New songs for June 16th, 2021

 here they are:


"Brando" by Lucy Dacus: As many of you have probably guessed, the "Brando" being referred to in the title of the song is none other than Marlon! This is a song from recent indie-folk/pop sensation, Lucy Dacus, that is littered with movie references! Movies ranging from "It's a Wonderful Life" to "Casablanca" to "A Streetcar Named Desire" are all referenced here. However, the song is not about Marlon Brando. Instead, it is about a lover, presumably now an ex, of Lucy's who makes constant movie references and "thinks he's Brando," when he doesn't even come close to that in reality. There's hints throughout the song that Lucy's former flame might just be a social outcast of sorts. He "knows he's uncool," prefers advanced vocabulary like "cerebral" to ordinary words like "pretty," and his constant cinematic references are not unlike what I encounter in my own social circle, which is full of outcasts. How long is it before someone writes a song about me and calls it "Stipe" (as in Michael from R.E.M.)?!

"Cloud 9" by Beach Bunny: A breezy mix of punk, surf, pop, and rock, not unlike what fellow indie group, Best Coast, was doing a decade before, Beach Bunny's "Cloud 9" is a unique and catchy little tune whose title matches its sunny mood. Lyrically, "Cloud 9" is a quirky yet somewhat slice-of-life point of view on what love is like. But neither the music nor the lyrics are the highlight of this piece. Instead, it's the charming, sweetly silly animated music video for the song, done by animator Margaret Bialis, best known currently for her work on children's entertainment outlet, Nick Jr. Though "Cloud 9" is not a children's song, kids can watch the video without their parents objecting to it, and they might even like it! The animation is somewhat reminiscent of cartoons like Bee and Puppycat, albeit without the anime influence that one has, if you mixed it with the purposely childlike illustrations of left-of-center author and blogger, Allie Brosh. A girl, her surprisingly cute pet snail, and the guy she has a crush on are in "Cloud 9"'s video...and that's pretty much all you need to know about it! Should hold equal appeal to Juno fans AND My Little Pony fans! The video can be viewed here: https://www.youtube.com/watch?v=_3vTWUeS80Y

"Know That I Know" by Lake Street Dive: This slinky R & B styled track is notable for all the neat little pop culture references it packs in!! Where to begin? Ferris Bueller's Day Off, Bruce Springsteen, Bob Ross, The Ramones, and Star Trek are ALL mentioned within the first two verses of the song! Why, you may ask? It's because lead singer Rachael Price thinks these would all be great references to include in a love song! The song has a "you're my (x) and I'm your (y)" lyrical pattern where all those references seep their way in to this sultry, sensational song! Also, I've gotta say, pretty much all those references are pretty cool (though I've never been big on Star Trek...sorry). Rachael, if you ever wanna date another pop culture savvy musician...I'll be waiting for ya!

"Solar Power" by Lorde: Here is a first for pop sensation, Lorde. A Lorde song with guitar! GASP!! Acoustic guitar, specifically...but that's still a shocker (albeit a good one) for the material of an artist who relies mainly on synthetic instrumentation. The song is also a lyrical first for Lorde. Instead of delving into heavier subject matter as she had been known to do on previous material, in this song, New Zealand's most famous millennial adolescent sings a song that sounds like it came from...an adolescent! It's not a song attempting to diss the media or pop culture, but instead, it's one that just embraces a carefree lifestyle on the beach in the summertime! I don't think Lorde is trying to fool us here. I think she might just be growing up backward somehow! And if she's ok with that, then so am I!

New songs for February 17th, 2021

 here they are:


"Close to You" by Dayglow: Dayglow's fall/winter smash hit, "Can I Call You Tonight?" soared up the alt and adult charts and went on to be one of the most memorable, catchy, and recognizable songs of the past few months! Their second hit, "Close to You," seems like it might have a similar impact on the alt and adult alt radio charts. However, there are a few things that make "Close to You" noticeably different than "Can I Call You Tonight?" First, there's the fact that, where "Can I Call You Tonight?" used cleanly distorted echo-y guitars in the background, "Close to You" seems to use no guitars at all and instead relies entirely upon synth as its lead instrument. Those who are more observant might also notice that "Close to You" uses a mostly minor key melody, in contrast with the happy, upbeat major key that "Can I Call You Tonight?" used. "Close to You" is still plenty upbeat, though, and as perfect for the dance floor as it is for your bedroom!

