here they are:
"Coming Home" by Leon Bridges: The term "neo-soul" has been applied to many musicians, but there are only a few whom I really believe deserve the label. Newcomer to the scene, Leon Bridges, is one such person. His brand of soul music hearkens back to a time when Motown was a fledgling genre and record label, as it heavily evokes the music of soul legend, Sam Cooke. Leon's smooth crooning combined with the blues-y but breezy guitar he sings over is enough to make Cupid actually want to draw back his bow and let his arrow go!
"Don't Wanna Fight" by Alabama Shakes: One of the most anticipated singles of the week, and also one of the funkiest!! Alabama Shakes are (currently) best known for their first big hit, "Hold On", which blended Janis Joplin-esque vocals with Creedence Clearwater-style guitar playing. In "Don't Wanna Fight", Brittany Howard takes her musical time machine a few years after the Woodstock era, and into the funk era of the mid 1970's. Howard loudly and proudly proclaims that she "don't wanna fight no more" throughout the song. Since I don't know the song well enough yet, I'm not exactly sure what it is that she's fighting for (or against), but this is a song that is clearly more about the rhythm than it is about the lyrics, as far as I'm concerned. Get your groove on!!
"Every Other Freckle" by alt-J: The nerdily named alt-J have actually been pretty cool ever since their debut, but it seems as though the songs from their sophomore record are the ones that adult alt radio has gravitated towards the most so far. The guitar heavy, Black Keys-esque "Left Hand Free" became one of summer 2014's biggest hits on adult alt stations. As spring approaches, "Every Other Freckle" is the song such radio stations seem to be picking up on. The song returns to the hip-to-be-quirky style that alt-J have become known for, which "Left Hand Free" seemed to lack. The lyrics in the song are also a bit enigmatic. For instance, I have no idea what they mean by "I want every other freckle". That's just fine, though, as this is just the way alt-J's fans seem to like them.
"False Hope" by Laura Marling: Laura Marling could easily be likened to a modern-day Joni Mitchell. If albums like "A Creature I Don't Know" and "Once I Was An Eagle" are her "Blue" and "Ladies of the Canyon", then perhaps her latest album, "Short Movie" is what "Court and Spark" was for Joni Mitchell. That is, a chance for Laura to experiment with electric guitars while still keeping up her folk-rock image. "False Hope" is the first Laura Marling song I have heard that uses electric guitar instead of acoustic. The chorus to "False Hope" is rather cutting for someone known for her quaint and quiet material ("why I know false hope", as if to say, "I've been down before, so leave me alone!") Again, the "Court and Spark" comparison could continue, since Joni had rather scathing lyrics on songs like "Raised On Robbery" ("first he had a '57 Biscayne, put it in the ditch, he drunk up all the rest, that son of a b**ch"). Laura is definitely trying to move in a darker direction with "False Hope", as far as I can tell, and a more musically distinct direction, too.
"Fool For Love" by Lord Huron: Lord Huron are probably one of the dreamiest sounding indie-folk bands of the 2010's. The first 45 seconds of their latest song, "Fool For Love", are pure bliss. Once the vocals kick in, it starts to sound more like a typical Lord Huron song, but it still maintains its blissful, ethereal sound. Many of their songs could obliquely be considered love songs, but "Fool For Love" is the first song they've done where the affection is clearly spelled out (as if you couldn't tell from the title). I notice that this song was released a couple days after Valentine's Day. I wonder if Lord Huron did that on purpose?!
"I Don't Want to Let You Down" by Sharon Van Etten: Sharon Van Etten's songs are known for being somewhat dismal and lonely sounding. That being said, could "I Don't Want to Let You Down" be an indicator that she has finally found happiness?! First of all, the song is in a major key, unlike most of her material, and it sounds more upbeat than the rest of her material, too. As if that wasn't enough of a not-so-indie move for the only indie-folk singer to share my mom's first name, she has also performed the song on Ellen DeGeneres' show, and rumor has it that this song was inspired by the feel-good '80s family flick, "Overboard" (one of my guilty pleasures!!) Rest assured, though, the song still feels mellow and folk-y enough to be considered legit in Sharon Van Etten's catalog, and her signature moaning vocals are still present on this track as well.
