Showing posts with label Tor Miller. Show all posts
Showing posts with label Tor Miller. Show all posts

Wednesday, November 18, 2015

New songs for November 18th 2015

here they are:


"Carter And Cash" by Tor Miller: Between the Jeff Buckley/Tom Waits influence of Tor's previous hit song, "Midnight", and the name checking of two country-rock icons in "Carter And Cash", I would have expected the latter song to have a more roots-y Americana flavor, but it doesn't. Instead, "Carter And Cash" sounds more like a danceable indie-pop song in the vein of Grouplove or Walk the Moon. Perhaps if this song became a single before "Midnight" did, Tor Miller would be a much better known musician, but that's the way the cookie crumbles, I guess. Breaking away from the romanticized bohemian view of city life that "Midnight" had, "Carter And Cash" is just a simple love song in terms of its lyrical content, nothing more. Any love song that name checks Johnny Cash has gotta be worth listening to, though!


"Jackie And Wilson" by Hozier: Back when all I knew from Hozier was "Take Me to Church", a lot of people were telling me "the whole album is good". Well it just so happens that "Jackie And Wilson" is the FIFTH hit song from Hozier's debut album, so the people who listened to that album must have been right, because there aren't many albums from the 2010's with that many songs that have become popular! This particular song's title is a pun on soul music legend Jackie Wilson, probably one of many classic soul musicians who influenced the unique neo-soul stylings of Hozier. "Jackie And Wilson" is a bit grittier and blues-ier than Hozier's previous hits, and its pun based title is mentioned in the chorus when Hozier suggests that his wife name his kids Jackie and Wilson and "raise them on rhythm and blues", so perhaps that's part of why the song has such an earthy '60s soul influenced sound. It's a bit surprising that a man whose musical gumbo is equal parts soul, jazz, blues, rock, and gospel has become so popular, but what a relief it is knowing that people like him can actually succeed in a world full of plastic auto-tuned pop musicians!


"Look It Here" by Nathaniel Rateliff and The Night Sweats: During the late summer and early fall of this year, Nathaniel Rateliff and The Night Sweats went from being under-the-radar musicians who played at the "Gentlemen of the Road" music festivals to alt-rock and adult alt radio sensations with the catchy, sass-mouthed "S.O.B."!! Where that song sounded like it could have been from the '50s or further back, "Look It Here" clearly recalls '60s soul, particularly Memphis soul musicians like Otis Redding and Booker T and The MG's. Will this song make as big a splash as "S.O.B." did?! Probably not, but Rateliff's spicy brand of blue-eyed soul is just as potent here as it was in that song. "Look it here, baby, I'm comin' home", Rateliff sings during the song's chorus. You'd better believe he's comin' home, too, and he's gonna make your sensual urges run wild with fire!













Wednesday, February 25, 2015

New songs for February 25th, 2015

here they are:


"Archie, Marry Me" by Alvvays: The first thing I wondered about this song, when I heard its title, was whether any of the members of the band were named "Betty" or "Veronica". As it turns out, they are not. The lead singer of Alvvays is named Molly Rankin. Anyway, this song does have ONE thing in common with "Archie" comics, aside from its title, and that's the sunshiny, bubblegum chewing, summery fun vibe the song gives off! The "alternative surf" sound of the song brings to mind groups like Best Coast, though the subject matter here is more blissful than the typical Best Coast song.


"Flashed Junk Mind" by Milky Chance: The second hit song from German duo, Milky Chance, sounds...well...kinda like their first one! To me, that's a little disappointing, because I pretty much fell in love with "Stolen Dance" from the moment I first heard it, because of its unique blend of Latin, folk, rock, and soul. "Flashed Junk Mind" is basically more of the same where that came from, and it's even written in the same key as "Stolen Dance" (B major). It's still a catchy song, but I kinda think they can do better than this, personally.


"Midnight" by Tor Miller: TIME FOR GO TO BED!! Oh wait, that's Tor JOHNSON, from the B-movie, "The Unearthly", the only other "Tor" I have ever heard of. Anyway, Tor Miller is entertaining, too, but in a vastly different way from Tor Johnson. Right away you pretty much know how good it is, since the opening lines mention the late Jeff Buckley's album, "Grace". The song itself is more Tom Waits than Jeff Buckley, for its urban folk-jazz-rock piano blend, but with vocals that sound far more melodic than Waits' gravelly growl. "Midnight" takes place in New York City, but probably in a cafe somewhere in NYC, as opposed to one of the louder, more active places in the city.


"Silent Movies" by Madisen Ward and The Mama Bear: Madisen Ward and The Mama Bear are a rarity! It's not because they are black folk musicians. After all, people like Tracy Chapman, Leadbelly, and Richie Havens have all had successful careers in the music world. It's because the "Mama Bear" here is, in fact, a mama, and Madisen Ward is her son. Unlike Chapman, Havens, etc., Madisen Ward and The Mama Bear have rather upbeat music that depends more on making silly rhymes than on statements about politics and civil rights. Madisen Ward and The Mama Bear are a family affair like no other!!


"Take You Home" by Scars on 45: You could say that Scars on 45 are essentially a folk-rock band, but their folk-y-ness has never been as evident as it has on their latest song, "Take You Home". The fingerpicked strumming in the opening sounds a bit like the songs in the "Into the Wild" soundtrack. While "Take You Home" is lyrically a love song, like a lot of Scars' material is, the song is noticeably less pop-y than their other material. It is a very sweet and sentimental song, but in the most honest way possible!