"Hypotheticals" by Lake Street Dive: Taking a step back from the "retro-soul" sound that Lake Street Dive have become known for, their latest song, "Hypotheticals," sounds a bit closer to contemporary R & B, as if someone like Pharrell Williams or Beyonce could have recorded it (albeit with noticeably more guitar in the background). Even the solo of the song is synth based, as opposed to being based around guitar or sax. The "hypothetical" being discussed in the song, by the way, is that of long distance relationships. Rachael Price contemplates the age-old question of whether she should stay or she should go in the song's lyrics. Sigh...I can relate. 

"Low" by Chet Faker: Obviously, "Chet Faker" is not the real name of this song's performer. It is actually Nick Murphy, a name he used temporarily after his first big hit, "Gold," from 2014. Nick reverted to using his given name afterwards...until now, that is. I have no idea what Nick's recordings were like under his given name, but under the Chet Faker alias, they all seem to have an element of electro-pop. His latest song, "Low," is no different. "Low" was actually released back in October of last year, when hope for the pandemic to be eradicated wasn't as big as it has gotten today, so a lot of the lyrics relate to that. This is why, in the context of the song, he is feeling "low," but he still encourages his listeners to find peace among the chaos. Nick, it looks like your wish is slowly but surely coming true!

"Sunblind" by Fleet Foxes: Fitting to its title, "Sunblind" sounds like a very sunny, summery song. However, if you listen closely, its lyrics tell a sadder story. Many names are mentioned within the song, and all those names are the names of dead musicians. All the names listed are probably too numerous to mention here, but among those mentioned, in order of appearance in the song, are folk-rocker John Prine, soul musician Bill Withers, tragic indie-folk poet Elliott Smith, soul musician Curtis Mayfield (could also be Ian Curtis from post-punk group, Joy Division), classic rock legend Jimi Hendrix, fellow classic rock legend David Bowie, tragically short-lived folk-rocker Nick Drake, soul musician Otis Redding, alterna-folk hero Jeff Buckley, power pop-ster Chris Bell from Big Star, soul legend Marvin Gaye, and even innovative rap-rocker Adam Yauch from The Beastie Boys. This entire REVIEW for the song has been those musicians! But I did not mention them here merely as a list. They are also being mentioned for their contributions to rock and pop music, and for being meaningful enough to Robin Peckold's life for him to sing about them in sweet, poignant tribute like no other song before or since! (Well, except maybe Don McLean's "American Pie" - that was a pretty moving tribute too!)

"Two" by Flock of Dimes: Perhaps some might think that A Flock of Seagulls sounds more significant than a Flock of Dimes. After all, the former conjures up majestic imagery of birds flying gracefully over the sea, where the latter evokes more mundane imagery of someone dropping ten-cent coins on the floor of the laundry room. But make no mistake! Flock of Dimes, as a band, are more majestic and poetic than their name suggests they might be! They are actually the side project of Jenn Wasner from indie-pop group, Wye Oak. Like most of the entries on this week's list, Flock of Dimes' "Two" is a synthpop song. It is an ethereal, bittersweet song in which Jenn Wasner hopes to form a "union" of sorts with the object of her affections. Her vocals alone always seem to quaver with yearning, and with "Two," it's no exception. 

New songs for October 14th, 2020

 here they are:


"Lifetime" by Romy (from The xx): The female half of the guy/girl electro-indie-pop duo, The xx, Romy is striking out on her own this time around. Her debut solo single, "Lifetime", sounds like an odd cross between Madonna and Imogen Heap. How this came to be is anyone's guess. "Lifetime" is both energetic dance-pop and soothingly ambient. As it turns out, there is a reason this song sounds like something Madonna might have done in the '90s. The Material Girl's fave sound engineer, Mark "Spike" Stent, was the one who mixed this track. Who would have guessed?!