"Kathleen" by Catfish and The Bottlemen: Between their European sounding name and their similarity in sound to some of the harder rocking Oasis songs, one of the first things I wondered about Catfish and The Bottlemen when I first heard their song "Kathleen" was whether or not they were British. Well, it turned out I was close! They are a Welsh group. You don't hear the phrase "Welsh garage rock" or even "Welsh alternative rock" very often, so perhaps Catfish and The Bottlemen are trendsetters in this regard (only time will tell). The chorus of the song, in which lead singer Van McCann defiantly states, "I've gotta give it to you, you give me problems!" also seems typical of the garage rock genre. I wonder what other musical treasures Wales has to offer us!
"Leaf Off/The Cave" by Jose Gonzalez: In the 2010's, Jose Gonzalez has been active with his band, Junip, but he hasn't done anything solo since 2008. Though Junip was a good band, I much prefer the gentle, Nick Drake-esque brand of folk-rock that Jose had by himself. His latest solo song, "Leaf Off/The Cave" returns to the magic Jose did by himself during the mid to late 2000's. From its enchanting sound to its hopeful lyrics ("let the light lead you out"), "Leaf Off/The Cave" is bound to be a winner among Jose's biggest fans, and then some. Don't be fooled by the title. First of all, it has nothing to do with Mumford and Sons' "The Cave" as I thought it did before I actually heard it, and "Leaf Off/The Cave" is actually one song, not two, in spite of how the title makes it look. I regularly try to look for songs I can listen to to calm me down, but this is one of the most calming I have heard in quite awhile! Highly recommended!!
"Pedestrian At Best" by Courtney Barnett: Wait, which "Courtney" IS this?! Courtney Barnett or Courtney Love?! It kinda sounds like the vocals of the former mixed with the music and mood of the latter!! From Barnett's "Avant Gardener", I expected all of her songs to sound kinda deadpan, but "Pedestrian At Best" is anything but! It has an almost punk rock sound, with its defiant guitar playing, one-chord verses, and two-chord chorus, which is somewhat derivative of the early Kings of Leon tune, "Molly's Chambers". Barnett's sing-speaking and ranting vaguely recall Mike Muir's paranoid, enraged vocal style in Suicidal Tendencies' "Institutionalized"! I haven't seen anyone go from mellow to angry this quickly since Marianne Faithfull (likely one of Courtney Barnett's influences)!!
"Take My Love" by The Lone Bellow: So far, "Take My Love" is the closest that folk-rockers, The Lone Bellow, have gotten to electric guitar oriented music, but the Bellow have still kept their mellow on this one. It seems like sounding like Bruce Springsteen has become a rite of passage for many indie-folk/indie-pop bands lately (Killers, Hold Steady, Gaslight Anthem, War on Drugs, and Arcade Fire all rank among them). This is probably the first Springsteen-esque song that The Lone Bellow have attempted. It not only sounds like one of The Boss's songs, but it also seems to echo the passion and honest lyrical content that he usually had.
"What Kind of Man" by Florence and The Machine: Flo and her magic Machine are truly one of the most eclectic bands to have emerged in the 2010's. Their blend of folk, rock, soul, gospel, and new wave has been unmatched so far! Their eclecticism seems to come full circle in "What Kind of Man", which starts as a whispery, dark hymnal, but quickly turns into the sort of new wave-y dance-rock song you might expect from INXS, or perhaps even Prince. Guitar isn't usually a central instrument in Florence and The Machine's music, but it takes on a very important role in "What Kind of Man" from the first minute on. "What kind of man loves like this?" Flo implores throughout the chorus. The more important question is, "What kind of man (or woman) doesn't love this music?!"
Wednesday, February 18, 2015
Wednesday, February 11, 2015
New songs for February 11th, 2014
here they are:
"Blame It On Me" by George Ezra: George Ezra may be a newcomer onto the indie-folk scene, but he draws from influences both young and old. The Mumford-esque "Budapest" was a huge hit for George during the fall, and his followup single, "Blame It On Me" seems like it is poised to take on the charts for late winter/early spring of 2015! "Blame It On Me" has a bouncy rhythm that could be compared to some of Paul Simon's solo work. "What you waiting for, what you waiting for?" George sings during the chorus. George, we're waiting for this song to take over the world!! Or the radio, at least.
