Showing posts with label Saint Motel. Show all posts
Showing posts with label Saint Motel. Show all posts

Wednesday, August 19, 2020

New songs for August 19th, 2020

 here they are:


"AUATC" by Bon Iver: The title of this song is short for "Ate Up All Their Cake". Mmm...cake! The song itself doesn't have much to do with cake, though, so what gives?! Well, it's probably an extended metaphor referring to those who "have their cake and eat it too." Bon Iver's Justin Vernon, along with an eclectic roster of guests ranging from rock legend Bruce Springsteen to millennial indie-pop star Jenny Lewis, are urging people everywhere to rebuild society in a way that's less greedy and more inclusive. Why Justin Vernon sounds like Alvin and The Chipmunks reaching puberty in this song is anyone's guess, as he doesn't normally sound like that, but the song's message is a good one to heed nonetheless. "AUATC" is an odd song for Bon Iver (and company). It could be described as a quirky Bruce Hornsby soundalike that's trying to work on a millennial update of "We Are the World". 


"Do You Think We'll Last Forever?" by Caroline Rose: The title of this funky, Prince-esque song by indie-pop diva, Caroline Rose, might sound like a lovesick, romantic plea, but it actually isn't. It is actually a song fueled by Caroline's inner anxiety when it comes to matters of the heart. She is not asking, "Do you think we'll last forever?" in a doe-eyed way in the manner one might expect from a pop performer, but rather in a way that conveys potential doubt, as in, "Do you THINK we'll last forever...or will this just be another brief, meaningless fling?" I hear ya, Caroline. Romance can be very trying and hard to figure out sometimes! While the music seems to have a "look how super cool I am" kind of boastfulness to it, the lyrics reveal a deeper, more emotional meaning.


"Don't Walk Away" by The Heavy Hours: The Heavy Hours are anything but heavy. They're really more of a laid-back kind of group that combines folk, country, and rock with a little bit of soul, at least in this song. The song seems to be one of assurance, in spite of its urgent title. The song seems like one to listen to when you're in need of a "breather" during the day, but that's about all it seems to have going for it. Surprised that The Black Keys' Dan Auerbach produced this one, as it doesn't seem to have his typical sense of energy and rawness.


"High Feeling" by Cordovas: This song is yet another that was produced by a member of a fellow band I've reviewed on this website, Black Pumas' Adrian Quesada. Where The Black Keys have been around for over a decade now (and so it would make sense that their sound might slowly be wearing thin by now), Black Pumas just debuted two years ago, and their sense of soulfulness sounds very fresh on "High Feeling", the debut single from Cordovas. The guitar on the song is Adrian's, which makes sense given both how rhythmic and how blues-y it sounds. The vocals are from country-rock musician, Joe Firstman, who has had hits on adult alt radio before, but so far, none of them have sounded quite as powerful as this one has! As the chorus of this song states, you'll "never wanna come down" after listening to this song!


"Ocean Bed" by Darlingside: Folk-rock group, Darlingside, came during the wake of the neo-folk-rock boom in 2012, the same year that bands like The Lumineers and Of Monsters & Men were first getting attention. However, Darlingside failed to make the impact that those two groups made on the music world. I had known Darlingside previously for their bouncy, quirky, folks-y cover of the classic Smashing Pumpkins tune, "1979". Come 2020, and it seems like Darlingside still haven't broken out of the early 2010's neo-folk-rock sound. Darlingside's "Ocean Bed" seems lined with gentle clapping, lovely harmonies, and lush string instrumentation everywhere. That sound just hasn't been on the airwaves in awhile, perhaps largely because many of the bands who originated it went on to experiment with other kinds of sounds, but Darlingside's "Ocean Bed" has a sound as calming and buoyant as the ocean itself, tucked away in a snug corner of the radio airwaves!


"Preach" by Saint Motel: To date, Saint Motel have had three singles on adult alt radio, and they all have something in common with one another - they all make you wanna dance! Their fourth Triple A radio single, "Preach", is no exception to the rule! From the moment that the blaring, funky horns in the opening of the song take charge, "Preach" is a non-stop dance fest! Even the lyrics center around dancing in this song! For instance, the last two lines of the second verse are, "A hip's gotta sway/So shake it like your mama and seven-day pray." So what are you waiting for?! Get down with your bad self and boogie!


"The Let Go" by Elle King: For awhile, it seemed like all Elle King could do was energetic, catchy songs. There's nothing wrong with this, of course, as one of those songs, "Ex's and Oh's", ended up becoming one of the biggest hits of the 2010's! However, Elle's latest song, "The Let Go", shows a more sensitive side to the singer who brought a blues-y growl and swagger to the alterna-pop world of the 2010's. Only the chorus hints even slightly at something energetic. The rest of the song showcases a vulnerable, sensitive side to Elle as she tells of a relationship that left her wounded. This is also the first Elle King song I've heard with no drums in the background, only guitar (though it is electric guitar, not acoustic). Elle certainly lets go in this song by releasing her inner demons like she never has before! 