"Making Do" by Lake Street Dive: Lake Street Dive have been making blues-y R & B revival music since 2014. A lot of it has sounded fun and energetic, and the lyrical themes usually revolve around romance. "Making Do" is not such a song. It still has that chugging retro R & B flavor to it like most of their songs do, but this time it's a bit slower. What's most noticeable about "Making Do", though, is how serious the subject matter is! When a band as (typically) carefree as Lake Street Dive wants to shift gears into making protest songs, you KNOW something is wrong with the world! "To the next generation, Merry Christmas", lead singer Rachael Price half-sarcastically states in the opening of the song, following the line with the more truthful whammy of, "You're working harder than ever now, and the coffee sucks." Rachael continues addressing problems ranging from climate change to unfair pay throughout the song. Many more painful reminders of reality can be heard during the rest of the song, as Rachael questions where the heroes are in this day and age. Having just been married last year, the "baby girl" mentioned in the song is literally Rachael's own baby, not even a year old yet. Rachael brings her up to complain about how irresponsible contemporary society has been in creating a world where people are more physically vulnerable than ever before. My heart weeps for humanity!

"Shaken" by David Shaw (from The Revivalists): David Shaw from blues-rock group, The Revivalists, has struck out on his own now, after having been in a surprisingly successful band for 6 years. His debut solo song, "Shaken", doesn't sound too different from his material with The Revivalists. The song does have noticeably more acoustic guitar than most Revivalists songs do, but that just provides as a backdrop here for the more blues-y instruments up front. The song appears to be about a breakup of sorts. As much as I like songs with metaphorical messages, I'm glad that "Shaken" is NOT some sort of allegory for the present crisis we've been facing. Sometimes, songs with simpler topics are just easier to take!

New songs for October 3rd 2018

here they are:


"Shame Shame Shame" by Lake Street Dive: The soul and rock combo of Rachael Price and co just keeps on coming with their latest hit, "Shame Shame Shame". From the title alone, you could probably guess that it's a bit darker than their first hit from their latest album, which was a song called "Good Kisser". You know that feeling when you're in a relationship with someone and you find out all the darkest secrets of the person you thought was your one and only?! Well, that's exactly the vibe this song tries to provide. Fool me even once?! "Shame Shame Shame" on you!!


"Total Disaster" by Rhett Miller: You were expecting country rock?! Well, think again! The Old 97's frontman takes on more of a British rock flavor on his latest song, "Total Disaster", even though he himself is not British. In this self deprecating number, the titular "total disaster" is none other than Rhett Miller himself! It's not as though Old 97's haven't had a bit of bite to their music before. They're almost like punk rock in comparison to the Byrds-y Jayhawks and the rustic Son Volt. This song, however, takes the self aware sarcasm of the typical 97's tune and amps it up a bit, both musically and lyrically!

New songs for March 7th, 2018

here they are:


"Can We Hang On?" by Cold War Kids: Cold War Kids return with a third single from "L.A. Divine" with "Can We Hang On?" Once again, Cold War Kids mix U2-ish guitars with Coldplay style pianos to create the soundscape for "Can We Hang On?" It is nothing new for CWK, musically. However, it does present an interesting lyrical theme of how looking back nostalgically at the past can make one more uncertain about the future. It's almost the opposite point of view of "Best Days" by Lissie, from earlier this year. Where Lissie wants more best days in the here and now, Cold War Kids are left wondering if they can hang on long enough for a bright future to greet them.


"Go Out Fighting" by Dr. Dog: After the perils of doubt from the last song, it might be nice to ease into a song with a more positive message. This is where Dr. Dog come in, with their latest song, "Go Out Fighting", which opens with the lyrics, "Never give up. Go out fighting". This "fighting", of course, is not the physical kind, but the metaphorical kind. In other words, to "go out fighting" for what you think is right and for what you want out of life! Just as Dr. Dog did with "Listening In" from earlier this year, "Go Out Fighting" also uses major influence from 1960's psychedelic rock, using swirly, tremolo laden guitar feedback with a reverberating vintage organ sound. Fight the good fight, guys!


"Good Kisser" by Lake Street Dive: "If you're gonna tell them anything, tell 'em I'm a good kisser", Rachael Price croons in a sultry manner on the opening lyrics of this soulful tune that sounds both retro and modern. With a rhythm as syncopated as it is slinky, "Good Kisser" is a bit like receiving a kiss. It sneaks up on you, wraps itself around you, and leaves you with a puckering, vibrant, "Wow!" feeling afterwards. Rachael, if you're available, please, come give me a good kiss! I bet you're great at it!