"I'll Make Time For You" by Kristin Diable: This song will probably be enjoyable to those who like female-fronted indie-pop songs, as this seems to be a cross between the snarky vocals of Rilo Kiley's Jenny Lewis and the old school soul of Alabama Shakes' Brittany Howard. As both the verses and the chorus revolve around a basic, three chord structure, there isn't anything particularly exciting about this song, except when the psychedelically tinged guitar solo comes in the middle of it and diverts from the main chord sequence in the song. A good one nonetheless, though.
"Blame It On Me" by George Ezra: George Ezra may be a newcomer onto the indie-folk scene, but he draws from influences both young and old. The Mumford-esque "Budapest" was a huge hit for George during the fall, and his followup single, "Blame It On Me" seems like it is poised to take on the charts for late winter/early spring of 2015! "Blame It On Me" has a bouncy rhythm that could be compared to some of Paul Simon's solo work. "What you waiting for, what you waiting for?" George sings during the chorus. George, we're waiting for this song to take over the world!! Or the radio, at least.
"I'll Make Time For You" by Kristin Diable: This song will probably be enjoyable to those who like female-fronted indie-pop songs, as this seems to be a cross between the snarky vocals of Rilo Kiley's Jenny Lewis and the old school soul of Alabama Shakes' Brittany Howard. As both the verses and the chorus revolve around a basic, three chord structure, there isn't anything particularly exciting about this song, except when the psychedelically tinged guitar solo comes in the middle of it and diverts from the main chord sequence in the song. A good one nonetheless, though.
Wednesday, February 4, 2015
New songs for February 4th, 2015
here they are:
"Black Sun" by Death Cab for Cutie: Whenever Death Cab releases a new song (or new album, even) it always ends up making a big splash on adult alt radio stations, so naturally, their latest song, "Black Sun", is following in the footsteps of their other material. So how good is this song REALLY?! Well, honestly, I always like when they do folk-rock-y material the best, and "Black Sun" sounds a bit more like the sort of "experimental" track that a band like Radiohead might put out, albeit with a bit more musical consistency. That being said, I think they've done better. However, it is definitely not a bad song by any means. The use of synthesizer during the chorus is rather atypical for Death Cab, but the meandering, neo-psychedelic sound of the majority of the song vaguely recalls other DCFC songs like "Meet Me On the Equinox". Was Death Cab's comeback for 2015 worth it?! You be the judge. I personally think there's gonna be more in store for the band as the year progresses.
"Sedona" by Houndmouth: Houndmouth's music recalls the country-folk-blues-rock gumbo of both newcomers like Alabama Shakes and legendary groups like The Band. At least it DID for the songs on their first album. Their latest song, "Sedona", seems to be making a slightly conscious effort to sound more "indie" than their previous material. The lyrics still have a country flair (such as "John Ford said, 'Won't you hop on in, in a stagecoach, baby, gonna take you for a spin'"), and their quaint descriptions of big cities (like "hey, little Hollywood", in the chorus) tend to keep their imagery similar to what it was on their debut. I dunno about you, but to me, "Sedona" is less like The Band and more like Band of Horses. Still worth listening to, though.
"Black Sun" by Death Cab for Cutie: Whenever Death Cab releases a new song (or new album, even) it always ends up making a big splash on adult alt radio stations, so naturally, their latest song, "Black Sun", is following in the footsteps of their other material. So how good is this song REALLY?! Well, honestly, I always like when they do folk-rock-y material the best, and "Black Sun" sounds a bit more like the sort of "experimental" track that a band like Radiohead might put out, albeit with a bit more musical consistency. That being said, I think they've done better. However, it is definitely not a bad song by any means. The use of synthesizer during the chorus is rather atypical for Death Cab, but the meandering, neo-psychedelic sound of the majority of the song vaguely recalls other DCFC songs like "Meet Me On the Equinox". Was Death Cab's comeback for 2015 worth it?! You be the judge. I personally think there's gonna be more in store for the band as the year progresses.
