Final blog of the year part 1 - new songs for December 9th, 2020

 Can you believe it, folks?! We've reached the final blog of the year! But before we get started, please note that this is a two-part blog: one for new songs for this week, and another to count down the 20 most played songs that came out in (or around) 2020. Enjoy!

"Family Farm" by The Hold Steady: We start this week with the only song that is not currently a crossover hit between the alt and adult alt radio charts. The Hold Steady's latest is Triple-A exclusive, it seems, like most of their material, but that does not mean it's not worth listening to! As a matter of fact, it might be the most prolific and well-written song on today's list! The Hold Steady have been Bruce Springsteen fans ever since their debut in the late 2000's, but nowhere has this been more apparent so far than on their newest effort, "Family Farm." Filled to the brim with exciting Roy Bittan-styled piano riffs and Clarence Clemons influenced sax playing, "Family Farm" is the best song the Boss never wrote! Lyrically, the song serves as an unintentional predictor of the present day. Written before the pandemic hit, but not released until well into the thick of it, "Family Farm" deals with trying to survive in an increasingly difficult world, and it also mentions Van Halen's "Eruption" in the lyrics, which is yet another eerie coincidence since Eddie Van Halen made the ascent into guitar hero heaven two months ago. 

"Mariposa" by Peach Tree Rascals: Peach Tree Rascals might sound like a typical contemporary indie-pop band, but what you might not know just from listening is that their lead singer happens to be Filipino. In fact, many of the members are racially diverse. Perhaps, then, it might make sense to you that they hail from the racially diverse (and all around awesome) town of Los Angeles, California! The influences of Peach Tree Rascals are also very eclectic, mixing the sweet, buoyant '60s pop/rock of The Beatles and The Beach Boys with more modern-day urban pop influences like Kendrick Lamar and Frank Ocean in their breakthrough hit, "Mariposa" (which is Spanish for "butterfly"). And how did this sweet yet funky little song capture the hearts of millions towards the end of this year?! Through TikTok, that app that everyone keeps talking about that I still have yet to find out more about. Go figure, eh?!

"No Other Way" by Shaed: Electro-pop trio, Shaed, took the alt and adult charts by storm last year with the sweet, dreamy, "Trampoline." Come late into the next year, Shaed are at it again with "No Other Way." The song has a similarly breezy electro-pop flavor to "Trampoline," though it is also noticeably more upbeat than that song was. Like many indie-pop songs that have come out in the wake of the coronavirus pandemic, "No Other Way" acknowledges what a wild and dangerous year it's been, but still manages to send a positive message. "We could have died a million ways," lead singer Chelsea Lee sings during the chorus, following up the line with, "but we're alive another day." So count your blessings, folks, and count Shaed among them!

"Sofia" by Clairo: Just a mere matter of weeks ago, I reviewed "Are You Bored Yet?" by Wallows, on which indie-pop singer Clairo is featured on backing vocals. On "Sofia," Clairo strikes out on her own and gives us a taste of what her music sounds like without another band taking over it. Like "Mariposa" earlier in this blog, "Sofia" is yet another song that has gained popularity through TikTok (I feel so old saying that without knowing fully what it is, haha). "Sofia" is also named after an actual Sofia...two of them, actually. Uber-attractive Latina actress, Sofia Vergara, was one of the Sofias Clairo had in mind when doing this song, and the other was Sofia Coppola, daughter of famed director Francis Ford Coppola. The song is about Clairo's recurrent crushes on older women, told through a mix of techno-pop synths and fuzzy yet rhythmic guitars. 

New songs for August 12th, 2015

here they are:


"Empire" by Of Monsters and Men: "Crystals"? "Empire"?! Any Bronies noticing a pattern here?! Heheheh. Joking aside, though, "Empire" really is a good OMAM song, like most of their material. Much like their previous hit from this year, "Crystals", "Empire" doesn't stray too far from the standard OMAM pattern of gentle, pensive folk-rock combined with somewhat mystical, opaque lyrics. There are some things that set the two songs apart, though. First of all, "Empire" is in C minor (as opposed to the C major key "Crystals" was in), and it also features more male vocals than female vocals, the latter of which were used more on "Crystals". OMAM win once again with their nature oriented imagery ("river running wild", "feel the ocean as it breathes", "see the mountains where they meet", etc.)