"Shiny One" by Belly: An early '90s alt-rock quartet that is half female and half male, Belly are considered by many to be a one-hit wonder for their quirky yet enchanting, "Feed the Tree", from 1993. It's amazing to think that their next big hit took 25 years for them to make, but better late than never, I suppose! "Shiny One" is enchanting, just as "Feed the Tree" was, yet there's something oddly hippie-ish about it. Not what you'd expect from a band from Kurt Cobain's heyday, but it does manage to work here! Tanya Donnelly's languid but sweet vocals are enough to lure in listeners from miles around on this track. "Shine on, sparkly one. My shiny, my shiny one" almost sounds like a Donovan lyric to me. Let your mind wander and gaze at your "belly" (get it?) as you take a 5 and a half minute trip upon Belly's magic swirling ship!

Holidays Rule Volume 2 songs!!

The sequel to 2012's indie holiday extravaganza, "Holidays Rule", has arrived! And I've got 6 songs to review from it, so here goes!


"Baby It's Cold Outside" by Barns Courtney: There's a certain roots-y, earthy, soulful quality to pretty much all the songs Barns Courtney has put out so far (especially his first and biggest hit, "Fire"). His rendition of the lyrically questionable but musically fun Christmas tune, "Baby It's Cold Outside", attempts to inject some soulfulness, but ends up sounding more like a 2010's alt-pop song with a hip-hop beat. It starts off sounding like an old jazz standard, but as soon as the percussion comes in, it becomes a whole different song. And yes, as with all versions of this oddly charming holiday song, there is a female vocalist in here as well, and her name is Lennon Stella, best known as one half of the country-pop internet sensations, Lennon and Maisy.


"I Want A Hippopotamus For Christmas" by Lake Street Dive: Undoubtedly one of the goofiest Christmas songs of all time, soul/blues-rock combo, Lake Street Dive, add a Latin twist to this song, making it stand out even more among holiday songs than it already did! This is the first time Lake Street Dive have sounded more like rhumba than R & B, but they do a good job at it! With a "shaka-laka" percussion section and sultry horn section, I can guarantee that a song about hoping for hippos on the holidays has never sounded more unique than this one! Make no mistake. Rachael Price does NOT want crocodiles or rhinoceroses, she only wants hippopotamuses. Nothing wrong with that, right?!


"Jesus Christ" by The Decemberists: Unless you're a big fan of Big Star, who are probably the only "proto-alternative" band besides The Velvet Underground to gain a large cult following among alternative rock fans despite having zero chart success, you might not know the original version of this song, an unusually reverent song for a somewhat irreverent and quirky band. It only makes sense, then, that The Decemberists, who are quirky, irreverent, and have a huge cult following themselves, would cover Big Star's "Jesus Christ", the only Christmas song that Big Star ever did. Like Joni Mitchell's "River", "Jesus Christ" might not have been intended to be a Christmas song, but has been viewed as one anyway ever since its release. This version stays faithful (no pun intended) to the original until its solo, which uses guitars in place of the sax solo on the original. As a side note, "Jesus Christ" might have also been the only Big Star song to use a saxophone. Most of the others I've heard by them don't use that instrument.


"Pipes of Peace" by Muna: Yet another cover of a modern Christmas song, as opposed to a "traditional" one. Many people know (and are sometimes somewhat averse to) Paul McCartney's uber-happy "Wonderful Christmastime". They might not know that Sir Paul also released a quieter, more reflective Christmas song in 1983 called "Pipes of Peace". This is that song, performed by indie-pop group, Muna. Muna seem to have a thing for middle-of-the-road classic rock, as they have also covered Stevie Nicks' "Edge of Seventeen" and U2's "With Or Without You" in concert, which is interesting considering how Muna sound more influenced by electronica than they do rock. Muna maintain the quietness and reflectiveness of the original, molding a bittersweet holiday rock song into an equally bittersweet holiday indie song.


"The Christmas Song" by Judah and The Lion: Not since Mumford and Sons has there been an indie-pop band known for playing banjo. Judah and The Lion typically take it one step further than Mumford and Sons by using a pop music framework to showcase their mad banjo skills, as opposed to a more folky one. Here, Judah and The Lion use the same technique on "The Christmas Song", a song first made popular by Nat King Cole in 1945 and covered many times since. JATL's rendition of this Christmas classic is a fun one, to be sure, but the banjo solos might just be the best part of this whole song!