"Sedona" by Houndmouth: Houndmouth's music recalls the country-folk-blues-rock gumbo of both newcomers like Alabama Shakes and legendary groups like The Band. At least it DID for the songs on their first album. Their latest song, "Sedona", seems to be making a slightly conscious effort to sound more "indie" than their previous material. The lyrics still have a country flair (such as "John Ford said, 'Won't you hop on in, in a stagecoach, baby, gonna take you for a spin'"), and their quaint descriptions of big cities (like "hey, little Hollywood", in the chorus) tend to keep their imagery similar to what it was on their debut. I dunno about you, but to me, "Sedona" is less like The Band and more like Band of Horses. Still worth listening to, though.
Wednesday, January 28, 2015
New songs for January 28th, 2015
here they are:
"Beryl" by Mark Knopfler: Though Mark has two inescapable rock 'n' roll hits ("Sultans of Swing" and "Money For Nothing") that will follow him wherever he goes, it seems as though Mark's true passion is for folk and country music. Many of his solo albums have an Americana feel to them, and he has duetted with folkies like James Taylor and country musicians like Emmylou Harris on his solo albums as well. His latest song, "Beryl", seems to have shades of both his solo career material and his Dire Straits material. It features a strummed acoustic guitar and a twangy electric guitar, playing together in harmony. One question remains, though. Who IS "Beryl" (the subject of the song)? It turns out that Beryl is Beryl Bainbridge, a British author whose award for writing was a posthumous one, as she never received any awards during her lifetime. The song basically centers around the tragedy of how Bainbridge was appreciated more after she died than she was during her life. A bit like Don McLean's "Vincent", then, in terms of the narration, though not nearly as sad.
"Congregation" by Foo Fighters: The Foos are surprisingly eclectic for a band who evolved out of the grunge scene! They don't just bathe themselves in angst, and can sometimes be quite sunny! "Congregation" is one example of a sunnier song from Dave and the boys (though it turns into a bit of a raver towards the middle). It also seems to be one of those songs that just celebrates the joys of music, as Dave sings about a "jukebox generation" during the chorus. The song seems to have an oddly biblical narrative, too, with lyrics like "I met the seventh son", "Step in the light", and "Where is your blind faith? No false hope".
"Radio" by Ryan Bingham: Our last song of the week is a gritty, Tom Petty-esque rocker. Like the last song I posted about, "Radio" is a song purely about the joys of music, nothing more, and nothing less. Ryan's raw vocals creakily sing about how "radio makes (him) wanna just lose (his) head" during the chorus, placing a drawled out emphasis on the word "lose". I say this song will make you wanna lose your head! In a good way, though, I promise!
"Beryl" by Mark Knopfler: Though Mark has two inescapable rock 'n' roll hits ("Sultans of Swing" and "Money For Nothing") that will follow him wherever he goes, it seems as though Mark's true passion is for folk and country music. Many of his solo albums have an Americana feel to them, and he has duetted with folkies like James Taylor and country musicians like Emmylou Harris on his solo albums as well. His latest song, "Beryl", seems to have shades of both his solo career material and his Dire Straits material. It features a strummed acoustic guitar and a twangy electric guitar, playing together in harmony. One question remains, though. Who IS "Beryl" (the subject of the song)? It turns out that Beryl is Beryl Bainbridge, a British author whose award for writing was a posthumous one, as she never received any awards during her lifetime. The song basically centers around the tragedy of how Bainbridge was appreciated more after she died than she was during her life. A bit like Don McLean's "Vincent", then, in terms of the narration, though not nearly as sad.
"Congregation" by Foo Fighters: The Foos are surprisingly eclectic for a band who evolved out of the grunge scene! They don't just bathe themselves in angst, and can sometimes be quite sunny! "Congregation" is one example of a sunnier song from Dave and the boys (though it turns into a bit of a raver towards the middle). It also seems to be one of those songs that just celebrates the joys of music, as Dave sings about a "jukebox generation" during the chorus. The song seems to have an oddly biblical narrative, too, with lyrics like "I met the seventh son", "Step in the light", and "Where is your blind faith? No false hope".
"Radio" by Ryan Bingham: Our last song of the week is a gritty, Tom Petty-esque rocker. Like the last song I posted about, "Radio" is a song purely about the joys of music, nothing more, and nothing less. Ryan's raw vocals creakily sing about how "radio makes (him) wanna just lose (his) head" during the chorus, placing a drawled out emphasis on the word "lose". I say this song will make you wanna lose your head! In a good way, though, I promise!