Wednesday, October 30, 2019

Songs for the day before Halloween 2019!!

here they are:


“Blind Leading the Blind” by Mumford and Sons: Midway through the 2010’s, Mumford and Sons decided they were tired of people pigeonholing them into the folk-rock category, so they got more of a “rock” sound with songs like “The Wolf”. Just as it seemed like M & S were finally starting to settle on a more acoustic based sound again towards the end of the decade, the quartet surprise us yet again by releasing what sounds like a U2 song with a banjo in the chorus! That’s right, in “Blind Leading the Blind”, Mumford and Sons’ two worlds collide! It seems to have done the trick for much of their fanbase, who favor their decision to meld all their previous sounds into one. In keeping with the theme of many songs from the mid to late 2010’s, “Blind Leading the Blind” laments the current generation, even opening with the words, “My generation’s stuck in the mirror”, immediately followed by “forget about ‘poor’ ‘cause I don’t like the word”. We are indeed a selfish, deceptive, and all-around desperate bunch of people these days, aren’t we?


“Misery” by Michigander: “Michigander”, in case you were wondering, simply means “person from Michigan”, just like “Californian” means “person from California”, and yes, they actually do hail from Michigan. It’s not just a clever name. Their debut song, “Misery”, gives me vibes that are similar to Snow Patrol or early Coldplay, with just a hint of latter-day Cage the Elephant tossed in for good measure. It is a short song without a lot of lyrical depth that talks about a breakup, as can be inferred from the title. A pleasant song nonetheless, though.


“Surefire” by Wilderado: Perhaps the best way to describe this song’s sound is “psychedelic country-rock”. It has a spaced out yet calm vibe similar to Kurt Vile (and his band, The War on Drugs). Fitting with its strung out, blissful, hippie vibe, Wilderado’s “Surefire” has a lot of nature related lyrics. “Surefire”, in this case, is not just a phrase used to describe something that is bound to happen, but a reference to the actual fire of the sun as it sets. The moon, the stars, bears, and forests are all mentioned in the first verse. Groovy, man!


“Van Horn” by Saint Motel: What exactly IS a Van Horn?! Is it like a Van Halen, but with horns in it?! No, it’s actually a town in Texas, which might explain the song’s “spicy twang” sound in the beginning. From there, it turns into the typical indie-dance-pop style of Saint Motel, but that is certainly not a bad thing. Saint Motel have been winners among the alt and adult alt crowds with “My Type” and “Move”, both of which were super catchy! “Van Horn” continues in this direction, creating yet another earworm in the Saint Motel catalog. The song actually has a clearer narrative than their other two hits, centering around the lead singer hesitating over whether to get to know the object of his affections better. As for me, I wanna get to know this song better!

Wednesday, August 24, 2016

New songs for August 24th 2016

here they are:


"City Lights" by The White Stripes: Meg and Jack haven't done anything together since 2007! Actually, "City Lights" is a previously unreleased song by the dynamic duo of modern garage rock that was first recorded in 2005 that never got an official album release until now. Fans of The White Stripes were probably anticipating a fuzzy blast of punk-blues, but "City Lights" is kind of the opposite of that. It is a bittersweet sounding folk-rock song with acoustic guitar at the forefront, light percussion in the background, and not much else (aside from Jack's vocals, of course). As for what the song is all about? A few fans have interpreted as a sad breakup letter that Jack wrote to Meg.


"Move" by Saint Motel: Sometimes it only takes one word to set things in motion, and in this case, that word is "move"! "Move" is exactly what you will want to do to Saint Motel's latest song, which deftly combines disco and alt-pop, much like their 2015 smash hit, "My Type", did. The disco element is a bit more emphasized in "Move", from its funky rhythm to its heavy use of brass, right down to how the "gotta get up" in the chorus sounds like a vocalized version of the sax riff in The Average White Band's "Pick Up the Pieces". Let's get down tonight!


"When the Tequila Runs Out" by Dawes: This is the second time that Dawes have had a song with the word "when" as the first word in the title of one of their songs, the first being "When My Time Comes". If you play the two songs back to back, though, you'd swear you were hearing two different bands! It seems as though, through their 7 years together so far, Dawes have really progressed as a band, going from the roots-y folk-rock of their debut to the pseudo-psychedelic pop sound of their latest song. "When the Tequila Runs Out", fittingly, has a rather boozy vibe, at least as far as its fuzz drenched guitars are concerned. The song is basically an ode to getting drunk, as the words that follow the title of the song are "we'll be drinking champagne". Drinking alcohol has never quite appealed to me, but it's still been a staple of rock songs for quite a long time.

Wednesday, April 8, 2015

New songs for April 8th 2015

here they are:


"My Type" by Saint Motel: Indie-pop hasn't been this disco-fied since the days of Scissor Sisters (and that was about a decade ago)! The saxes that blare in the beginning of the song already let you know what a groovy ride you're gonna be in for! I feel like Saint Motel released this song one season too early, given what a summery vibe it has (although there's really nothing wrong with that). Beneath "My Type"'s funky fever, though, there are some very tongue-in-cheek lyrics. For instance, during the chorus, the lead singer declares that the subject of the song is "just his type" simply because she "has a pulse and (she's) breathing". "Love comes wearing disguises" and "double check for double meanings" are other clever lyrics that the song has to offer!


"Quarterback" by Kopecky (formerly The Kopecky Family Band): When was the last time you heard a song beginning with the letter "Q"?! Actually, it was rather recently, with Paul McCartney's "Queenie Eye" from just two years ago, but other than that, it's been quite awhile! The word "quarterback" itself is pretty unique for a song title, given how I haven't heard that word in any other song title yet. This song is probably the most fuzz-guitar heavy that the typically bubbly Kopecky have gotten so far. The subject matter is a bit darker than most of their material as well, with the words "lies that you told me" being the central words in the chorus. Rest assured, though, Kopecky fans will probably still enjoy this song, as it is a catchy song with a melodic sound.