"What Are You Doing New Year's Eve" by Andrew McMahon: This song was already covered by The Head and The Heart on the original 2012 edition of "Holidays Rule". I think their version is much better. However, that doesn't mean I'm going to just ignore Andrew McMahon's version of a holiday song originally recorded by jazz musician Ella Fitzgerald in the mid 1940's. Andrew does a decent job, but his version comes off too...well...keyboard-y for my taste. The song is supposed to have piano, which this version does, but he layers it with a synth sound that doesn't exactly sound fitting for this song. Head and The Heart extend the length of this song and add in some guitar in the background. This version has no guitar and is relatively short in comparison. Stick with the original "Holidays Rule" rendition of this song (or the original Ella version) if you want a quality version of this post-Christmas tune. It's not a bad version, though, by any means.

New songs for March 30th 2016

here they are:


"Brazil" by Declan McKenna: It only figures that a man with Elvis Costello's real first name would be at least a little stylistically similar to Elvis Costello in his early days, wouldn't it?! Then again, maybe it's just coincidence. Either way, Declan McKenna's "Brazil" has an infectiously catchy faux-retro British rock sound that is rapidly becoming a fave of alt-rock fans this year. With its bright, bouncy melody, fresh guitar sound, and raspy British vocals, it's not hard to see why! Also, Declan McKenna was born on Christmas Eve during the year I was in 5th grade!! Who knew such great music could come from a 17-year-old?! I sure didn't!!


"I Don't Care About You" by Lake Street Dive: With the way that Lake Street Dive's "Call Off Your Dogs" from fall of last year sounded like a '70s disco song, I was expecting more of the same with "I Don't Care About You". However, "I Don't Care About You" has a sound that's closer to the soul inflected blues-rock of the typical Lake Street Dive song. At least during the first two or so verses of the song, it does. However, during the last verse, it starts speeding up a bit to sound more like a song from the blues-rock side of the British Invasion (think early Rolling Stones, Animals, Yardbirds, etc.), which is fitting, considering how "I Don't Care About You" sounds like it could be the title of a '60s garage rock song. The message of this song may be "I don't care about you", but I do care about listening to groovy tunes like this one!


"I Need Never Get Old" by Nathaniel Rateliff and The Night Sweats: Nathaniel and co continue to wow the indie generation with their brand of '60s influenced R & B and rock with "I Need Never Get Old", currently their third big hit! Imagine what it would be like if Ray Charles, Janis Joplin, and The Four Tops started jamming together. Chances are, whatever you imagined probably sounds like "I Need Never Get Old". The song itself is as saucy and sassy as its titular statement! You need never get old listening to songs like this one. Stay young, my friends, stay young!!


"Pining" by Parker Millsap: Here is yet another song that sounds influenced by early R & B music, just like the previous two I've reviewed for this week. There is something that sets this one apart from most songs of this style, though. This song's central guitar is acoustic, not electric. Yet somehow, Parker Millsap still manages to inject some soulful vim and vigor into his first major breakthrough song, "Pining". What starts off as a happy folk song soon turns into a powerhouse of other instruments, such as piano and percussion, making it seem more like what a more energetic "oldie" might sound like to contemporary ears. Parker may be pining for his lost love, but he sure seems glad about something nonetheless!


"Where'd You Go?" by Boy and Bear: In fall 2015, Boy and Bear probably shocked many of their core fans by releasing the rocking, Cars-sounding "Walk the Wire", a significant departure from the folk-rock they had become known for previously. "Where'd You Go?" is a song that seems to have a folk-rock-y mood while still making prominent use of the electric guitar, particularly during the chorus. Somewhat mythical sounding imagery (i.e. "an ancient shrine that has swallowed your mind") seems to dominate the lyrical themes of this song, which is not entirely new for Boy and Bear.

The Bluesy Rockin' Ladies Blog!!