Wednesday, January 21, 2015
New songs for January 21st, 2015
here they are:
"Black Is the Color" by Rhiannon Giddens: No other black female musician has sung about being a "country girl" quite so convincingly, and nor has any other attempted to mix bluegrass instrumentation with hip-hop beats. Qualities like this put Carolina Chocolate Drops' lead singer, Rhiannon Giddens, in a truly special category! She ups the ante on musical diversity with her debut solo song, "Black Is the Color", which is somewhat reminiscent of the harmonica laden soul tunes that Stevie Wonder has become known for. "Black", in this case, does not refer to race, but to the actual color, as it describes Rhiannon's "true love's hair" (well actually, not HER "true love", as people like Nina Simone recorded versions of the song before she did). A truly sublime treat from an equally sublime musician!
"Every Minute" by JJ Grey and Mofro: Moving on to a contemporary soul influenced group of a grittier variety, "Every Minute" is probably the smoothest song JJ Grey and Mofro have put out so far. The song gives more of a romantic, warm summery vibe than most of the grimier material in their catalog. That is, until halfway through the song, when horns start to blare, and guest guitarist Derek Trucks makes his guitar more audible! It starts to mellow out again after about 10 or 20 seconds, but towards the end, the instruments kick into full gear and louder tone once again!
"Gold" by Chet Faker: Notice that "F" in his name. This is not Chet Baker, the romantic singer from days of old, this is a contemporary "trip-hop" musician from Australia who goes by the moniker of Chet Faker, mixing lounge atmosphere and soothing instrumentation with hip-hop beats. Chet Faker isn't faking anything, though! He is quite talented at what he does. His breakthrough song, "Gold", weaves a tale of love gone wrong that is somewhat offset by Chet's mesmerizing, beautiful vocals. Not really sure what he means with the recurring line, "made of gold". Perhaps it has to do with how he might be sensing transparency within his relationship. Maybe if I listen to the song more, I'll be able to figure out the meaning of that line!
"It's A Longer Road to California Than I Thought" by The Wind and The Wave: Guy-girl folk-rock duo, The Wind and The Wave, hail from Texas, so perhaps California really IS a "long road" for them. For me, though, it's where I live! In comparison to their last hit, the bluegrass-rock stomper, "With Your Two Hands", "It's A Longer Road to California..." uses more instruments than just acoustic guitar. That instrument is used in this song, but it also uses keyboard in the background occasionally. The opening line of the song seems to rely on stereotypes about my state, with its "I miss smoking pot and playing guitar" line. Not everyone smokes that stuff in California (I don't)! And not every Californian who plays guitar smokes it either (once again, I don't smoke it - I do play guitar, though). Lucky for me, the rest of the song talks about the more natural aspects of California, like "rolling yellow hills" and "blue skies and the moon out in the distance and a sunset few and far behind". I'm proud to call California my home state! For those who don't live here, though, not all of us are burned out hippies.
"Let the Good Times Roll" by JD McPherson: JD never fails to please me! It's like he's able to channel the ghost of Elvis (before he got drafted into the army) every time he puts out a new song! That being said, it shouldn't come as a surprise that JD's latest tune, "Let the Good Times Roll", does exactly what its title says to do! What might come as a big surprise, though, is the condition he was in when he wrote it. Apparently he was ill when he wrote it, and the fact that he was watching an episode of "Frasier" where Niles finds a skull and holds it up didn't exactly make things any better for him. Isn't life ironic sometimes?!
"Made Up Mind" by The Brothers Landreth: Our last song of the week comes from country-rock group, The Brothers Landreth. Not to be confused with the Tedeschi-Trucks Band song of the same name, "Made Up Mind" a slower, mellower number, dominated by acoustic and steel guitar, with a blues-y electric guitar in the background. The lyrics can be quite poetic at times (especially the recurring line, "serenade of a made up mind"), but the song itself just seems okay to me so far. Not a bad one, though, and perhaps it'll grow on me over time, as many of these songs have.
