Showing posts with label Shaed. Show all posts
Showing posts with label Shaed. Show all posts

Wednesday, December 9, 2020

Final blog of the year part 1 - new songs for December 9th, 2020

 Can you believe it, folks?! We've reached the final blog of the year! But before we get started, please note that this is a two-part blog: one for new songs for this week, and another to count down the 20 most played songs that came out in (or around) 2020. Enjoy!


"Family Farm" by The Hold Steady: We start this week with the only song that is not currently a crossover hit between the alt and adult alt radio charts. The Hold Steady's latest is Triple-A exclusive, it seems, like most of their material, but that does not mean it's not worth listening to! As a matter of fact, it might be the most prolific and well-written song on today's list! The Hold Steady have been Bruce Springsteen fans ever since their debut in the late 2000's, but nowhere has this been more apparent so far than on their newest effort, "Family Farm." Filled to the brim with exciting Roy Bittan-styled piano riffs and Clarence Clemons influenced sax playing, "Family Farm" is the best song the Boss never wrote! Lyrically, the song serves as an unintentional predictor of the present day. Written before the pandemic hit, but not released until well into the thick of it, "Family Farm" deals with trying to survive in an increasingly difficult world, and it also mentions Van Halen's "Eruption" in the lyrics, which is yet another eerie coincidence since Eddie Van Halen made the ascent into guitar hero heaven two months ago. 


"Mariposa" by Peach Tree Rascals: Peach Tree Rascals might sound like a typical contemporary indie-pop band, but what you might not know just from listening is that their lead singer happens to be Filipino. In fact, many of the members are racially diverse. Perhaps, then, it might make sense to you that they hail from the racially diverse (and all around awesome) town of Los Angeles, California! The influences of Peach Tree Rascals are also very eclectic, mixing the sweet, buoyant '60s pop/rock of The Beatles and The Beach Boys with more modern-day urban pop influences like Kendrick Lamar and Frank Ocean in their breakthrough hit, "Mariposa" (which is Spanish for "butterfly"). And how did this sweet yet funky little song capture the hearts of millions towards the end of this year?! Through TikTok, that app that everyone keeps talking about that I still have yet to find out more about. Go figure, eh?!


"No Other Way" by Shaed: Electro-pop trio, Shaed, took the alt and adult charts by storm last year with the sweet, dreamy, "Trampoline." Come late into the next year, Shaed are at it again with "No Other Way." The song has a similarly breezy electro-pop flavor to "Trampoline," though it is also noticeably more upbeat than that song was. Like many indie-pop songs that have come out in the wake of the coronavirus pandemic, "No Other Way" acknowledges what a wild and dangerous year it's been, but still manages to send a positive message. "We could have died a million ways," lead singer Chelsea Lee sings during the chorus, following up the line with, "but we're alive another day." So count your blessings, folks, and count Shaed among them!


"Sofia" by Clairo: Just a mere matter of weeks ago, I reviewed "Are You Bored Yet?" by Wallows, on which indie-pop singer Clairo is featured on backing vocals. On "Sofia," Clairo strikes out on her own and gives us a taste of what her music sounds like without another band taking over it. Like "Mariposa" earlier in this blog, "Sofia" is yet another song that has gained popularity through TikTok (I feel so old saying that without knowing fully what it is, haha). "Sofia" is also named after an actual Sofia...two of them, actually. Uber-attractive Latina actress, Sofia Vergara, was one of the Sofias Clairo had in mind when doing this song, and the other was Sofia Coppola, daughter of famed director Francis Ford Coppola. The song is about Clairo's recurrent crushes on older women, told through a mix of techno-pop synths and fuzzy yet rhythmic guitars. 





Wednesday, April 3, 2019

New songs for April 3rd 2019

here they are:


"Father Mountain" by Calexico and Iron & Wine: Yes, there are indie-folk bands who actually know each other! Calexico and Iron & Wine have actually known each other for awhile, but this is their first adult alt radio hit together. The words, "Father Mountain", sound almost like hippie-speak, as if it were a metaphor for nature. However, the "father" here is a literal one, with the song taking its title from the recurring line, "my father built a mansion on the mountain". As one might expect, the song blends the ultra-mellow vibes of Iron & Wine with the quaint country-rock of Calexico. The song appears to be about Sam Beam (Iron & Wine) and a girlfriend of his who lived in his father's house, named "Teresa" in the song.


"Get Out And Get It" by Devon Gilfillian: There's a bit of a '60s soul and '70s funk sound on this song, the debut song from Philadelphia native, Devon Gilfillian. The organ that resonates throughout the song gives it even more of a "vintage" sound. Apparently, the organ in the song reflects Devon's African roots, taking its influence from Nigerian music from the 1970's, and giving the song its unique, catchy flavor. The title of the song is exactly what Devon wants his listeners to feel like when hearing it. In other words, he wants them to feel like they're gonna "get out and get" the fresh soul grooves of this song!


"Patience" by Tame Impala: "Patience" is what Tame Impala's fans have been experiencing since 2015! Finally, their patience has paid off. And what has it brought us?! A song that sounds like it's from 1979, mixing disco music and Supertramp...yet at the same time, there's also a distinctly modern vibe to the song as only Tame Impala can bring it! Tame Impala are a clever and quirky enough band that "Patience" might just BE about how long they've waited to record a new song, or how long their fans have waited for such a thing to happen. The opening lines of the song are even, "Has it really been that long?" Yes, it has been that long. It's been four years. It's been worth the wait, though!


"Renegade" by Dylan LeBlanc: Not to be confused with 1970's rock anthem, "Renegade", by Styx...although this does have a slightly more rock vibe than Dylan's breakthrough single, "Cautionary Tale". Well, only slightly. Dylan LeBlanc's "Renegade" is still essentially folk-rock, but with more electric backing instrumentation. A bit stronger language than "Cautionary Tale", too, at least during the second verse, which is a bit of a shocker to me in what appears to be pretty laid back song. "Renegade" seems to be Dylan's attempt at doing "urban lyrical poetry" a la Bruce Springsteen. A bit of a grittier song than one might expect from Dylan LeBlanc, but it also adds more dimension and depth to his work.


"Trampoline" by Shaed: Being the "Simpsons" fan that I am, the first thing I think of when I hear the word, "trampoline", is Homer Simpson enthusiastically shouting, "TRAMPOLINE! TRAM-BOP-O-LINE!" Of course, Shaed's "Trampoline" has nothing to do with Homer and his eccentric family, but it's still funny to think about. What it's actually about is...well, not anything, really, but a bunch of sweet, dreamy imagery meant to sync with the sound of chilled out electro-pop. The lyrics and music match up well here, inviting the listener to dive into a pool of hypnotic emotions and sound.