What do all three of the entries for this week's blog have in common? All of 'em are performed by women who know how to sing and play the blues! So here goes:


"Anyhow" by The Tedeschi-Trucks Band: Ever since Susan Tedeschi and her equally blues-y husband Derek Trucks joined forces together 5 years ago, the two of them have taken the blues in many different directions, including country, rock, and R & B. Their latest song, "Anyhow", seems to boast a musical gumbo all its own, in which soothing lounge-style piano sounds and sultry sax sounds compete against the trademark blues-y guitar sound of the TTB. Tedeschi has gotten many comparisons to people like Bonnie Raitt, but this song might just be the most Bonnie-esque she has ever sounded, at least as far as her choice in musical style is concerned here! It is also one of the longest TTB songs, at 6 and a half minutes long!


"Call Off Your Dogs" by Lake Street Dive: In which Rachael Price and the rest of Lake Street Dive progress from mid-'60s soul to mid-'70s funk. Seems to be a rite of passage for a lot of today's progressive R & B influenced musicians (Alabama Shakes, for instance, who are coming up next) to make such a leap in their music. Those who prefer the more earthy, raw sound of Lake Street Dive's first three adult alt radio hits might be a bit disappointed here, as "Call Off Your Dogs" does sound a bit "cleaner" than those songs do. Underneath the song's disco influenced sound, though, there are still plenty of audibly funky guitar hooks that probably wouldn't sound as good in the context of a typical disco song. Perhaps this will be for Lake Street Dive what "Love Machine" was for Smokey Robinson, a song that sounds a bit more polished up than most of their material, but which will (hopefully) still be well loved among fans of the band.


"Shoegaze" by Alabama Shakes: It doesn't get more powerfully blues-rockin' than Alabama Shakes! "Shoegaze" sounds like The Rolling Stones, Lou Reed, and Prince combined into one band, in all its earthy, psychedelically soulful glory! It comes off as both an acerbic auditory assault and a hypnotic swirling trance at the same time. "Can't wait for night to come/That's when the fun really begins", Brittany Howard sings in the opening verse of the song. Music THIS freaky (and I mean that as a compliment) can ONLY come out at night!!

New songs for August 20th, 2014

here they are:



"Flaws" by Bastille: Synth driven beats and melodic British vocals made for a winning combination for Bastille's first two hits, "Pompeii" and "Bad Blood", both of which became chart toppers, so it only seems natural that their fans were just begging for more from them. With the strength of Bastille's third big hit, "Flaws", fans of the band have yet another chance to experience their music! Like Bastille's other two songs, "Flaws" combines catchy beats with brooding, angst-ridden lyrics. "Flaws" is more a song about self-blame than the more outwardly accusatory "Pompeii" and "Bad Blood" were, though.


"Light Will Keep Your Heart Beating In the Future" by Mike Doughty: Mike Doughty isn't an Imagine Dragons fan...or is he?! Mike's latest song, "Light Will Keep Your Heart Beating In the Future" (wow, that's a mouthful!!) seems to take after Imagine Dragons' folk-guitar-meets-pop-beats type sound. Knowing Doughty, if he intended to emulate Imagine Dragons at all, it was probably satirical. Then again, there is the inspirational sounding chorus (consisting only of the words to the title), so maybe it's a sincere song after all. However, if you consider that the title is the only part of the song that really makes sense (and that he actually got it from a newspaper article, as opposed to feeling the need for being inspirational), then you basically have a song that is folk-rock in sound, but an oddity in lyric, typical of Mike Doughty's material.


"Stop Your Crying" by Lake Street Dive: So apparently we're starting AND stopping with bands who are (so far) three-hit wonders, with one album each. Unlike Bastille, Lake Street Dive haven't been on multiple pop charts yet, and are instead exclusive to the adult alternative charts. Given how catchy Lake Street Dive's songs are, as well as their slow but steady status as a "cult band", I don't understand why Lake Street Dive haven't made that big of a splash beyond one format yet! Beginning with a crunchy guitar riff that somewhat recalls "No Matter What" by Badfinger, "Stop Your Crying" quickly turns into an irresistibly fiery combination of both classic rock and classic R & B by the time the drums enter the song! Lead singer Rachael Price is able turn yet another tale of romance gone wrong into a joyous musical celebration as she leads the rest of the band into action with her passionately exciting vocals!