"Black Is the Color" by Rhiannon Giddens: No other black female musician has sung about being a "country girl" quite so convincingly, and nor has any other attempted to mix bluegrass instrumentation with hip-hop beats. Qualities like this put Carolina Chocolate Drops' lead singer, Rhiannon Giddens, in a truly special category! She ups the ante on musical diversity with her debut solo song, "Black Is the Color", which is somewhat reminiscent of the harmonica laden soul tunes that Stevie Wonder has become known for. "Black", in this case, does not refer to race, but to the actual color, as it describes Rhiannon's "true love's hair" (well actually, not HER "true love", as people like Nina Simone recorded versions of the song before she did). A truly sublime treat from an equally sublime musician!
"Every Minute" by JJ Grey and Mofro: Moving on to a contemporary soul influenced group of a grittier variety, "Every Minute" is probably the smoothest song JJ Grey and Mofro have put out so far. The song gives more of a romantic, warm summery vibe than most of the grimier material in their catalog. That is, until halfway through the song, when horns start to blare, and guest guitarist Derek Trucks makes his guitar more audible! It starts to mellow out again after about 10 or 20 seconds, but towards the end, the instruments kick into full gear and louder tone once again!
"Gold" by Chet Faker: Notice that "F" in his name. This is not Chet Baker, the romantic singer from days of old, this is a contemporary "trip-hop" musician from Australia who goes by the moniker of Chet Faker, mixing lounge atmosphere and soothing instrumentation with hip-hop beats. Chet Faker isn't faking anything, though! He is quite talented at what he does. His breakthrough song, "Gold", weaves a tale of love gone wrong that is somewhat offset by Chet's mesmerizing, beautiful vocals. Not really sure what he means with the recurring line, "made of gold". Perhaps it has to do with how he might be sensing transparency within his relationship. Maybe if I listen to the song more, I'll be able to figure out the meaning of that line!
"It's A Longer Road to California Than I Thought" by The Wind and The Wave: Guy-girl folk-rock duo, The Wind and The Wave, hail from Texas, so perhaps California really IS a "long road" for them. For me, though, it's where I live! In comparison to their last hit, the bluegrass-rock stomper, "With Your Two Hands", "It's A Longer Road to California..." uses more instruments than just acoustic guitar. That instrument is used in this song, but it also uses keyboard in the background occasionally. The opening line of the song seems to rely on stereotypes about my state, with its "I miss smoking pot and playing guitar" line. Not everyone smokes that stuff in California (I don't)! And not every Californian who plays guitar smokes it either (once again, I don't smoke it - I do play guitar, though). Lucky for me, the rest of the song talks about the more natural aspects of California, like "rolling yellow hills" and "blue skies and the moon out in the distance and a sunset few and far behind". I'm proud to call California my home state! For those who don't live here, though, not all of us are burned out hippies.
"Let the Good Times Roll" by JD McPherson: JD never fails to please me! It's like he's able to channel the ghost of Elvis (before he got drafted into the army) every time he puts out a new song! That being said, it shouldn't come as a surprise that JD's latest tune, "Let the Good Times Roll", does exactly what its title says to do! What might come as a big surprise, though, is the condition he was in when he wrote it. Apparently he was ill when he wrote it, and the fact that he was watching an episode of "Frasier" where Niles finds a skull and holds it up didn't exactly make things any better for him. Isn't life ironic sometimes?!
"Made Up Mind" by The Brothers Landreth: Our last song of the week comes from country-rock group, The Brothers Landreth. Not to be confused with the Tedeschi-Trucks Band song of the same name, "Made Up Mind" a slower, mellower number, dominated by acoustic and steel guitar, with a blues-y electric guitar in the background. The lyrics can be quite poetic at times (especially the recurring line, "serenade of a made up mind"), but the song itself just seems okay to me so far. Not a bad one, though, and perhaps it'll grow on me over time, as many of these songs have.
Wednesday, January 7, 2015
New songs for the New Year!! 2015
Got five great ones for ya!! Here they are:
"Chateau Lobby # 4" by Father John Misty: Ah, a nice pleasant, folk-y tune about...having "Satanic Christmas Eve"?!? Whaaat?!? Seriously, though, what else would you EXPECT from the guy whose best known solo tune has enigmatic lyrics like "I'm no doctor, but that monkey might be right" and "Heidegger and Sartre drinking poppy tea"?! Even the subtitle of the song (in C for Two Virgins) is kinda weird! The brass instruments in the background are a nice new touch for Father John, as his music is mostly the basic guitar/bass/drums setup. The only thing that really makes sense about this song is how the subtitle states that it is "in C", which it is (C major). If you like your folk-rock to be out of the ordinary, this one's for you!
