh for the late 2010's! There is no "number 5" mentioned anywhere in the lyrics, and it's also the only song of hers with the word "soul" in the title so far, so the number tacked on to the end of the title doesn't make a whole lot of sense. Caroline's caustic yet kooky delivery of the song helps to compensate for its odd title, though. The innuendo within some of the lyrics (which, might I add, is not very subtle) is sung in such a spoiled yet silly manner that you can't help but sing along with it!