New songs for the last day of April

here they are:


"Glory And Gore" by Lorde: Having already had two successful singles in just her mid-teens, New Zealand alt-pop sensation Lorde now has a third song up for grabs on the radio. As if that wasn't enough, this song in particular has gained popularity from being on the "Hunger Games" soundtrack (a surefire way for success, it seems!) "Glory And Gore" sounds like Madonna would if she were more of the "ice queen" type. With a pulsating, catchy beat playing over accessibly droning, frigid synthesizers in F minor, "Glory And Gore" lives up to its title. Its dark pride on the outside is glorious, yet its darker undercurrent could be said to be "gory" (metaphorically, at least).


"Higher And Higher" by Galactic (featuring JJ Grey): JJ Grey is already a blues-rock powerhouse by himself!! That being said, he must have had a really good time jammin' with funk/jazz/blues/rock combo, Galactic! And what a powerful jam "Higher And Higher" is!! Crunchy Hendrix-ian hard rock guitars and space-funk rhythms and horns a la Sly and The Family Stone combine forces in this free-flowing retro anthem! You'll swear someone set the calendars back to 1971 after hearing this one. Chances are, though, you'll never wanna come back to the present!


"Holly" by Nick Waterhouse: Nick Waterhouse, meanwhile, is stuck in an even further time warp when "James Bond" and surf music ruled the world, and his song "Holly" manages to be a catchy blend of blues, rock, jazz, and funk just like the last song I reviewed this week! "Holly" is not the name of a girl in this song (even though it's about a girl), but rather "holly", the Christmas decoration, as in "holly lights" (the only two words in the chorus of this song). Like many songs from the late '50s/early '60s, which seems to be the era Nick is trying to evoke, "Holly" clocks in at only a little over two and a half minutes, but it also manages to be a super fun song. Highly recommended for fans of other "retro" '50s rockabilly styled acts of the 2010's, like Imelda May and JD McPherson.


"I Know It's Wrong (But That's Alright)" by Hurray for the Riff Raff: Try saying the name of the band AND the song in one breath!! Probably about as much of a tongue twister as "When the World Is Running Down, You Make the Best of What's Still Around", so maybe I'll just refer to the song as "I Know It's Wrong..." from this point on, and the band by its initials, HFTRR. This one goes even FURTHER back in the musical time machine, as it has sort of a honky-tonk sound that you might be likely to hear in an old Western movie. Lead singer Alynda Lee Segarra has husky but sweet vocals that wouldn't seem out of place for a cowgirl. Thing is, Alynda is NOT a cowgirl. She grew up in the Bronx, and is of Puerto Rican descent!! Not surprising that they're currently touring with fellow country-rock contemporaries, Shovels & Rope, is it?! Cary Ann Hearst of Shovels & Rope even has similar vocals to Alynda, although as a South Carolinian, Cary Ann actually COULD qualify as a cowgirl!


"Lazaretto" by Jack White: Did anyone else here think that "High Ball Stepper" was a bit TOO experimental, even for Jack White?! Well, I guess a lot of people thought so, since the song just came and went in two weeks. In its place is "Lazaretto", a raucously catchy rock 'n' roll song typical of Jack White's material. Thankfully, unlike "High Ball Stepper", "Lazaretto" has lyrics! "Lazaretto" also gets into rather experimental territory towards the middle of the song, but maintains a consistent pattern for the most part. Jack's "sing-speak" vocals are aggressive and powerful enough to be compared to Zack De La Rocha from Rage Against the Machine, yet they seem to have an undercurrent of humor to them, unlike most of Zack's material.


"Stomp And Holler" by Hard Working Americans: Hard Working Americans contains many musicians who have had marginal success in such recent rock groups as The Chris Robinson Brotherhood, Widespread Panic, and The Derek Trucks Band, all of whom could be classified as "jam bands", in the style of The Grateful Dead or The Allman Brothers Band. Hard Working Americans' breakthrough song was a quaint country-rock tune called "Down to the Well". Given all the blues-y rock musicians that went into the making of this supergroup, though, I should have known that Hard Working Americans also had some rock 'n' roll tunes up their sleeve, of which "Stomp And Holler" is one such song. An archetypal but catchy rock song, using the same rhythm as Rod Stewart's "Hot Legs" and Georgia Satellites' "Keep Your Hands to Yourself", "Stomp And Holler" is a song that makes you wanna do just that - "stomp and holler"!! This song is a definite crowd pleaser, and probably how HWA typically either open their shows, or close 'em!!