"I Blew It Off" by Punch Brothers: Fans of Punch Brothers might think that the title to this song fits perfectly with how it sounds! Punch Brothers do sound like they're "blowing it off" in this song. That is to say, they've traded in their more traditional sounding bluegrass-y sound for something that sounds closer to folk-rock. Rest assured, the bluegrass-y violins are still in this song, but they're most audible during the verses of the song. The chorus is electric and acoustic guitars mingling with one another, backed by drums (another instrument uncommon to most Punch Brothers songs).
"Lampshades On Fire" by Modest Mouse: So what have Modest Mouse been up to for the past 6 years?! Perhaps the reason their hiatus from the music world was so long this time around was because they wanted another uber-catchy funk/ska inflected hit single to catch the world by storm! Songs like "Float On" from their first big breakthrough album, and "Dashboard" from the album that followed it gave them chart success like they had never experienced before! Somehow "Satellite Skin" from their third album just didn't do as well, so perhaps they were trying to get over what little success that song had in comparison to their two biggest hits so far. Their latest song, "Lampshades On Fire", continues in the direction of the songs that put Modest Mouse on the map in the first place! It's a catchy song that features Isaac Brock's signature quavering vocal style and a ska influenced rhythm that wouldn't sound out of place in a song by The Specials or Madness. No surprise that this is the most anticipated new song of the week, is it?!
"Loop de Li" by Bryan Ferry: Perhaps the name "Bryan Ferry" isn't exactly a household one overall in the music world, but he's been a hard working, accomplished musician with a career that dates back to 1972 with alt-rock pioneers, Roxy Music. Ferry is known for being as glitzy and seductive as he is detached and ironic, and the icy cold vibe of the music mixed with the allure of the saxophones and Ferry's dreamily hushed vocals on "Loop de Li" basically make this like a vintage Ferry tune that just happened to be released during the modern era. And for the record, no, I do not know what a "loop de li" is. Probably just filler words.
"Mess Is Mine" by Vance Joy: A folkie from down under with a somewhat Irish influence in both his music and vocals, Vance Joy first hit the big time with "Riptide" two Septembers ago, though it took a while for the song to be played on multiple formats. Beneath the sunny vibe of the song were dark lyrics about a relationship gone bad. "Mess Is Mine" is similar, but it has a more serious, contemplative sound than "Riptide" did, so its lyrics, which also concern a relationship on the fritz, fit better with the overall mood of the song. There's a bit more electric guitar in the background to this song than most of Vance's material, but it is still a folk-rock song, complete with acoustic guitar as its central instrument, personal, thought-provoking lyrics, and some handclaps added in towards the middle of the song.
"Chateau Lobby # 4" by Father John Misty: Ah, a nice pleasant, folk-y tune about...having "Satanic Christmas Eve"?!? Whaaat?!? Seriously, though, what else would you EXPECT from the guy whose best known solo tune has enigmatic lyrics like "I'm no doctor, but that monkey might be right" and "Heidegger and Sartre drinking poppy tea"?! Even the subtitle of the song (in C for Two Virgins) is kinda weird! The brass instruments in the background are a nice new touch for Father John, as his music is mostly the basic guitar/bass/drums setup. The only thing that really makes sense about this song is how the subtitle states that it is "in C", which it is (C major). If you like your folk-rock to be out of the ordinary, this one's for you!
"I Blew It Off" by Punch Brothers: Fans of Punch Brothers might think that the title to this song fits perfectly with how it sounds! Punch Brothers do sound like they're "blowing it off" in this song. That is to say, they've traded in their more traditional sounding bluegrass-y sound for something that sounds closer to folk-rock. Rest assured, the bluegrass-y violins are still in this song, but they're most audible during the verses of the song. The chorus is electric and acoustic guitars mingling with one another, backed by drums (another instrument uncommon to most Punch Brothers songs).