"Fake Roses" by The Lone Bellow: As you might expect from a song that contains both "fake" and "roses" in its title, this is a rather melancholy song. It appears to be a song about being able to "see through" a relationship to know how bad it might have been. Quite a turnaround from a band whose last song was a rather confident number called "Take My Love"! Still, though, as the autumn season slowly approaches, "Fake Roses" is a very apt song for the somber season. What better way to shake off a negative relationship than to snuggle up inside surrounded by blankets, warmth, and a drink of hot chocolate? Songs like this certainly get me in the mood for that!


"Keep Going" by The Revivalists: "Keep Going" is exactly what the soulful, jazzy, and aptly named Revivalists are attempting to do here! With their solid, dynamic sound, they are out to convince the world that "Navigate Below" was not going to leave them branded as one hit wonders! The relentlessly happy "chugga-chugga" sound of "Keep Going" is enough to win over fans of the band (as well as fans of similar acts like Alabama Shakes, St. Paul & The Broken Bones, and Gary Clark, Jr.) Revivalists, keep going! Keep on doin' what you're doin'! You're good at it!


"Maggie I've Been Searching For Our Son" by Craig Finn: Classic roots-rock revivalist Craig Finn from The Hold Steady turns down the electric guitars on his latest song, which is a rather plaintive protest song. Finn still has the Springsteen-esque sound he usually has here, though it sounds more like something from The Boss's largely folk-rock-y "Greetings From Asbury Park" than it does the sweeping, epic anthems of "Born to Run". For a man whose band has become an adult alt radio staple within the past couple years, Finn has never focused on acoustic rock songs (surprisingly) until now. The angst and sarcasm typically present in Finn and The Hold Steady's material is replaced here by something of a more pensive, yearning quality. Surprisingly, it actually works here!


"Monkey Tree" by Mother Mother: After three plaintive folk-rock songs (and one soulful, blues-y number), it's refreshing to end this week's blog with a bouncier, quirkier pop song like "Monkey Tree". Even its title is kinda goofy! A song that opens with the lyrics, "I live in the jungle, I sleep in a monkey tree", is bound to make you smile! Well, it did for me, anyway. This song is also one that'll make you wanna dance! Come on and do the monkey, everybody!

New songs for August 13th, 2014

here they are:



"I Hope This Whole Thing Didn't Frighten You" by The Hold Steady: Where Bruce Springsteen romanticized city life, The Hold Steady expose the seedy underbelly of city life. "I Hope This Whole Thing Didn't Frighten You" is basically meant to frighten you, at least lyrically it is. It's a woefully angry tale of Craig Finn's current life breaking into shambles before his very eyes. The passionately grungy sound of the song recalls similarly themed life-gone-wrong, downward spiraling songs, like The Afghan Whigs' "What Jail Is Like" and Goo Goo Dolls' "Long Way Down". The Hold Steady are clearly not holding steady!!


"Let's Be Still" by The Head and The Heart: While seeing The Head and The Heart in concert at the Hollywood Bowl on Sunday, I got a taste of this song before I reviewed it! "Let's Be Still" is a very calming song, as its title implies. It is probably one of the best contemporary songs to meditate to, for both its soothing melody and for its message of trying to find a blissful escape from the fast pace of the modern world. The vocal harmony of the song flows quite well with the spiritual harmony of the lyrics.


"Three Headed Woman" by Boy and Bear: For Boy and Bear to even come up with a song title as bizarre as "Three Headed Woman", they are probably more eccentric than the quaint folk-rock group they appear to be. The title is only mentioned at the beginning of the song, when Dave Hosking sings about how he "had one of those dreams where you were a three headed woman". What this means is anyone's guess, and Sigmund Freud would probably have a field day with trying to figure out its meaning! As for the song itself, it seems to be about being caught between loving and hating one's object of affection.


"Work It Out" by Knox Hamilton: Don't be fooled by the name, Knox Hamilton are a quartet, not a single person. You should also not be fooled by the gentle "Mr. Rogers"-ish chime of the xylophone in the intro of the song, as it is does not define the song, and it is also not used in the rest of the song, which is one of many alt-pop songs that I have come to label "new new wave" (using an anthemic contemporary pop/rock sound in which guitars and synthesizers are both dominant instruments). Not a whole lot of particularly memorable substance in the song, and the chorus of "I know we can work it out" is nothing new. Sure is catchy, though!