"You Go Down Smooth" by Lake Street Dive: There's great rock 'n' roll all over this blog today!! The last one for the week comes from Lake Street Dive, who graced us earlier this year with the smooth folk-jazz-rock tune, "Bad Self Portraits". "You Go Down Smooth" proves that Lake Street Dive have a more upbeat side to their catalog! This one apes the same basic guitar riff in songs like Iggy Pop's "Lust For Life" and Jet's "Are You Gonna Be My Girl?", only it has a bit more of a jazz influence than those two songs do. This song is so danceable, it kinda makes you forget that the song is actually about getting drunk!! Sorry if I spoiled anything for ya there, heheh.

First blog of the new year - Part 2 - Brand new for 2014!!

So, here are the rest of my songs for this week. Here goes:


"Bad Self Portraits" by Lake Street Dive: In 2013, the word "selfie" exploded to rather unreasonable popularity. Now, in 2014, there's a song about selfies! Well, at least that's what the title would suggest. The song is actually about the loneliness felt after a breakup, but the jazzy beat of this song would probably indicate otherwise. Actually, now that I think of it, "jazzy" isn't enough to describe this song. It also has elements of folk, soul, and indie-pop. Think of all the most talented female musicians that get played on adult alt stations, from the blues-y Susan Tedeschi, exotically alluring Florence Welch, and laid-back, folk-y Indigo Girls, and mix them all together into one sound. That's pretty much Lake Street Dive in a nutshell!


"Josephina" by Big Head Todd and The Monsters: The blues-meets-folk-meets-rock amalgam Big Head Todd and The Monsters once had in the '90s seemed to be reduced to mere folk-pop in the 2000's. Thankfully, in the 2010's, Big Head Todd and The Monsters have picked up the slack once again! Their newest song, "Josephina", has a slightly rockin', but still kinda roots-y sound that might bring to mind musicians like Dire Straits and Tom Petty. The beat of the song could be said to resemble the classic rock sound, too, particularly that of "Takin' Care of Business" by Bachman-Turner Overdrive. For those complaining that the old rock 'n' roll sound isn't around anymore, look beyond your radio dial, and listen to "Josephina" by Big Head Todd and The Monsters today!


"Southern Sun" by Boy and Bear: In fall 2011, I thought Boy and Bear would wind up being one of those indie-folk/pop bands that would hit "one-hit wonder" status with their song, "Feeding Line", since no other songs from their debut CD seemed to become well-known. Their latest song, "Southern Sun", has proven me wrong, though. It seems as though Boy and Bear have polished up their sound a bit for this song. We get a bit of the wistful folk-pop that "Feeding Line" provided in the beginning of "Southern Sun", but the rest of it seems to be a cross between the vocals of Fleet Foxes mixed with the instrumentation of Fleetwood Mac (albeit with more of an "indie" slant in the instrumentation as well). Definitely more meshing together of acoustic and electric guitars in "Southern Sun", and a more consistent guitar riff as well.


"The Devil You Know" by Tommy Castro and The Painkillers: You know a song with the word "devil" in the title is going to be energetic and brash in some way or another. "The Devil You Know" by blues-rock combo, Tommy Castro and The Painkillers, is exactly that! It is not only brash and energetic, but quite spicy as well! The guitar licks in this song are like the audio equivalent of a thick, chunky, smoky salsa! Each sizzling hook only leaves you wanting more, as Tommy Castro weaves a cautionary tale about how "when you dance with the devil, you have hell to pay". Time to set the night on fire!!


"The Moment" by Toad the Wet Sprocket: Just as "New Constellation" proved that '90s alt-pop sensations, Toad the Wet Sprocket, might be hip on the indie-pop trends of the '00s and 2010's in summer 2013, "The Moment" is out to prove the same thing for winter 2014. Each song seems to fit the respective seasons in which they were released to radio stations, too. "New Constellation" was bright and summery, but "The Moment" is a bit more melancholy and wintry. It still has a good beat, though. "The Moment" sounds like it could have been a Scars on 45 or Alpha Rev song, and its chorus, letting its listeners know that "there is nothing but the moment", goes well with the reflective mood of the bands it is trying to emulate.