"Lampshades On Fire" by Modest Mouse: So what have Modest Mouse been up to for the past 6 years?! Perhaps the reason their hiatus from the music world was so long this time around was because they wanted another uber-catchy funk/ska inflected hit single to catch the world by storm! Songs like "Float On" from their first big breakthrough album, and "Dashboard" from the album that followed it gave them chart success like they had never experienced before! Somehow "Satellite Skin" from their third album just didn't do as well, so perhaps they were trying to get over what little success that song had in comparison to their two biggest hits so far. Their latest song, "Lampshades On Fire", continues in the direction of the songs that put Modest Mouse on the map in the first place! It's a catchy song that features Isaac Brock's signature quavering vocal style and a ska influenced rhythm that wouldn't sound out of place in a song by The Specials or Madness. No surprise that this is the most anticipated new song of the week, is it?!
"Loop de Li" by Bryan Ferry: Perhaps the name "Bryan Ferry" isn't exactly a household one overall in the music world, but he's been a hard working, accomplished musician with a career that dates back to 1972 with alt-rock pioneers, Roxy Music. Ferry is known for being as glitzy and seductive as he is detached and ironic, and the icy cold vibe of the music mixed with the allure of the saxophones and Ferry's dreamily hushed vocals on "Loop de Li" basically make this like a vintage Ferry tune that just happened to be released during the modern era. And for the record, no, I do not know what a "loop de li" is. Probably just filler words.
"Mess Is Mine" by Vance Joy: A folkie from down under with a somewhat Irish influence in both his music and vocals, Vance Joy first hit the big time with "Riptide" two Septembers ago, though it took a while for the song to be played on multiple formats. Beneath the sunny vibe of the song were dark lyrics about a relationship gone bad. "Mess Is Mine" is similar, but it has a more serious, contemplative sound than "Riptide" did, so its lyrics, which also concern a relationship on the fritz, fit better with the overall mood of the song. There's a bit more electric guitar in the background to this song than most of Vance's material, but it is still a folk-rock song, complete with acoustic guitar as its central instrument, personal, thought-provoking lyrics, and some handclaps added in towards the middle of the song.
Monday, December 15, 2014
Top 20 Songs of 2014!!!!
Since my finals are finished now, I thought, "Why not? I'll put up my Top 20 list early!!" So, without further ado, here they are!!!
20. "Do I Wanna Know?" by Arctic Monkeys
19. "Invisible" by U2
18. "Call Me" by St. Paul and the Broken Bones
17. "On Top of the World" by Imagine Dragons
16. "Chocolate" by The 1975
15. "The Miracle (Of Joey Ramone)" by U2
14. "Gimme Something Good" by Ryan Adams
13. "West Coast" by Lana Del Rey
12. "Supernova" by Ray LaMontagne
11. "U Get Me High" by Tom Petty
10. "Gotta Get Away" by The Black Keys
9. "Take Me to Church" by Hozier
8. "Holding On For Life" by Broken Bells
7. "Do You?" by Spoon
6. "Southern Sun" by Boy and Bear
5. "Coming of Age" by Foster the People
4. "Stolen Dance" by Milky Chance
3. "Come With Me Now" by Kongos
2. "Blue Moon" by Beck
annnnd...the number one song of the year issss.....
"FEVER" BY THE BLACK KEYS!!!
Have a great holiday season, everyone. I'll be back next year!!!
20. "Do I Wanna Know?" by Arctic Monkeys
19. "Invisible" by U2
18. "Call Me" by St. Paul and the Broken Bones
17. "On Top of the World" by Imagine Dragons
16. "Chocolate" by The 1975
15. "The Miracle (Of Joey Ramone)" by U2
14. "Gimme Something Good" by Ryan Adams
13. "West Coast" by Lana Del Rey
12. "Supernova" by Ray LaMontagne
11. "U Get Me High" by Tom Petty
10. "Gotta Get Away" by The Black Keys
9. "Take Me to Church" by Hozier
8. "Holding On For Life" by Broken Bells
7. "Do You?" by Spoon
6. "Southern Sun" by Boy and Bear
5. "Coming of Age" by Foster the People
4. "Stolen Dance" by Milky Chance
3. "Come With Me Now" by Kongos
2. "Blue Moon" by Beck
annnnd...the number one song of the year issss.....
"FEVER" BY THE BLACK KEYS!!!
Have a great holiday season, everyone. I'll be back next year!!!
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