New songs for February 5th, 2014

here they are:


"Brighter" by Ozomatli: Until recently I overlooked this group. They've got it all, though! Latin, rock, jazz, soul, and reggae all wrapped up into one neat little package!! Their best known song so far is probably "Who Discovered America?", partly due to it being featured in the romantic comedy, "Never Been Kissed". "Brighter" is probably Ozomatli's most reggae inflected track so far. Its easy, flowing mix of reggae, pop, rock, and hip-hop influences recall some of the earlier Michael Franti songs. It also shares a lot of Franti's positive messages as well ("world is gonna look much brighter").


"Do I Look Worried?" by The Tedeschi-Trucks Band: Back when I first reviewed The Tedeschi-Trucks Band about three years ago, I had not expected them to be such heavy hitmakers on adult alt radio (arguably more than Tedeschi's solo work). Another thing I would not have expected from Susan and Derek would be a slow, doo-wop/early soul influenced song, yet that's exactly what "Do I Look Worried?" is. Derek Trucks' guitar playing, as always, is present on the song, but the rhythm is decidedly different from most of the TTB's material, coming in the form of a waltz, instead of a pop/rock rhythm. This little band has sure gone a long way!!


"Invisible" by U2: This song has a sound that starts out as slightly foreboding, before building up rather quickly to sound more like a pop/rock song, much like the similarly titled "Invisible Sun" by The Police (title stealers, anyone?! Haha, just kidding!) Apparently, Bono released this song as a way for listeners to contribute to a generation he hopes will be free of AIDS. The lyrics in the chorus of the song, about how "you don't see me, but I'm not invisible", are definitely intended to give people hope who are in need of it. The sound of the song walks the line between rock and roll and techno, while feeling much more like the former than the latter, much like a lot of the songs from their '91 album, "Achtung Baby", so I can't complain there! All in all, this is a very fresh, exuberant effort from a band who has stayed together for over three decades!!


"New York Morning" by Elbow: The ultra-mellow feel of this song definitely suggests "morning", but it doesn't quite feel like the loud, hustle bustle atmosphere typically associated with New York (perhaps partly because Elbow are a British band). "New York Morning" is actually a very sweet song, with a lovely story behind it. It is about a married couple named Dennis and Lois, who grew up during the New York punk scene, that the band members knew personally. The experience of these two living in New York is chronicled quite nicely in the music video for this song, which can be viewed here: http://www.stereogum.com/1645701/elbow-new-york-morning-video/video/


"Nothing Quite Like Home" by G. Love and Special Sauce: G. Love and co haven't rocked (or jazzed) out quite this hard since the '90s!! Love (born Garrett Dutton) tended to focus more on acoustic blues and folk for most of the 21st century. "Nothing Quite Like Home" sees Dutton plugged in once again for the first time in quite a while! The opening riff (which is used throughout the song) sounds a little like "Smoke On the Water" if it were sampled by Beck and performed by Ben Harper. As the song says, "There's nothing else quite like home". If by "home", G. Love means the music he was originally known for, then there really is nothing quite like it!


"Spinners" by The Hold Steady: In both sound and lyric, The Hold Steady are pretty much the indie rock version of Bruce Springsteen's E Street Band (though they have a slightly rougher sound)! The Hold Steady's songs are typically slices of life in urban bohemia, with a somewhat angst ridden undercurrent, and "Spinners" is no exception. "Spinners" seems to place a bit more emphasis on how the enjoyment of music ties in to the lifestyle of the band members and their friends, how it both builds them up and tears them apart. As a boy who grew up around the urban bohemia of Los Angeles, I approve (though their hometown is Brooklyn, New York).

new songs for December 7th, 2011

Here they are:

"Get Used to It" by Ben Lee: Ben Lee made his musical breakthrough back in the mid-'00s with the charmingly quirky, folk-pop-y "Catch My Disease". It didn't occur to me back then that his roots were not in folk-pop, but rather in power pop (i.e. Big Star, Elvis Costello, XTC, etc.) No song in Ben's catalog that I've heard so far illustrates his power pop influences better than his latest song, "Get Used to It". The sound of "Get Used to It" isn't the best part, though. It's how Ben takes a slow, slightly psychedelic detour midway through the song that makes "Get Used to It" really worth listening to for me! "Get Used to It", therefore, is the perfect title to a song that starts off catchy, gets a little weird (in a good way) midway through, and ends up as catchy as it was when it began. Now THAT's something to "get used to"!!

"Honolulu Blues" by Craig Finn: Craig is the lead singer of a roots-y, largely Springsteen influenced indie outfit called The Hold Steady, and, until now, has recorded pretty much all of his material with them. "Honolulu Blues" marks the first time Craig has struck out on his own, but he still retains the Springsteen-esque sound of The Hold Steady, and still has a (nameless) band backing him up! The opening chord sequence of the song seems like it's been used endlessly in rock/pop music (most recently, perhaps, in "Forget You [F**k You]" by Cee-Lo Green), but after that, "Honolulu Blues" becomes its own song. As indicated earlier, there's a definite Springsteen influence in this song, but it seems like this song goes back even further in rock 'n' roll history, as it also seems to heavily recall Chuck Berry (and perhaps The Rolling Stones as well) in its riffs! The angst-ridden but catchy poetic lyrics combined with the instrumentation also brings to mind even more rock 'n' roll greats, like Dylan during his "electric" period. Classic rock influences are present in nearly every song Craig has attempted, but none more so than "Honolulu Blues". Long live rock!!

"Serpents" by Sharon Van Etten: In a long line of "angry young women" in alt/indie rock, starting, perhaps, with Patti Smith, continuing with PJ Harvey and Liz Phair in the '90s, and carrying through to the '00s with acts like The Dresden Dolls and Company of Thieves, Sharon Van Etten is the latest to follow in their footsteps with her seductively dark song, "Serpents". "Quirky young women" (Feist, Regina Spektor, Joanna Newsom, Florence and The Machine, etc.) seems to have been the trend in the '00s/2010's, and, as great (and cute) as they are, sometimes it's good to have a little darkness to balance out the light! Sharon's voice might not have the same venom as Patti, Liz, and PJ, but the instrumentation here is pretty angst-ridden, as are the lyrics (which include, "You enjoy sucking on dreams, so I'll fall asleep with someone other than you"...Ouch!!). For those who like their gals with more of a gloomy, detached emotion in their music, I highly recommend "Serpents". Even the TITLE of the song indicates something not-so-friendly!

"Waiting For Something" by Nada Surf: The one regret I have about Nada Surf's music is that their most popular song, "Popular", sounded like a Weezer song (or, more accurately, a PARODY of a Weezer song), whereas all their other material is more beautiful and melodic than that, approaching the R.E.M./Radiohead category. Their latest, "Waiting For Something", continues in the beautiful but catchy alt-rock pattern of pretty much everything they released in the '00s (which was quite a bit, actually, and included songs like "Inside of Love", "Always Love", "See These Bones", and "Whose Authority"). "Waiting For Something" is a little different than the four songs I just mentioned, but in a VERY good way. Where those four songs were slower paced, "Waiting For Something" is a little faster. This is such a great song!! Great harmonies, great vocals, great instrumentation, tell-it-like-it-is lyrics (the chorus, for instance, "it always feels like I'm waiting for something"), what more could you ask for?! This is my fave release of the week and I highly recommend it!!

I'm ba-ack!! With EIGHT new entries!!!!

You heard right, folks - EIGHT new entries!!! Quite a bit to make up for my absence last week. So here goes!!

"Horchata" by Vampire Weekend: Honestly, this one should have been reviewed about a month ago when adult alt. stations started to spin this one, but it took me awhile to realize just how awesome this song (and band) is! I love the tropical vibe that songs like this (and VW's 2008 hit, "Cape Cod Kwassa Kwassa") give off! Sounds almost like Ray Davies from the Kinks fronting Paul Simon's backing band from the '70s and '80s. I have no idea what "Horchata" is (from the lyrical context, an alcoholic beverage - "In the summer drinking Horchata"). Bottom line, this song makes me smile and makes me want to jump into a pool and cool off from the heat of the sun. A song this fun really should have been reviewed by me the moment it started getting attention, but at least I've reviewed it now!

"Hurricane J" by The Hold Steady: I've only heard one other song by this band (2008's Springsteen-meets-Wallflowers-ish "Sequestered In Memphis"), but MAN, this song ROCKS!! The Hold Steady seem to have abandoned their bar band schtick they had in "Sequestered", and gone more for a crowd-heavy, somewhat "Americanized" U2 type of sound. The Hold Steady could sell out arenas with this one, it's THAT good!! "Hurricane J" has just the right sound for an encore number in a rock concert (and if it gets popular enough, "Guitar Hero" and "Rock Band" oughta feature this song!!) It's official, folks - rock 'n' roll is here to stay with this song!! Long live rock!!

"Run" by Vampire Weekend: This song almost sounds like a sequel to VW's 2008 song, "Cape Cod Kwassa Kwassa". Both songs have a uniquely swaying reggae-influenced rhythm, and are also both in the key of D major. The main difference between the two songs (besides the lyrics)? "Run" features a mariachi band! Pretty cool if you ask me! "Run" also seems to bear more of a rhythmical resemblance to Paul Simon's "Late In the Evening" (VW seem to be pretty huge Paul Simon fans!) The band Vampire Weekend remind me of the most is probably The Police, in that they both combine reggae rhythms/guitar riffs with eclectic instrumentation. If you're a Police and/or Paul Simon fan, chances are you'll enjoy this one!

"Shake Me Like A Monkey" by The Dave Matthews Band: Songs like this one and "Why I Am" (from the same album, "Big Whiskey And the Groogrux King") make me think that DMB were aware of their reputation of being a "softer" rock band, so they decided to amp things up a bit on both of those songs. "Shake Me Like A Monkey" seems to almost dive into Red Hot Chili Peppers-ish territory. It's not as heavy as the typical RHCP song, but it does maintain the funkiness, groovy staccato guitar/bass riffs, and wild 'n' crazy fun of the typical RHCP song. There are even lyrical tongue twisters in the middle of the verses (my personal fave: "I like my coffee with toast and jelly, but I'd rather be licked from my back to my belly") to go with the manic energy of this song. All that being said, this is a fun song to both rock out to and get up and groove to!

"The Rain" by The Swell Season: Another song from the actor and actress of the beloved indie flick "Once". Having heard three songs off their latest album, "Strict Joy", it seems like Glen and Marketa wanted to go more for the more "mixed instruments" sound of '60s folk-rock than the more stark, acoustic sounds of Cat Stevens and Nick Drake that they went for on the "Once" songs. One thing they've managed to maintain from those songs that they've brought into their latest material is a sentimental, wistful quality. I love how this song starts out entirely acoustic, and in a minor key at that. Perhaps Glen and Marketa weren't aware that the chord sequence in this song is similar to "The Beast" by fellow indie-folk-rock duo Angus and Julia Stone, but it's still a nice song to listen to, especially on a rainy day (which, of course, is apt to the title).

"Tighten Up" by The Black Keys: I love the "happy psychedelic" sound on this one. It's the kind of sound that I think would be likely to be featured on a car commercial (or perhaps even another James Bond spoof, a la "Austin Powers"). What takes the cake for this song, however, is the video. It's hilarious!! Jim Henson would be proud, since the entire video is a PUPPET DINOSAUR singing along to the song!! Sounds like the kind of thing that would be quirky enough to be featured in a '70s or '80s episode of "Sesame Street" (who were also quite psychedelia influenced back in those days). Somebody call the folks who did "Avenue Q" and tell 'em to watch the video for The Black Keys' "Tighten Up"!! It's a hoot!

"Vaporize" by Broken Bells: Not that "The High Road" (the previous hit from this band) was bad, 'cuz it wasn't, but this song just sounds more fitting for a band whose lead singer is James Mercer from The Shins. It sounds kinda like The Beatles (a huge influence on The Shins). Much like The Black Keys' "Tighten Up" (see above), "Vaporize" also takes a foray into '60s psychedelia. It takes a Beatlesque approach instrumentally by adding in "unexpected" instruments such as organs and muted trumpets. "Sgt. Pepper" fans, rejoice! Speaking of which, "Vaporize" seems like it'd feel right at home on that album.

"Your Hands (Together)" by The New Pornographers: If any of you have heard of the classical composer Haydn's "Surprise Symphony", this song is like the rock and roll reincarnate version. It starts out melodic and happy like the typical New Pornographers song, but right in the middle of each line is a crunchy, loud "DA-NA-NA-NA-NA!!" guitar sound that sounds more like it'd fit in a Black Sabbath song than a New Pornographers song. If you're ever feeling like you just don't want to get up in the morning, put this song on. It's BOUND to make you wake up and smell the coffee!!